{"id":4288,"date":"2021-11-15T19:09:46","date_gmt":"2021-11-16T00:09:46","guid":{"rendered":"https:\/\/carleton.ca\/culturalmediations\/?page_id=4288"},"modified":"2025-08-18T11:08:21","modified_gmt":"2025-08-18T15:08:21","slug":"notices-of-defence","status":"publish","type":"page","link":"https:\/\/carleton.ca\/culturalmediations\/notices-of-defence\/","title":{"rendered":"Notices of Defence"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
PhD Candidate<\/strong><\/td>\nThesis<\/strong><\/td>\nDate of Defence<\/strong><\/td>\n<\/tr>\n
Helen Roumeliotis<\/strong><\/td>\n\n
\n
\n
\n

Pivoting, Participating, and Performing Online: Technological Mediations of Community Music with Aging and Disabled Adults during COVID-19<\/span><\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

September 10, 2025
\n3:00 pm<\/td>\n<\/tr>\n
Casey Gray<\/strong><\/td>\n\n
\n
\n
\n

Assembling Bodies: the museum exhibition as apparatus of bodily production in Canada and the United Kingdom<\/a>\u00a0<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

January 9, 2025
\n10:00 am<\/td>\n<\/tr>\n
Krista Ulujuk Zawadski<\/strong><\/td>\n\n
\n
\n
\n

\u1431\u1581\u144f\u1466 \u1403\u14c5\u14ef\u1593\u1466 \u1583\u144e\u1483\u1455\u14d5\u1595\u14a5\u1466 PIQUTIIT INUUSINGAT QATIKTALINGMIT: CULTURAL AND SOCIAL LIVES OF INUIT PIQUTINGIT<\/span><\/a>
\n<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

December 13, 2024
\n1:00 am<\/td>\n<\/tr>\n
Cara Tierney<\/strong><\/td>\n\n
\n
\n
\n

Art as Gender Pedagogy: A Transdisciplinary Investigation of Art in the Service of Gender Liberation<\/span><\/a>
\n<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

October 10, 2024
\n11:00 am<\/td>\n<\/tr>\n
Kevin Pat Fong<\/strong><\/td>\n\n
\n
\n
\n

Reframing Racial Passing in Asian Diaspora Comics<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

April 26, 2024
\n1:00 pm<\/td>\n<\/tr>\n
Ty Hall<\/strong><\/td>\n\n
\n
\n
\n

A History of Hip Hop in Ottawa<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

May 21, 2024
\n9:00 am<\/td>\n<\/tr>\n
Anna Paluch<\/strong><\/a><\/td>\n\n
\n
\n
\n

From Turtle Island to Vistula\u2019s Shores: Indigenous North American and Eastern European Futurisms in Dialogue<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

January 15, 2024
\n10:30 am<\/td>\n<\/tr>\n
Jessica Marino<\/strong><\/a><\/td>\n\n
\n
\n
\n

Holocaust Memory, Aesthetics and the Dictatorships of the Southern Cone of Latin America: Interconnecting Memories and Traumas<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

December 6, 2023
\n9:00 am<\/td>\n<\/tr>\n
Gemey Kelly<\/a><\/strong><\/td>\n\n
\n
\n
\n

Place and Standing in Canadian Art:Jack Humphrey and the Discourses of Regionalism, 1930\u20131967<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

September 7, 2023
\n9:00 am<\/td>\n<\/tr>\n
Victoria Nolte<\/strong><\/a><\/td>\n\n
\n
\n
\n

One Place and Another: Worldmaking in Asian Canadian Contemporary Art<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

January 17, 2023
\n11:30 am<\/td>\n<\/tr>\n
Marie-Catherine Allard<\/strong><\/a><\/td>\n\n
\n
\n
\n

Reshaping Memory: Counter-narratives in Kindertransport Literature<\/i><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

January 13,\u00a02023
\n9:00 am<\/td>\n<\/tr>\n
Patricia B\u00e9rub\u00e9<\/strong><\/a><\/td>\n\n
\n
\n
\n
\n
\n
\n
\n

Towards a more inclusive museum: developing multi-sensory approaches to the visual arts for visually impaired audiences<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

\n
\n
\n
\n
\n

December 16, 2022
\n1:00 pm<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n

Pansee Abou Elatta<\/a><\/td>\nArtifact-as-trophy: Colonial modalities of Value and Desire in the Museal Construction of Pharaonic Things<\/em><\/a><\/td>\nAugust 31, 2022
\n9:30 am<\/td>\n<\/tr>\n
\n
\n
\n
\n
\n

Lale\u00a0Eskicio\u011flu<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

\n
\n
\n
\n

Beyond Postcolonialism: Urban and Social Realist Turn in Indian and Nigerian Literatures<\/i><\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

\n
\n
\n
\n
\n

April 22, 2022
\n9:30 am<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n

Nicola Oddy<\/strong><\/a><\/td>\n\n
\n
\n
\n

Seeking Awareness of Our Selves and the Environment through Vocal Improvisation in The Singing Field<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

January 6, 2022
\n9:30 am<\/td>\n<\/tr>\n
Amy Bruce<\/strong><\/td>\nResistivity in Contemporary Art Biennials: A Synchronic Analysis<\/em><\/a><\/td>\nJanuary 10, 2022
\n9:30 am<\/td>\n<\/tr>\n
Christina Williamson<\/strong><\/a><\/td>\n\n
\n
\n
\n

Sewing in Arviat: Inuit Women\u2019s Work Through Stories and Parkas\u00a0<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n

November 19, 2021
\n1:00 pm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PhD Candidate Thesis Date of Defence Helen Roumeliotis Pivoting, Participating, and Performing Online: Technological Mediations of Community Music with Aging and Disabled Adults during COVID-19 September 10, 2025 3:00 pm Casey Gray Assembling Bodies: the museum exhibition as apparatus of bodily production in Canada and the United Kingdom\u00a0 January 9, 2025 10:00 am Krista Ulujuk […]<\/p>\n","protected":false},"author":21,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"yoast_head":"\nNotices of Defence - 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