{"id":1205,"date":"2019-08-19T08:57:35","date_gmt":"2019-08-19T12:57:35","guid":{"rendered":"https:\/\/carleton.ca\/ctca\/?page_id=1205"},"modified":"2019-11-06T09:23:21","modified_gmt":"2019-11-06T14:23:21","slug":"worlding-the-global-ottawa","status":"publish","type":"page","link":"https:\/\/carleton.ca\/ctca\/partnerships-special-projects\/trace\/worlding-public-cultures\/worlding-the-global-ottawa\/","title":{"rendered":"Worlding the Global: The Arts in the Age of Decolonization"},"content":{"rendered":"<h2>Worlding the Global: The Arts in the Age of Decolonization<\/h2>\n<p>International Academy<br \/>\nOttawa, Ontario, Canada<\/p>\n<p>November 8-10, 2019<\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1310 alignleft\" src=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/worldingposter-240x320.jpg\" alt=\"\" width=\"240\" height=\"320\" srcset=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/worldingposter-240x320.jpg 240w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/worldingposter-160x213.jpg 160w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/worldingposter-768x1024.jpg 768w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/worldingposter-400x533.jpg 400w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/worldingposter-360x480.jpg 360w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/>The Carleton University Centre for Transnational Cultural Analysis, in partnership with the institutional members of TrACE (Transnational and Transcultural Art and Culture Exchange), is proud to present <em>Worlding the Global: The Arts in the Age of Decolonization<\/em>, an international academy designed to collaboratively re-imagine and pluralize the &#8216;global&#8217; from multiple geocultural perspectives. Working in collaboration with <a href=\"https:\/\/www.gallery.ca\/whats-on\/exhibitions-and-galleries\/abadakone-continuous-fire-feu-continuel\"><em>\u00c0badakone \/ Continuous Fire \/ Feu continuel<\/em><\/a>, the International Indigenous Art Exhibition at the National Gallery of Canada, the academy takes as its ethical starting point its situation on unceded Algonquin territory as well as the city of Ottawa&#8217;s entangled settler colonial, migrant, diasporic, and other transnational and transcultural histories. Bringing together local, national, and international scholars, artists, activists, and curators, the academy will facilitate a multi-pronged dialogue on the global in the arts and culture, proposing to understand our global world as a temporally constituted and open-ended process of lived interrelations and interconnections (Glissant 1997; Cheah 2016; Shih 2012).<\/p>\n<p>The academy starts from an understanding of art and its related discourses as world-making practices, which articulate, perform, construct, and analyze the global from entangled positions. This acknowledgment of art&#8217;s world-making capacities is echoed by recent studies in global art history, which call for a fundamental paradigm shift beyond a neoliberal conception of the &#8216;global&#8217; as an expansive network of culture and capital that starts from a colonial centre and disperses to its peripheries. Such binary models of centre versus periphery, colonizer versus colonized, settler versus indigenous, east versus west, north versus south, fail to analyze the complex power and knowledge structures of the world.\u00a0<em>Worlding<\/em>, a concept rooted in phenomenological thinking, is understood as a decolonial &#8220;tactic&#8221; that &#8220;enacts openings of time and consciousness to other values and multiple modes of being&#8221; (Wilson 2008). Michelle Antoinette (2014), for instance, examines how contemporary Southeast Asian art contributes to a project of &#8220;re-worlding&#8221; that not only de-centres Euro-American art-historical imaginaries but also disrupts essentializing narratives about Southeast Asia. Likewise, Sonal Khullar (2015) draws on worlding as a tactic to re-shape art-historical conceptions of the global from the national and international contexts of twentieth-century India, understanding modernism as both projected outward to the world as well as inwardly reflective of the time and place from which specific artworks and ideas are cultivated. More than acknowledging how art worlds have been shaped by globalization, these authors reveal that the necessary work of global art history is that of decolonization, understood as a multi-sited and collaborative engagement with entangled histories, epistemologies, power structures, migrations, culture, and capital (Juneja 2013) that involves critically examining how particular concepts, practices, and knowledges of art-making shape our understanding and being-in-the-world.<\/p>\n<p>Our program comprises a combination of different formats for critically engaged dialogue: from roundtable sessions and panel discussions to an early career researchers&#8217; workshop, networking workshops, artist talks, and a keynote lecture by Shu-mei Shih (UCLA). <em>Worlding the Global: The Arts in the Age of Decolonization\u00a0<\/em>is the first in a series of international academies and symposia organized by <strong>TrACE (Transnational and Transcultural Art and Culture Exchange)<\/strong>, the first transregional consortium dedicated to the study of the arts and culture from critical transnational and transcultural perspectives.<\/p>\n<p>Organized by: Centre for Transnational Cultural Analysis<\/p>\n<p>Conference Committee: Birgit Hopfener, Ming Tiampo, Victoria Nolte, Emily Putnam, and EJ McGillis<\/p>\n<p>With support from the following Carleton University bodies: ODFASS, SSAC, MDS, and ICSLAC<\/p>\n<p>Sponsors: Social Sciences and Humanities Research Council of Canada, Ottawa Embassy Hotel and Suites, Baden-W\u00fcrttemberg Foundation&#8217;s &#8220;Elite-Programm f\u00fcr Postdoktoranden\/-innen&#8221;<\/p>\n<p>Local Partners: Korean Cultural Centre, National Gallery of Canada, SAW Gallery, Universit\u00e9 du Qu\u00e9bec en Outaouais, University of Ottawa<\/p>\n<p>&#8212;<\/p>\n<h3>Schedule of Events<\/h3>\n<p>All scheduled events are free and open to the public. No registration is required.<\/p>\n<p><strong>Download conference program (PDFs)<\/strong>:<br \/>\nFor public program-at-a-glance: <a href=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/Worlding-the-Global-conference-Public-Program-at-a-glance.pdf\">click here<\/a><br \/>\nFor full public program (with speakers&#8217; abstracts and bios): <a href=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/Worlding-the-Global-full-public-program.pdf\">click here<\/a><\/p>\n<p>For conference poster: <a href=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/Worlding-the-Global-forweb.pdf\">click here<\/a><br \/>\nFor keynote poster: <a href=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/Worlding-the-Global-keynote.pdf\">click here<\/a><\/p>\n<p>&#8212;<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Friday November 8, 2019<br \/>\n<\/strong>Korean Cultural Centre<\/span> (150 Elgin Street, Unit 101)<\/p>\n<p>8:30am-9:00am: Welcome &amp; Introduction<br \/>\nKCC Welcome by Director Kim Yongsup<br \/>\nCarleton Welcome by Pauline Rankin (Dean, ODFASS, Carleton University)<br \/>\nIntroduction by Birgit Hopfener and Ming Tiampo<\/p>\n<p>9:00am-11:00am: Panel 1:\u00a0<strong>Decolonizing Modernisms<br \/>\n<\/strong>Chairs: Ruth Phillips (Carleton University) &amp; Ming Tiampo (Carleton University)<\/p>\n<p>Speakers:<br \/>\nSohl Lee (Stony Brook University)<br \/>\nJolene K. Rickard (Cornell University)<br \/>\nSamina Iqbal (Lahore School of Economics)<br \/>\nRolando V\u00e1zquez (Utrecht University)<\/p>\n<p>11:00am-11:15am: Coffee break<\/p>\n<p>11:15am-1:15pm: Panel 2:\u00a0<strong>How we write histories: Shedding light on art\u2019s historiographical multiplicity<br \/>\n<\/strong>Chair: Birgit Hopfener (Carleton University)<\/p>\n<p>Speakers:<br \/>\nViren Murthy (University of Wisconsin-Madison)<br \/>\nNaoki Sakai (Cornell University)<br \/>\nSu Wei (Inside-Out Art Museum, Beijing)<br \/>\nPeter Morin (OCAD University)<\/p>\n<p>1:15pm-2:15pm: Lunch at the Korean Cultural Centre<\/p>\n<p>2:15pm-4:15pm: Panel 3:\u00a0<strong>Collaborative Curating, Curating Collaboration<br \/>\n<\/strong>Chairs: Paul Goodwin (University of the Arts London) &amp; Jonathan Shaughnessy (National Gallery of Canada)<\/p>\n<p>Speakers:<br \/>\nWanda Nanibush (Art Gallery of Ontario)<br \/>\nGeorgiana Uhlyarik (Art Gallery of Ontario)<br \/>\nLiu Ding (Artist, China)<br \/>\nNanne Buurman (University of Kassel)<\/p>\n<p>4:15pm-5:00pm: Afternoon break<\/p>\n<p><span style=\"text-decoration: underline;\">National Gallery of Canada<\/span> (380 Sussex Drive)<\/p>\n<p>5:30pm-6:45pm: Keynote Lecture presented by Carleton University, The Centre for Transnational Cultural Analysis and the National Gallery of Canada<\/p>\n<p><strong>Indigenous Knowledge in a Relational World<br \/>\n<\/strong>Shu-mei Shih (UCLA)<\/p>\n<p>7:00pm-9:00pm:\u00a0<strong>CBC In-the-Making: Laakkuluk Williamson Bathory<br \/>\n<\/strong>Film <a href=\"https:\/\/www.gallery.ca\/whats-on\/calendar\/in-the-making-screening-laakkuluk-williamson-bathory\">screening and discussion<\/a> organized as part of <em>\u00c0badakone \/ Continuous Fire \/ Feu continuel<\/em><\/p>\n<p>&#8212;<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Saturday November 9, 2019<br \/>\n<\/strong>National Gallery of Canada<\/span> (380 Sussex Drive)<\/p>\n<p>10:30am-12:00pm: Panel 4:\u00a0<strong>Art and Indigenous Ways of Knowing<br \/>\n<\/strong>Chairs: Heather Igloliorte (Concordia University) &amp; Carmen Robertson (Carleton University)<\/p>\n<p>Speakers:<br \/>\nBiung Ismahasan (University of Essex)<br \/>\nPeter Morin (OCAD University)<br \/>\nMelissa Cody (Artist, Arizona)<br \/>\nSkawennati (Artist, Montreal)<\/p>\n<p>12:00pm-1:00pm: Lunch<\/p>\n<p>1:00pm-3:00pm: Meet the artists of <em>\u00c0badakone \/ Continuous Fire \/ Feu continuel<\/em><\/p>\n<p><span style=\"text-decoration: underline;\">Galerie UQO<\/span>\u00a0(101 rue Saint-Jean-Bosco, Gatineau, QC)<\/p>\n<p>5:00pm-7:00pm: Roundtable discussion on the occasion of Jinny Yu\u2019s exhibition\u00a0<em>Perpetual Guest:<\/em><\/p>\n<p><strong>Space of suspense between permanence and passing through<\/strong><br \/>\nA conversation with Claudette Commanda (University of Ottawa), Amy Fung (Carleton University), David Garneau (University of Regina) and Jinny Yu (University of Ottawa)<\/p>\n<p>Moderated by Alice Ming Wai Jim (Concordia University)<\/p>\n<p>7:00pm-9:00pm: Reception at Galerie UQO<\/p>\n<p>&#8212;<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>Sunday November 10, 2019<br \/>\n<\/strong>Club SAW<\/span> (67 Nicholas Street)<\/p>\n<p>8:30am-11:30am: Early Career Researchers\u2019 Workshop:\u00a0<strong>Worlding Decolonial Knowledges in Modern and Contemporary Art<br \/>\n<\/strong>Chairs: Victoria Nolte (Carleton University) &amp; Emily Putnam (Carleton University)<\/p>\n<p>Speakers:<br \/>\nAnna Stielau (New York University)<br \/>\nAmy Kahng (Stony Brook University)<br \/>\nEllie Tse (UCLA)<br \/>\nMarisol Villela Balderrama (University of Pittsburgh)<br \/>\nKrista Ulujuk Zawadski (Carleton University)<br \/>\nMaya Wilson-Sanchez (University of Toronto)<\/p>\n<p>11:30am-12:00pm: Coffee break<\/p>\n<p>12:00pm-1:30pm: Panel 5:\u00a0<strong>Worlding Gender<br \/>\n<\/strong>Chair: Laura Horak (Carleton University)<\/p>\n<p>Speakers:<br \/>\nAndrew Gayed (York University)<br \/>\nZairong Xiang (University of Potsdam)<br \/>\nRaven Davis (Artist, Toronto)<\/p>\n<p>1:30pm-2:50pm: Lunch<\/p>\n<p>3:00pm-5:00pm: Panel 6:\u00a0<strong>How we work together: ethics, histories, and epistemologies of artistic collaboration<br \/>\n<\/strong>Chair: Franziska Koch (Heidelberg University)<\/p>\n<p>Speakers:<br \/>\nShao-Lan Hertel (Tsinghua University Art Museum)<br \/>\nKatia Olalde (Universidad Nacional Aut\u00f3noma de M\u00e9xico)<br \/>\nBeth Hinderliter (James Madison University)<br \/>\nTheresa Deichert (Heidelberg University)<\/p>\n<p>5:00pm-6:30pm:\u00a0<strong>World Caf\u00e9<\/strong><\/p>\n<p>World Caf\u00e9 tables:<\/p>\n<p><strong>Worlding<\/strong><br \/>\nModerated by Rebecca Dolgoy &amp; Zairong Xiang<\/p>\n<p><strong>Decolonization<\/strong><br \/>\nModerated by Malini Guha &amp; Aboubakar Sanogo<\/p>\n<p><strong>Relational Comparison<\/strong><br \/>\nModerated by Shu-mei Shih<\/p>\n<p><strong>Biennials at Large: Fit in or Subvert it?\u00a0<\/strong><br \/>\nModerated by Amarildo Ajasse &amp; Amy Bruce<\/p>\n<p><strong>Worlding Memory Studies<\/strong><br \/>\nModerated by Ania Paluch &amp; Emily Putnam<\/p>\n<p><strong>Global Modernisms<\/strong><br \/>\nModerated by EJ McGillis &amp; Maggie Bryan<\/p>\n<p><strong>Worlding Gender: Codes of the Local\/Metaphors for the Global<\/strong><br \/>\nModerated by Andrea Fitzpatrick<\/p>\n<p>6:30pm: Closing party at Club SAW<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Worlding the Global: The Arts in the Age of Decolonization International Academy Ottawa, Ontario, Canada November 8-10, 2019 The Carleton University Centre for Transnational Cultural Analysis, in partnership with the institutional members of TrACE (Transnational and Transcultural Art and Culture Exchange), is proud to present Worlding the Global: The Arts in the Age of Decolonization, [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":630,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Worlding the Global: The Arts in the Age of Decolonization - Centre for Transnational Cultural Analysis 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