{"id":2552,"date":"2020-10-07T15:23:49","date_gmt":"2020-10-07T19:23:49","guid":{"rendered":"https:\/\/carleton.ca\/chum\/religionpubliclife\/?p=2552"},"modified":"2020-10-09T11:13:20","modified_gmt":"2020-10-09T15:13:20","slug":"janet-tullochs-research-adjunct-professor-latest-exhibit-threads-and-ties-au-fil-des-siecles-open-until-oct-11","status":"publish","type":"post","link":"https:\/\/carleton.ca\/chum\/religionpubliclife\/2020\/janet-tullochs-research-adjunct-professor-latest-exhibit-threads-and-ties-au-fil-des-siecles-open-until-oct-11\/","title":{"rendered":"Janet Tulloch\u2019s (Adjunct Research  Professor) latest exhibit \u201cThreads and Ties\/Au fil des si\u00e8cle\u201ds open until Oct 11"},"content":{"rendered":"<p><strong>Threads and Ties\/Au fil des si\u00e8cles<\/strong><br \/>\nArtists: Janet Tulloch and Lise Perras<br \/>\nStone School Gallery\/La galerie d\u2019\u00e9cole en pierre<br \/>\nPortage du Fort, Qu\u00e9bec<br \/>\nSeptember 11- October 11, 2020<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-2555 alignnone\" src=\"https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch-240x436.jpg\" alt=\"\" width=\"240\" height=\"436\" srcset=\"https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch-240x436.jpg 240w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch-400x726.jpg 400w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch-160x290.jpg 160w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch-768x1394.jpg 768w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch-846x1536.jpg 846w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch-360x654.jpg 360w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/Ancestor_North-Ronaldsay_6x3_2019-JHTulloch.jpg 900w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-2556 alignright\" src=\"https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-240x427.jpg\" alt=\"\" width=\"240\" height=\"427\" srcset=\"https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-240x427.jpg 240w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-400x711.jpg 400w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-160x284.jpg 160w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-768x1365.jpg 768w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-864x1536.jpg 864w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-1152x2048.jpg 1152w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-360x640.jpg 360w, https:\/\/carleton.ca\/chum\/religionpubliclife\/wp-content\/uploads\/20200911_174610-rotated.jpg 1440w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/p>\n<p>The above two images sum up the most important theme of this art exhibition: healing our ancestors through visual stories. They reflect a process which began as a personal reconciliation between a non-indigenous artist\/educator (myself) and a M\u00e9tis artist, Lise Perras, who began introducing me to her M\u00e9tis and First Nations communities in Ottawa a couple of years ago. As artists, we discovered we had similar sensibilities towards our ancestors (Algonquin\/French and Orcadian\/Shetlander). We discussed possibilities of how they might have encountered one another in this country and how we might turn that encounter into an exhibition that could offer Canadians unique insights into indigenous\/non-indigenous relations without falling into ideological narratives. Through many conversations, we discovered that our cultural and familial identities were linked first by a reverence for ancestors and second by the history of the fur trade on the Ottawa river. Given our Religion program\u2019s offerings of courses in Indigenous traditions, students might be more familiar with the Turtle Island Indigenous creation story which tells the narrative of the first ancestors of the Anishinaabe nation and the making of the Earth , captured by Perras\u2019s multi-media 2020 artwork, \u201c\u00cele Tortue\/Turtle Island\u201d. Less familiar, I will assume, is the story of Neolithic Orkney ancestor worship since Neolithic religions typically are not part of Religious Studies courses in Canadian universities \u2013 including ours. Nonetheless, it is the latter subject matter that inspired my \u201cOrcadian Ancestor, North Ronaldsay\u201d (2019) tapestry \u2013 a representation of a single \u201cguard\u201d stone found on my father\u2019s island of birth.<\/p>\n<p>Some of you might remember that Nick Card (University of the Highlands and Islands, Orkney) gave a presentation on Neolithic Orkney in 2017 to the College of Humanities on \u201cThe Secrets of the Ness of Brodgar\u201d. The Ness is a World Heritage designation and currently an archaeological site on Mainland Orkney. \u201cOrkney\u201d is made up of a group of 60 plus islands off the north coast of Scotland; the largest island is referred to as the Mainland. One of the \u201csecrets\u201d divulged by Card and others\u2019 research is a centralized building complex near a narrow strip of land between two lochs (lakes) where scholars theorize that \u201cclans\u201d from all over Orkney during the Neolithic period (4000-2400BCE) came to a central meeting place \u2013 the Ness of Brodgar \u2013 to feast and possibly exchange gifts at critical times of the celestial year. As recognized by the World Heritage organization, the Ness of Brodgar in Mainland Orkney is \u201cground zero\u201d for countless Neolithic burial mounds (e.g. Maes Howe) and stone circles (e.g. Ring of Brodgar) \u2013 sites that are older than Stonehenge. Like the standing stone from North Ronaldsay, Orkney, depicted in my needle-felted tapestry, some of the entrances to the burial mounds align with the setting sun of the winter solstice. As you can imagine, there are all sorts of theories and scholarly disagreements regarding the interpretation of this physical phenomenon. The one fact that can be established from ongoing archaeological work is that Neolithic Orcadians were not indifferent towards their dead. Whatever their cosmological story was, we do know that the sun was a key player in this narrative.<\/p>\n<p>Leaping eons ahead in time and ignoring Skara Brae, a Neolithic site also on Mainland Orkney, the circa first century defensive brochs found throughout Shetland and Orkney (including North Ronaldsay), and the Viking domination of Shetland and Orkney, circa 1000AD (see The Orkneyinga Saga), we arrive in history at the British crown\u2019s royal charter of 1670AD. This charter served as the original articles of incorporation for the Hudson\u2019s Bay Company. Allow me to quickly add that the injustice and audacity of the British Crown to claim, as legal, an exclusive trading monopoly over the entire Hudson Bay drainage basin on a territory it named \u201cRupert\u2019s Land\u201d, is not in dispute here. The need for national reparation and conciliation with First Nations people for our colonialist past is profound and ongoing. What was of interest to myself and Ms Perras was the possibility of how our ancestors might have encountered one another in this country based on a little known fact that by 1799AD, almost 80% of all individuals hired by the HBC to man their fur-trading posts in \u201cRupert\u2019s Land\/Turtle Island\u201d were from Orkney.<\/p>\n<p>For this exhibition, we hypothesized that both sets of ancestors (Algonquin and Orcadian) met during the active years of the fur trade, became economically co-dependent, and partook in intermarriage relations (see Hudson\u2019s Bay Archives). While myself and Ms Perras cannot \u2013 for the moment \u2013 draw a direct link between our families during the fur trading days on the Ottawa river, we know that Portage du Fort, the site of our joint exhibition, as its name suggests, was the key site where the Algonquin made their portages on route to Fort Coulonge, upriver, where a trading post had been established as early as 1685AD. The same trading post was later taken over by the Hudson\u2019s Bay Company.<br \/>\nWhile Ms Perras and I acknowledge the pain and suffering inflicted on both sets of ancestors by the British Crown (Orkney and Shetland became part of Great Britain in 1707), there is no question between us that Indigenous populations suffered far worse consequences from colonialism. It is our shared view that before conciliation can take place between the descendants of our ancient cultures, we must first acknowledge the threads and ties that have bound us together over the centuries and have brought us to this moment in time \u2013 before we can heal the quarrels of the living. As we have found, when one digs deeper into the religious traditions of both sets of ancestors, only briefly alluded to here, one finds symbols, stories, shamanic practices, and spiritual characters that indicate more commonality than difference among us. It is predominantly these religious commonalities that we represent in this exhibition as a way of paying our respects and healing the wounds among our ancestors.<\/p>\n<p>Janet H. Tulloch, PhD<br \/>\nOctober 6, 2020<br \/>\nOttawa, Ontario<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Threads and Ties\/Au fil des si\u00e8cles Artists: Janet Tulloch and Lise Perras Stone School Gallery\/La galerie d\u2019\u00e9cole en pierre Portage du Fort, Qu\u00e9bec September 11- October 11, 2020 The above two images sum up the most important theme of this art exhibition: healing our ancestors through visual stories. They reflect a process which began as [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1,6],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Janet Tulloch\u2019s (Adjunct Research Professor) latest exhibit \u201cThreads and Ties\/Au fil des si\u00e8cle\u201ds open until Oct 11 - 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