{"id":5051,"date":"2022-04-20T15:32:48","date_gmt":"2022-04-20T19:32:48","guid":{"rendered":"https:\/\/carleton.ca\/culturalmediations\/?page_id=5051"},"modified":"2023-11-08T09:56:48","modified_gmt":"2023-11-08T14:56:48","slug":"bookshelf-scholarly-publications-2","status":"publish","type":"page","link":"https:\/\/carleton.ca\/culturalmediations\/bookshelf-scholarly-publications-2\/","title":{"rendered":"Bookshelf: Publications"},"content":{"rendered":"

<\/a>Browse through publications from Cultural Mediations Students, listed below by date of publication. Images are linked to corresponding text (articles or texts without images are listed further below under author’s name).<\/p>\n

<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a>2022, Victoria Nolte<\/td>\n\"\"2022, Krista Zawadski<\/td>\n\"\"<\/a><\/p>\n

2020, Maki Salmon<\/td>\n

\"\"<\/a>\u00a02022, Anna (Ania) Paluch<\/td>\n\"\"<\/a>2021, Marie-Catherine Allard<\/td>\n\"\"<\/a>2021, Patricia B\u00e9rub\u00e9<\/td>\n<\/tr>\n
\"\"2021, Jessica Paola Marino<\/td>\n\"\"<\/a>2021, Evie Ruddy<\/td>\n\"\"<\/a>2021, Krista Ulujuk Zawadsk<\/td>\n\"\"<\/a>2021, Krista Ulujuk Zawadski<\/td>\n\"\"<\/a>2020, Marie-Catherine Allard<\/td>\n\"\"<\/a>2019, Krista Ulujuk Zawadsk<\/td>\n<\/tr>\n
\"\"<\/a>2019, Krista Ulujuk Zawadsk<\/p>\n

<\/td>\n

\"\"<\/a>2018, Patricia B\u00e9rub\u00e9<\/td>\n\"Cover<\/a>2018, Victoria Nolte<\/td>\n\"\"<\/a>2018, Anna (Ania) Peluch<\/td>\n\"\"<\/a>2018, Krista Ulujuk Zawadski<\/td>\n\"\"<\/a>2018, Krista Ulujuk Zawadski<\/td>\n<\/tr>\n
\"\"<\/a>2018,\u00a0Krista Ulujuk Zawadsk<\/td>\n\"\"<\/a>2016, Marie-Catherine Allard<\/td>\n\"\"<\/a>2016, Patricia B\u00e9rub\u00e9<\/td>\n\"\"<\/a><\/p>\n

2015, Patricia B\u00e9rub\u00e9<\/td>\n

\"\"<\/a>2014, Anna (Ania) Paluch<\/td>\n\"\"<\/a>Patricia B\u00e9rub\u00e9<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Search by Author’s Name<\/h2>\n<\/td>\n<\/tr>\n

A<\/a><\/td>\nB<\/a><\/td>\nC<\/td>\nD<\/td>\nE<\/td>\nF<\/td>\nG<\/td>\nH<\/a><\/td>\nI<\/td>\nJ<\/td>\nK<\/td>\nL<\/td>\nM<\/a><\/td>\n<\/tr>\n
N<\/a><\/td>\nO<\/td>\nP<\/a><\/td>\nQ<\/td>\nR<\/a><\/td>\nS<\/a><\/td>\nT<\/td>\nU<\/a><\/td>\nV<\/td>\nW<\/td>\nQ<\/td>\nY<\/td>\nZ<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/h2>\n

<\/a>A<\/h2>\n

Allard, Marie-Catherine<\/a><\/h3>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. \u201cTranslator\u2019s Introduction: Flight and Refuge in Exile and Internment: Josef Eisinger\u2019s Accidental Immigration to Canada.\u201d Canadian Jewish Studies<\/i>, vol. 31, The Association for Canadian Jewish Studies\/York University Libraries, 2021, pp. 198\u2013204. https:\/\/doi.org\/10.25071\/1916-0925.40223<\/a><\/p>\n

—. \u201cExcerpts of Flucht and Zuflucht:Erinnerunger an Eine Bewegte Jugend, by Josef Eisinger.\u201d Canadian Jewish Studies<\/i>, vol. 31, The Association for Canadian Jewish Studies\/York University Libraries, 2021, pp. 205\u201325. https:\/\/doi.org\/10.25071\/1916-0925.40224<\/a><\/p>\n

—. \u00a0\u201cModelling Bridges Between Past and Current Issues of Forced Migration: Frank Meisler\u2019s Memorial Sculpture Kindertransport \u2013 The Arrival.\u201d\u00a0Jewish Historical Studies<\/i>, vol. 51, no. 1, UCL Press, 2020, pp. 86-104. https:\/\/doi.org\/10.14324\/111.444.jhs.2020v51.007<\/a><\/p>\n

—. “La repr\u00e9sentation spatio-temporel d\u2019un Berlin m\u00e9lancolique dans: Les Ailes du d\u00e9sir (Der Himmel \u00fcber Berlin).” Confetti 2 (2016), <\/em>edited by Alicia Niemann and Marie-Catherine Allard. University of Ottawa, 2016. pp. 77-95.<\/p>\n

Literary Publications<\/strong><\/p>\n

—. Et si… R\u00e9cit po\u00e9tique d’une r\u00e9flexion ang\u00e9lique. <\/em>Edilivre, 2018.<\/p>\n

—. and \u00c9lisabeth Allard. “Table Ronde du Souvenir\u201d La Filiation d\u2019Oscar G\u00e9linas et Yvonne Rheault: De 1658 \u00e0 2017<\/em>. Design Grafik. 2017, pp. 128-129.<\/p>\n

—. “Vendre ou vendu \u00eatre vendu.” La Violoncelliste: collectif po\u00e9sie jeunesse: 33e concours de po\u00e9sie du Mouvement Parlons mieux et 12e concours La magie des mots (adultes), Editions Pourtous,<\/em>\u00a02017, pp. 113-115.<\/p>\n

—. Le Cose invissibili ou L\u2019Art d\u2019appr\u00e9cier le monde diff\u00e9remment. <\/em>Edilivre. 2016.<\/p>\n

—. “L’\u00e9pave du temps.” O Diaspora<\/em>. University of Ottawa, 6 Apr. 2016. https:\/\/odiaspora.wordpress.com\/2016\/04\/06\/lepave-du-temps\/<\/a><\/p>\n

—. “Let the fricative be!.” O Diaspora<\/em>. University of Ottawa, 16 Mar. 2016. https:\/\/odiaspora.wordpress.com\/2016\/03\/16\/let-the-fricative-be\/<\/a><\/p>\n

—. “Tournesol.” O Diaspora<\/em>. University of Ottawa, 26 Feb. 2016. https:\/\/odiaspora.wordpress.com\/2016\/02\/25\/tournesol\/<\/a><\/p>\n

—. “Mon monde.” O Diaspora<\/em>. University of Ottawa, 31 Jan. 2016. https:\/\/odiaspora.wordpress.com\/2016\/01\/31\/mon-monde\/<\/a><\/p>\n

—. “WAW.” O Diaspora<\/em>. University of Ottawa, 14 Jan. 2016. https:\/\/odiaspora.wordpress.com\/2016\/01\/14\/waw\/<\/a><\/p>\n

—. “YUL.” O Diaspora<\/em>. University of Ottawa, 25 Dec. 2015. https:\/\/odiaspora.wordpress.com\/2015\/12\/25\/yul\/<\/a><\/p>\n

—. “Grand-M\u00e8re et ses g\u00e9n\u00e9rations.” O Diaspora<\/em>. University of Ottawa, 3 Dec. 2015. https:\/\/odiaspora.wordpress.com\/2015\/12\/03\/grand-mere-et-ses-generations\/<\/a><\/p>\n

—. “Pr\u00e9occupation d’une g\u00e9n\u00e9ration.” O Diaspora<\/em>. University of Ottawa, 19 Nov. 2015. https:\/\/odiaspora.wordpress.com\/2<\/a><\/p>\n

<\/a>B<\/h2>\n

B\u00e9rub\u00e9, Patricia<\/a><\/span><\/h3>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. \u201cFrom Institutional to Representational Critique: Museum\u2019s Contribution to the Disability Imagery.\u201d The International Journal of the Inclusive Museum, vol. 14, no. 2, 2021, pp. 95\u2013114. https:\/\/doi.org\/10.18848\/1835-2014\/CGP\/v14i02\/95-114<\/a><\/p>\n

Non-Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. \u201cLa Fin Du \u00abne Pas Toucher\u00bb\u202f? L\u2019\u00e8re Est \u00e0 l\u2019immersif Dans Les Mus\u00e9es.\u201d The Conversation, January 3, 2020. http:\/\/theconversation.com\/la-fin-du-ne-pas-toucher-lere-est-a-limmersif-dans-les-musees-125097<\/a><\/p>\n

—. \u201cMuseums Present Visual Art as Beautiful Things You Can Touch.\u201d The Conversation, October 9, 2019. http:\/\/theconversation.com\/museums-present-visual-art-as-beautiful-things-you-can-touch-122448<\/a><\/p>\n

—. \u201cMus\u00e9es: faire une place au toucher.\u201d Revue Dire, vol. 29, no 1, 2018, pp. 12-16.<\/p>\n

—. \u201cL\u2019art au bout des doigts.\u201d Revue Dire, vol. 27, no. 1, 2018, pp. 10\u201315.<\/p>\n

—.\u00a0 \u201cLa petote mort\u201d Ex_situ – Le Corps, vol. 25, 2016, pp. 30-32.
\nhttps:\/\/revueexsitu.com\/numero-25\/<\/a><\/p>\n

—. \u201cL\u2019exposition \u00e0 l\u2019\u00e8re du num\u00e9rique\u202f: vers une m\u00e9diation digitale.\u201d Ex_situ – Transdisciplinarit\u00e9, vol. 24, 2015, pp. 59\u201363. https:\/\/issuu.com\/revueex_situ\/docs\/ex_situ_24_tout_l__ger<\/a><\/p>\n

Master’s Thesis<\/strong><\/p>\n

—. Vers Une Mus\u00e9ographie Num\u00e9rique\u202f: L\u2019impression 3D En Tant Que Dispositif de Traduction Aupr\u00e8s de Publics Malvoyants et Aveugles [Towards a Digital Museography: 3D Printing as a Tactile Translation Device for Visually Impaired and Blind Audiences]<\/em>. 2018. Universit\u00e9 de Montr\u00e9al.\u00a0https:\/\/papyrus.bib.umontreal.ca\/xmlui\/handle\/1866\/20689<\/a><\/p>\n

<\/a>H<\/h2>\n

Hall, Ty<\/a><\/strong><\/h3>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. \u201cBook Review: King Alpha\u2019s Song in a Strange Land: The Roots and Routes of Canadian
\nReggae,\u201d by Jason Wilson. CAML Review (Online)<\/i>, vol. 49, no. 2, 2021, pp. 113\u201315, https:\/\/doi.org\/10.25071\/1708-6701.40418.<\/p>\n

Deaville, James; Hall, Tyler (Research Assistant). \u201cPlay it Again (and Again,
\nand Again): The Superfan and Musical Theater\u201d in The Routledge <\/em>
\nCompanion to the Contemporary Musical<\/em>, 1st Edition. 2020.<\/p>\n

Non-Peer-Reviewed works<\/strong><\/p>\n

Akangah, Andy, and Tyler Hall. 83 \u2018Til Infinity: There Will Be a Future<\/em>. Akarts Comics<\/em>: Ottawa, Canada. 2023.<\/p>\n

—. \u201cFaster, Louder, Snottier: Discovering Green Day in the 1990s,\u201d IASPM Canada<\/em>,
\nAugust 2018.<\/p>\n

Waterman, Ellen; Stewart, Jesse; Hall, Tyler (contributor). “Songs for
\nyour Canadian summer playlist.” The Conversation<\/em>. 2019.
\nhttps:\/\/theconversation.com\/songs-for-your-canadian-summer-playlist\u0002116139<\/p>\n

Master’s Thesis\u00a0<\/strong><\/p>\n

—. Atlanta Trap and the Current Directions of Afrofuturism<\/i>. 2019. Carleton University.<\/p>\n

<\/a>M<\/h2>\n

Marino, Jessica<\/strong><\/a><\/h3>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. “Outlining the Victims of the Holocaust and the Argentinian Dictatorship: Jerzy Sk\u0105pski\u2019s Ka\u017cdy Dzie\u0144 O\u015bwi\u0119cimia and Rodolfo Aguerreberry, Julio Flores, and Guillermo Kexel\u2019s ‘El Siluetazo’.” Genealogy.<\/em> 2023. vol. 7, no. 1, p. 21.\u00a0 https:\/\/doi.org\/10.3390\/genealogy7010021<\/a><\/p>\n

—.\u201cHolocaust Survivor Testimony: Recounting the Past and Framing the Future through Literature, Film, Virtual Reality.\u201d The Scattered Pelican: Graduate Journal of Comparative Literature<\/em>, summer 2021, pp. 16-29. https:\/\/thescatteredpelican.com\/summer-2021\/<\/a><\/p>\n

Master’s Thesis\u00a0<\/strong><\/p>\n

—. Cultural Memory and the Traumatic Past: Examining the Voids in Contemporary German and Uruguayan Literature, Museums, and Film.<\/em> 2018. University of Western Ontario. Electronic Thesis and Dissertation Repository.<\/em> 5580. https:\/\/ir.lib.uwo.ca\/etd\/5580<\/a><\/p>\n

<\/a>N<\/h2>\n

Nolte, Victoria<\/a><\/h3>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. “Toward a Formal Language of Resonance: Diaspora and Place in the Video Works of Jin-me Yoon.” Verge: Studies in Global Asias<\/em> 8, no. 2, Fall 2022. pp. 91-118.<\/p>\n

—. \u201cAsian Canadian Minor Transnationalism: A Method of Comparison,\u201d Asian Diasporic Visual Cultures and the Americas,\u00a0<\/em>vol 4, no. 1-2, 2018, pp. 65-88. https:\/\/brill.com\/view\/journals\/adva\/4\/1-2\/article-p65_65.xml<\/a><\/p>\n

Journal Library Link<\/a><\/p>\n

Non-Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. “The Work of Contemporary Art and Commemoration: Reading Ali Kazimi\u2019s Fair Play<\/em> (2014).” Wissen der<\/em> K\u00fcnste, no. 8, 2019, FG-Graduiertenkolleg \u201cDas Wissen der K\u00fcnste\u201d at Universit\u00e4t der K\u00fcnste Berlin. http:\/\/wissenderkuenste.de\/<\/a><\/p>\n

—. \u201cArtist and Activist Networks: Constituting Asian Canadian Contemporary Art in the 1980s and \u201990s.\u201d Artexte<\/em>, 30 Aug. 2018. https:\/\/artexte.ca\/en\/articles\/artist-and-activist-networks-constituting-asian-canadian-contemporary-art-in-the-1980s-and-90s\/<\/a><\/p>\n

<\/a>P<\/h2>\n

Paluch, Anna (Ania)<\/a><\/h3>\n

Books or Book Chapters\u00a0<\/strong><\/p>\n

\u2014. \u201cThe Baltic Waterways: Mapping Cross-Cultural and Ecological Awareness of the Baltic Sea.\u201d\u00a0Ephemeral Coast: Visualizing Coastal Climate Change<\/em>, edited by Celina Jeffery, Vernon Press, 2022, pp. 67-83.\u00a0https:\/\/vernonpress.com\/book\/1502<\/a><\/p>\n

\u2014. \u201cReflecting on Identity Through the Family Album.\u201d\u00a0Ottawa Hispanic Studies: 27th Edition<\/em>, edited by Luis Abanto and Ana Fernandez, Lugar Comun Editorial, 2018, pp. 77-90.<\/p>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

\u2014. \u201cUnconventional Space as Cultural Dialogue: Installations from the Central-Eastern World,\u201d\u00a0Millefeuilles Journal<\/em>, June 2014, pp. 82-95.\u00a0https:\/\/www.magcloud.com\/browse\/issue\/766615<\/a><\/p>\n

Journal Library link<\/a><\/p>\n

R<\/a><\/h2>\n

Ruddy, Evie<\/a><\/h3>\n

Books or Book Chapters\u00a0<\/strong><\/p>\n

Ruddy, Evie Johnny. “The Hard Part: The Erasure of Queer and Trans Experiences in an Online Debate about Male-Only Barbershops.\u201d Divided: Populism, Polarization and Power in the New Saskatchewan<\/em>, edited by JoAnn M. Jaffe, Patricia Elliott, and Cora Sellers. Fernwood Publishing, 2021, pp. 63-79. https:\/\/ocul-crl.primo.exlibrisgroup.com\/permalink\/01OCUL_CRL\/1gqvnf4\/alma993597216305151<\/a><\/p>\n

S<\/a><\/h2>\n

\u00a0Salmon, Makenzie (Maki)<\/a><\/h3>\n

Master’s Thesis<\/strong><\/p>\n

Zatychies, Makenzie. My Skin Does Not Fit: A Memoir of Growth, Acceptance and Validation.<\/em> 2020. University of Guelph. https:\/\/atrium.lib.uoguelph.ca\/xmlui\/handle\/10214\/17905<\/a><\/p>\n

Literary Publications<\/strong><\/p>\n

Zatychies, Makenzie. \u201cSubtle Eulogies,\u201d The Sheephead Review<\/em>, vol. 42, no. 2, Spring 2020, pp. 42-43.<\/p>\n

—. \u201cPrintemps in Portugal.\u201d Kaleidoscope Magazine<\/em>, 2018.<\/p>\n

T<\/a><\/h2>\n

Noah Taj<\/a><\/h3>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

—<\/em>. \u201cOn Rooting Religious Studies: The Metaphysical Proposal of Ren\u00e9 Gu\u00e9non.\u201d The Philosophical Forum.<\/em> 6, 2023, p. 1-24. https:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/phil.12330<\/a><\/p>\n

—. <\/em>\u201cIbn Kam\u0101l’s Fatw\u0101 on Ibn \u02bfArab\u012b: Study & Translation.\u201d Journal of Muhyiddin Ibn Arabi Society<\/em>, vol. 72, 2022, pp. 37-64. https:\/\/www.academia.edu\/94112135\/Ibn_Kam%C4%81l_s_Fatwa_on_Ibn_%CA%BFArab%C4%AB_A_Study_and_Translation<\/a><\/p>\n

Non-Peer-Reviewed Journal Articles<\/strong><\/p>\n

—. “Book Review: Philosophical Sufism: An Introduction to the School of Ibn al-‘Arab\u012b by Mukhtar H. Ali.” Studia Islamica, vol. 117, 2022, pp. 380-3. https:\/\/www.academia.edu\/90995861\/Review_of_Ali_Philosophical_Sufism_An_Introduction_to_the_School_of_Ibn_al_Arab%C4%AB%20https:\/\/www.academia.edu\/64375453\/Review_of_Rustom_The_Condemnation_of_Pride_and_Self_Admiration<\/a>

—. “Book Review: Al-Ghaz\u0101l\u012b on Condemnation of Pride and Self-Admiration: Kit\u0101b dhamm al-kibr wa\u2019l-\u02bfujb: Book XXIX of the Revival of the Religious Sciences translated by Mohammed Rustom.” Al-Abhath, vol. 69, no. 1, 2021, pp. 244-7.<\/p>\n

Master’s Thesis<\/strong><\/p>\n

—. The Fount Of Ma\u02bfrifa: Commentarial Theory & Practice in the Writings of Bah\u0101\u02be al-D\u012bn al-Qazw\u012bn\u012b (d. 580\/1184). 2022. Carleton University, Master’s Thesis. https:\/\/www.academia.edu\/85461697\/The_Fount_Of_Ma%CA%BFrifa_Commentarial_Theory_and_Practice_in_the_Writings_of_Bah%C4%81%CA%BE_al_D%C4%ABn_al_Qazw%C4%ABn%C4%AB_d_580_1184_<\/a><\/p>\n

<\/a>Z<\/h2>\n

Krista Ulujuk Zawadski<\/a><\/h3>\n

Books or Book Chapters<\/strong><\/p>\n

\u2014. and Ezra Anton Greene.\u00a0Isummiqtauniq: Thought Gifts.<\/em>\u00a0Isuma.tv online book, 2019.\u00a0http:\/\/www.isuma.tv\/isuma-book\/essays\/isummiqtauniq-thought-gift<\/a><\/p>\n

Peer-Reviewed Journal Articles<\/strong><\/p>\n

—.\u201cLines of Discovery on Inuit Needle Cases, Kakpiit<\/i>, in Museum Collections.\u201d Museum Anthropology<\/em>, vol. 41, no.1, 2018, p. 61-75. https:\/\/doi.org\/10.1111\/muan.12169<\/a><\/p>\n

—.\u00a0 \u201cBook Review: Decolonizing Research: Indigenous Storywork as Methodology<\/em>.\u201d\u00a0Material Culture Review<\/em>, no. 88\/89, National Museum of Science & Technology, 2018, p. 103\u2013.<\/p>\n

— and Greene, Ezra Anton. \u201cMore Than Needle and Thread: Inuit Knowledge Sharing and Well-Being through Community-Based Programs.\u201d The American review of Canadian studies, vol.<\/em> 52, no. 3, 2022, p. 277\u2013292. https:\/\/doi-org.proxy.library.carleton.ca\/10.1080\/02722011.2022.2103335<\/a><\/p>\n

Non-Peer-Reviewed Journal Articles<\/strong><\/p>\n

—.\u00a0 \u201cThe Traditional Knowledge Hidden in Qamani\u2019tuaq\u2019s Wallhangings.\u201d Inuit Art Quarterly<\/em>, vol. 33, no.1, 2020, pp.30-41.\u00a0https:\/\/www.inuitartfoundation.org\/iaq-online\/threading-memories?fbclid=IwAR0Cj3y6bSHAK6Vov4tOBo5fW0w5LwipSrPeT3qJKACk1_C0VptL8Dr48Vc<\/a><\/p>\n

—. \u201cGlass Beads in Inuit Needlework From Past to Present.\u201d Inuit Art Quarterly<\/em>, vol. 32, no. 5, 2019, pp. 15-22.\u00a0https:\/\/www.inuitartfoundation.org\/iaq-online\/glass-beads-in-inuit-needlework-from-past-to-present<\/a><\/p>\n

—. and Jo Poortenaar. \u201cIndelible Ink: The Enduring Images of Nungusuituq.\u201d Inuit Art Quarterly<\/em>, vol. 32, no. 3, 2019, pp.52-54.<\/p>\n

Conference Proceedings<\/strong><\/p>\n

\u2014. \u201cQaujimanira: Inuit Art as Autoethnography.\u201d\u00a0\u00a0Ab-Original: Journal of Indigenous Studies and First Nations and First Peoples\u2019 Cultures<\/em>, vol. 2, no. 2, 2018, pp. 151-156. doi:\u00a0https:\/\/doi-org.proxy.library.carleton.ca\/10.5325\/aboriginal.2.2.0151<\/a><\/p>\n

Master\u2019s Thesis<\/strong><\/p>\n

—. Where Do We Keep Our Past?\u202f: Working towards an Indigenous Museum and Preserving Nunavut\u2019s Archaeological Heritage.\u00a0<\/em>2016. University of British Columbia.\u00a0 https:\/\/open.library.ubc.ca\/collections\/ubctheses\/24\/items\/1.0319085<\/a><\/p>\n

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Browse through publications from Cultural Mediations Students, listed below by date of publication. Images are linked to corresponding text (articles or texts without images are listed further below under author’s name). 2022, Victoria Nolte 2022, Krista Zawadski 2020, Maki Salmon \u00a02022, Anna (Ania) Paluch 2021, Marie-Catherine Allard 2021, Patricia B\u00e9rub\u00e9 2021, Jessica Paola Marino 2021, […]<\/p>\n","protected":false},"author":29,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"yoast_head":"\nBookshelf: Publications - Cultural Mediations<\/title>\n<meta name=\"description\" content=\"Browse through publications from Cultural Mediations Students, listed below by date of publication. 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