{"id":87,"date":"2009-08-13T13:56:56","date_gmt":"2009-08-13T17:56:56","guid":{"rendered":"http:\/\/carleton.ca\/africanstudies\/?page_id=87"},"modified":"2024-10-08T11:06:50","modified_gmt":"2024-10-08T15:06:50","slug":"christine-duff","status":"publish","type":"cu-people","link":"https:\/\/carleton.ca\/africanstudies\/people\/christine-duff\/","title":{"rendered":"Christine Duff"},"content":{"rendered":"<p>After completing my BA and MA at the University of Victoria, I undertook doctoral studies at the University of Toronto under the direction of Frederick Ivor Case. I earned my PhD in 2003 and arrived in the French Department at Carleton the following year. My principle areas of interest are the literatures in French of the Caribbean and Africa, especially women\u2019s writing. In recent years, I have been drawn to writing of members of the Haitian diaspora in Qu\u00e9bec, with a focus on\u00a0<em>vodou<\/em>\u00a0mythology and on intertextuality.<\/p>\n<p>I currently split my time between the French Department and the Institute of African Studies.<\/p>\n<p><\/p>\n<p><strong>Research Interests<\/strong><\/p>\n<ul>\n<li>The zombie figure in literature<\/li>\n<li>Caribbean literature in French<\/li>\n<li>African literature in French (north and south of the Sahara)<\/li>\n<li>Literary representation of psychic processes<\/li>\n<li>Vodou in literature<\/li>\n<li>Postcolonial literary theory<\/li>\n<li>Intertextuality<\/li>\n<\/ul>\n<p><strong>2024-2025 Courses<\/strong><\/p>\n<ul>\n<li>FREN 2202A (Fall)<\/li>\n<li>FREN 2202B (Winter)<\/li>\n<li>FREN 3050A (Fall)<\/li>\n<li>FREN 3218A (Winter)<\/li>\n<\/ul>\n<p><strong>Books:<\/strong><\/p>\n<p><em>U<\/em><em>nivers intimes:\u00a0 pour une po\u00e9tique de la vie int\u00e9rieure au f\u00e9minin dans la litt\u00e9rature carib\u00e9enne<\/em>. New York : Peter Lang, 2008. Volume 17 in the Caribbean Studies Series (Tamara Alvarez-Detrell and Michael G. Paulson, eds.)<\/p>\n<p><strong>Articles:<\/strong><\/p>\n<p>\u201cStanley P\u00e9an\u2019s Intertextual <em>D\u00e9tours<\/em>\u00a0: the Forest for the Trees.\u201d <em>Quebec Studies <\/em>69 (Spring\/Summer 2020) 89-108.<\/p>\n<p>\u201cLire les r\u00e9seaux intertextuels dans la litt\u00e9rature qu\u00e9b\u00e9coise contemporaine\/Reading Intertextual Networks in Contemporary Qu\u00e9b\u00e9cois Literature\u201d, Introduction (with Catherine Khordoc), <em>Quebec Studies<\/em> 69 (Spring\/Summer 2020) 3-6.<\/p>\n<p>\u201cEzili et Solitude \u00e0 Montr\u00e9al: mythologie des Am\u00e9riques et exp\u00e9rience f\u00e9minine dans <em>Le livre d\u2019Emma<\/em> de Marie-C\u00e9lie Agnant.\u201d <em>Voix et images<\/em> 132 (Spring\/Summer 2019) 137-154.<\/p>\n<p>\u201cWhere Literature Fills the Gaps: Lawrence Hill\u2019s\u00a0<em>The Book of\u00a0\u00a0Negroes<\/em>\u00a0as a Canadian Work of Re-Memory.\u201d\u00a0<em>Studies in Canadian\u00a0Literature\/\u00c9tudes en litt\u00e9rature canadienne\u00a0<\/em>36:2 (2011) 237-254.<\/p>\n<p>\u201cPour une relecture de\u00a0<em>Zoune chez sa ninnaine\u00a0<\/em>de Justin Lh\u00e9risson.\u201d Dans\u00a0<em>Francophonie litt\u00e9raire du Sud\u00a0: un divers singulier\u00a0<\/em>. Sous la direction de Najib Redouane. Paris\u00a0: L\u2019Harmattan, septembre 2006.<\/p>\n<p>\u201cLooking Back to Move Forward\u00a0: The Counter-Poetics of Memory in Contemporary Caribbean Fiction.\u201d\u00a0<em>Journal of Caribbean Literatures\u00a0<\/em>3.2 (Spring 2002)\u00a0: 23-35.<\/p>\n<p><strong>Edited collections<\/strong><\/p>\n<p>Guest co-editor (with Catherine Khordoc), special dossier of <em>Quebec Studies <\/em>69\u00a0 (Spring\/Summer 2020).<\/p>\n<p>With Claudia Labrosse. <em>Corps \u00e9crit, corps \u00e9crivant\u00a0: le corps f\u00e9minin dans les litt\u00e9ratures francophones des Am\u00e9riques<\/em>. Bern: Peter Lang, 2015.<\/p>\n<p><strong>Recent Graduate Supervisions<\/strong>:<\/p>\n<p>Serge Ekomo, MA French, 2018<br \/>\nResearch Essay, \u00ab\u00a0L\u2019identit\u00e9 en question\u00a0: travail de m\u00e9moire et qu\u00eate de l\u2019alt\u00e9rit\u00e9 comme modalit\u00e9s de reconstitution identitaire dans <em>Les Pieds sales<\/em> et <em>Explication de la nuit<\/em> d\u2019Edem Awumey\u00a0\u00bb<\/p>\n<p>Lubuya Tshiswaka, MA French, 2016<br \/>\nResearch Essay, \u00ab\u00a0La repr\u00e9sentation de la folie chez les personnages f\u00e9minins de <em>C\u2019est vole que je vole<\/em> de Nicole Cage-Florentiny et de <em>C\u2019est le soleil qui m\u2019a br\u00fbl\u00e9e <\/em>de Calixthe Beyala\u00a0\u00bb<\/p>\n<p>Omer Koumda, MA French, 2016<br \/>\nResearch Essay, \u00ab\u00a0La question du pouvoir dans <em>La Gr\u00e8ve des b\u00e0ttu<\/em> d\u2019Aminata Sow Fall\u00a0\u00bb<\/p>\n<p>M\u00e9lanie Martin (with Catherine Khordoc) \u201cFemmes rebelles<i>: <\/i>la r\u00e9volte de la danseuse dans trois romans contemporains\u201d (2013)<\/p>\n<p>Morgan Faulkner (with Catherine Khordoc) \u201cLangue et m\u00e9moire dans\u00a0<i>La femme aux pieds nus\u00a0<\/i>de Scholastique Mukasonga\u201d (2010)<\/p>\n<p>Leah Roth \u201cD\u2019une femme \u00e0 l\u2019autre: la transmission de la m\u00e9moire dans <i>Le Livre d\u2019Emma <\/i>et <i>Corregidora<\/i>\u201d (2009)<\/p>\n","protected":false},"template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_links_to":"","_links_to_target":""},"people-type":[255],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - 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