{"id":1143,"date":"2019-04-30T12:16:49","date_gmt":"2019-04-30T16:16:49","guid":{"rendered":"https:\/\/carleton.ca\/ctca\/?p=1143"},"modified":"2019-04-30T12:31:24","modified_gmt":"2019-04-30T16:31:24","slug":"a-closer-look-at-contemporary-chinese-art-with-paul-gladston","status":"publish","type":"post","link":"https:\/\/carleton.ca\/ctca\/2019\/a-closer-look-at-contemporary-chinese-art-with-paul-gladston\/","title":{"rendered":"A Closer Look at Contemporary Chinese Art\u2019 with Paul Gladston"},"content":{"rendered":"<div class=\"views-field views-field-title\">\n<p class=\"field-content\">On Wednesday, March 27, 2019, the <b>Ottawa Art Gallery <\/b>hosted a lecture given by Paul Gladston on\u00a0\u2018A Closer Look at Contemporary Chinese Art\u2019.<\/p>\n<table style=\"height: 212px;\" width=\"1218\">\n<tbody>\n<tr>\n<td style=\"width: 296px;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1147 aligncenter\" src=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-3-e1556637587792-240x320.jpg\" alt=\"\" width=\"240\" height=\"320\" srcset=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-3-e1556637587792-240x320.jpg 240w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-3-e1556637587792-160x213.jpg 160w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-3-e1556637587792-768x1024.jpg 768w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-3-e1556637587792-400x533.jpg 400w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-3-e1556637587792-360x480.jpg 360w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/td>\n<td style=\"width: 298px;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1148 aligncenter\" src=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-4-e1556637607598-240x320.jpg\" alt=\"\" width=\"240\" height=\"320\" srcset=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-4-e1556637607598-240x320.jpg 240w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-4-e1556637607598-160x213.jpg 160w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-4-e1556637607598-768x1024.jpg 768w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-4-e1556637607598-400x533.jpg 400w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-4-e1556637607598-360x480.jpg 360w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/td>\n<td style=\"width: 298px;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1153 aligncenter\" src=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-1-240x320.jpg\" alt=\"\" width=\"240\" height=\"320\" srcset=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-1.jpg 240w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-1-160x213.jpg 160w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/td>\n<td style=\"width: 298px;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1154 aligncenter\" src=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-2-240x320.jpg\" alt=\"\" width=\"240\" height=\"320\" srcset=\"https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-2.jpg 240w, https:\/\/carleton.ca\/ctca\/wp-content\/uploads\/PG-at-OAG-2-160x213.jpg 160w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<div class=\"views-field views-field-field-event-details\">\n<div class=\"field-content\">\n<p>During the last four decades, contemporary Chinese art has become increasingly prominent on the international stage. Despite a series of high-profile exhibitions worldwide since the late 1980s and the international fame of the artist Ai Weiwei, the varied significances of contemporary Chinese art nevertheless remain largely obscure to audiences outside China. Contemporary Chinese art is not defined simply by concerns with political censorship within China. It also raises serious issues about the relationship of contemporary art to politics, society and cultural identity more widely. What sort of dialogue do contemporary Chinese artists have with western art and the art of the Chinese diaspora? How do they respond to China\u2019s five-thousand-year history and civilization? In this talk the award-winning cultural historian and critic, Paul Gladston responded to these and other questions by discussing contemporary Chinese art from differing international and localized Chinese perspectives. In doing so, he seeks to open up a broader transcultural understanding of contemporary Chinese art beyond the limited and often prejudicial view of the Euro-American artworld as well as restrictions imposed on the public showing and interpretation of contemporary art inside a still politically authoritarian China.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" src=\"https:\/\/oaggao.ca\/sites\/default\/files\/webmaster\/Gladston%20Headshot%20-%20low%20res.jpg\" alt=\"\" width=\"216\" height=\"289\" \/>Paul Gladston is the inaugural Judith Neilson Professor of Contemporary Art at the University of New South Wales and was previously Professor of Contemporary Visual Cultures and Critical Theory at the University of Nottingham. His recent book-length publications include Contemporary Chinese Art: A Critical History (2014), which received \u2018publication of the year\u2019 at the Award of Art China 2015. He was founding principal editor of the peer-reviewed Journal of Contemporary Chinese Art from 2014 to 2017 and an academic adviser to the internationally acclaimed exhibition Art of Change: New Directions from China staged at the Hayward Gallery-South Bank Centre London in 2012.<\/p>\n<p><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>On Wednesday, March 27, 2019, the Ottawa Art Gallery hosted a lecture given by Paul Gladston on\u00a0\u2018A Closer Look at Contemporary Chinese Art\u2019. During the last four decades, contemporary Chinese art has become increasingly prominent on the international stage. Despite a series of high-profile exhibitions worldwide since the late 1980s and the international fame of [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A Closer Look at Contemporary Chinese Art\u2019 with Paul Gladston - Centre for Transnational Cultural Analysis (CTCA)<\/title>\n<meta name=\"description\" content=\"On Wednesday, March 27, 2019, the Ottawa Art Gallery hosted a lecture given by Paul Gladston on\u00a0\u2018A Closer Look at Contemporary Chinese Art\u2019. 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