{"id":9634,"date":"2016-10-06T11:25:49","date_gmt":"2016-10-06T15:25:49","guid":{"rendered":"http:\/\/carleton.ca\/africanstudies\/?page_id=9634"},"modified":"2026-09-08T16:53:07","modified_gmt":"2026-09-08T20:53:07","slug":"volume-5","status":"publish","type":"page","link":"https:\/\/carleton.ca\/africanstudies\/nokoko\/volume-5\/","title":{"rendered":"Volume 5"},"content":{"rendered":"\n
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\n Volume 5\n <\/h1>\n \n \n <\/header>\n\n <\/div>\n\n <\/div>\n\n <\/div>\n<\/section>\n\n
\"nokoko-5-cover-page-1\"<\/figure>\n\n\n\n\n\n

Table of Contents – Volume 5
\n<\/strong><\/h2>\n\n\n\n

Front Matter and Table of Contents<\/a><\/p>\n\n\n\n

Editorial Note: Notes on the diaspora, and other things<\/a>
\nby Wangui Kimari and Daniel Tubb<\/p>\n\n\n\n

Filming Home, Plurality of Identity, Belonging and Homing in Transnational African Cinema: A Case Study of the Films Restless Wandering<\/em>, The Place in Between<\/em>, and That\u2019s My Face<\/em><\/a>
\nSuvi Lensu<\/p>\n\n\n\n

“Black against black, blood against blood\u201d: How International Complicity Incubated Genocidal Violence in Rwanda<\/a>
\nBrittany M. Hopkin<\/p>\n\n\n\n

A Discourse Analysis of Three Selected Urhobo Oral Poems<\/a>
\nEmmanuel A. Mede<\/p>\n\n\n\n

African Canadian: Analysis of Social Networks, Exclusion and Economic Participation of Somali Immigrant Women in the GTA<\/a>
\nSophia Jesow<\/p>\n\n\n\n

The Dramatic and Poetic Contents of the Idju Festival of the Agbarha-Ame People of Warri<\/a>
\nPeter Emuejevoke Omoko<\/p>\n\n\n\n

Is Surveillance the Solution? Evaluating CCTV as a Strategy for Addressing Crime in Post-Apartheid Johannesburg, South Africa<\/a>
\nHeather Donkers<\/p>\n\n\n\n

Paysans, afrocolombiens, d\u00e9plac\u00e9s: Leaders entre communaut\u00e9s rurales et urbaines au Choc\u00f3, Colombie<\/a>
\nClaudia Howald<\/p>\n\n\n\n

Contributors<\/a><\/p>\n\n\n\n

Entire Issue of Volume 5 (2016)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Table of Contents – Volume 5 Front Matter and Table of Contents Editorial Note: Notes on the diaspora, and other things by Wangui Kimari and Daniel Tubb Filming Home, Plurality of Identity, Belonging and Homing in Transnational African Cinema: A Case Study of the Films Restless Wandering, The Place in Between, and That\u2019s My Face Suvi Lensu “Black […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":571,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_cu_dining_location_slug":"","footnotes":"","_links_to":"","_links_to_target":""},"cu_page_type":[],"class_list":["post-9634","page","type-page","status-publish","hentry"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/pages\/9634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/comments?post=9634"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/pages\/9634\/revisions"}],"predecessor-version":[{"id":9968,"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/pages\/9634\/revisions\/9968"}],"up":[{"embeddable":true,"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/pages\/571"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/media?parent=9634"}],"wp:term":[{"taxonomy":"cu_page_type","embeddable":true,"href":"https:\/\/carleton.ca\/africanstudies\/wp-json\/wp\/v2\/cu_page_type?post=9634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}