Allan J. Ryan, professor in Indigenous and Canadian Studies and the Department of Art History in the School for Studies in Art and Culture, recently received a 2017 Professional Achievement Award from the University of Arizona (UA) Alumni Association.
To accept the award Ryan returned to his old stomping grounds, the UA campus located in Tucson, Arizona, to attend the 2017 convocation ceremony for MA and Ph.D. students in UA’s College of Social and Behavioural Sciences held at the Fox Tucson Theatre, beautifully restored to its former art deco glory.
“Much of the UA campus looks the same as it did 40 years ago, with towering palms and saguaro cacti that account for much of the magic of the locale,” said Ryan.
After convocation, Ryan and his wife Rae, who accompanied him on the trip, attended a brunch at a nearby hotel for all Anthropology graduates and their families where he received an exquisitely engraved wooden plaque to represent his Professional Achievement Award. Upon presenting Ryan with the plaque, Melinda Burke, President of the UA Alumni Association enthusiastically remarked: “Dr. Ryan’s contributions in the field of indigenous art and culture are of immense significance. We are proud to recognize him and know he is a Wildcat for Life!”
Ryan addressed the students and their families and Anthropology faculty by opening with an acknowledgment that the AU campus is located on the traditional territory of the Tohono O’odham and Akimel O’odham peoples and before them the Hohokam. It was, at UA, an uncharacteristic public gesture of respect for the Indigenous peoples of the region not lost on those in attendance. He went on to express his thanks to the University of Arizona Alumni Association, the College of Social and Behavioral Sciences and the School of Anthropology.
“It is hard to believe, but it’s been forty years since my wife Rae and I were last in Tucson – forty years! – and we are happy to be back. Our time here left an indelible mark, and if you are graduating today this might be your experience too. I have a turquoise earring to remind me of my time here … but you don’t have to go that route,” Ryan said to the crowd.
“In the summer of 1975, we drove to Tucson from Winnipeg, Manitoba, in an old Dodge pulling a U-Haul trailer. (By the way, Winnipeg is north of North Dakota.) The car was a gift from my father-in-law, and it did make it to Tucson but died while we were here.”
Ryan continued to reflect, explaining to students that his time and journey as a student of Anthropology at the University of Arizona was truly magical.
“I’d been accepted into the Master’s program in Anthropology, with a specialization in Museum Studies and an assistantship in museum display. This meant that I got to design and refurbish exhibits in the Arizona State Museum. How cool is that?”, Professor Ryan asked.
Before embarking on graduate studies at the University of Arizona Ryan attended the Ontario College of Art in Toronto, now the Ontario College of Art and Design University (the university recently honoured him with an Alumni of Influence Award for Distinguished Educator), where he pursued a dual dream of becoming a graphic designer and singer/songwriter. It was when he was given Dee Brown’s book, Bury My Heart at Wounded Knee, that he became compelled by Indigenous issues, and enrolled in Native Studies at Brandon University (Ryan was also recently honoured with a Distinguished Alumni Award for Career Achievement from Brandon University).
Ryan believes that it was his artistic credentials from the Ontario College of Art coupled with his degree in Native Studies from Brandon University that caused UA to trust him with the prestigious assistantship in museum display. His student experience at UA not only helped Ryan to acquire a wealth of knowledge about Southwest Indian arts and anthropology but ingrained in him the confidence to share his increasing expertise. Which is precisely what he did, returning to Canada to teach in several northern Indigenous communities. Now certain that teaching was the path he wanted to take in life, Ryan went on to complete a Ph.D. in Anthropology at the University of British Columbia, researching humor and irony in contemporary Native art.
Ryan discussed this process in his remarks:
“My Ph.D. brought me back to the Southwest to look at ritual clowning, and later Navajo cartoonists. I also added a critical ethnographic component, interviewing artists, actors, elders, and anyone else who could offer insights into Native humour.
When the thesis was later published as The Trickster Shift, I cited the words of the late UA professor Barbara Babcock at the top of the book’s Introduction. She wrote: ‘clowns are rarely asked what they’re up to and seldom listened to when they’re asked.’ The book was intended to correct that perceived oversight.”
Not long after the book earned an American Book Award, Ryan was offered a new position at Carleton University as the New Sun Chair in Aboriginal Art and Culture, a role he has occupied for the last sixteen years. At Carleton, Ryan teaches courses on Indigenous peoples, Canadian Indigenous cinema and a range of First Nations and Native American visual arts, but the highlight of his academic career so far has to be the Annual New Sun Conference on Aboriginal Arts, which he has organized and hosted since 2002.
“The New Sun Conference is less formal than a conventional conference and more academic than a cultural festival,” Ryan explained. “It focuses on the personal stories of artists in a range of creative endeavours. It is entertaining, enlightening, heartfelt and hopeful – and in the end, inspiring, at a time when mainstream media coverage of Indigenous experience still tends to revel in the tragic, bypassing the wondrous and profound.”
Ryan wrapped up his address to the assembled gathering with some well chosen words of encouragement for the current cohort of UA Anthropology students:
“What I get to do is a small part of a much bigger journey of cultural reclamation and cross-cultural healing. Many of you are embarking on your own personal journey today, and a degree in Anthropology is an invaluable tool in fostering greater empathy and appreciation for cultural difference – something the world is in dire need of right now. Make no mistake, you can definitely make a difference, and I wish you much success. Again, thank you so much for this great honour. Chi miigwetch.”
To further solidify this newly minted connection between UA and Carleton University, Prof. Ryan gave the Director of the School of Anthropology at UA copies of two of his books, to go along with copies that the university already holds in its main library.
He also took with him four copies of the limited edition silkscreen print, Shining Through, which was commissioned from Northwest Coast artist Mike Dangeli to mark the 10th anniversary of the New Sun Conference in 2011. The copies were gifted to the UA Alumni Association, the College, the School of Anthropology, and the Arizona State Museum. At Carleton, framed copies of the print hang in the School of Indigenous and Canadian Studies, and the School for Studies in Art and Culture, as well as in several faculty offices.
As a note of interest, framed copies of the Shining Through print were first given to former FASS Dean John Osborne and Joy Maclaren (New Sun) at the end of the 10th anniversary New Sun Conference. In a surprise but most appropriate gesture recalling the important role of witnessing in West Coast potlatches, copies of the print were also given to everyone else in attendance. Ryan subsequently gave copies to fellow 2016 inductees into Ancaster High School’s Hall of Distinction, and to fellow 2016 award recipients at Brandon University. For the last few years, he has also given copies of the print to all of the presenters at the New Sun Conference.
As Ryan has said on more than one occasion, “it has been a remarkable journey for a kid from art college with a guitar, and it’s not over yet.” Beginning July 1, 2017, Ryan began a six-month sabbatical to work on the manuscript for an online book on the Ojibway artist Carl Beam, who coined the term, “the trickster shift.”