{"id":507,"date":"2011-09-26T12:32:22","date_gmt":"2011-09-26T16:32:22","guid":{"rendered":"http:\/\/carleton.ca\/icslac\/?page_id=507"},"modified":"2015-04-29T10:36:20","modified_gmt":"2015-04-29T14:36:20","slug":"livingstereo","status":"publish","type":"page","link":"https:\/\/carleton.ca\/culturalmediations\/livingstereo\/","title":{"rendered":"Living Stereo Conference"},"content":{"rendered":"

(\u00a0\u00a0<\/strong>(\u00a0\u00a0<\/strong>(\u00a0\u00a0<\/strong>(\u00a0\u00a0\u00a0<\/strong>Living Stereo<\/em><\/strong>\u00a0\u00a0\u00a0)<\/strong>\u00a0\u00a0)<\/strong>\u00a0\u00a0)<\/strong>\u00a0\u00a0)<\/strong><\/h1>\n

History, Culture, Multichannel Sound<\/strong><\/h2>\n

A Symposium organized by the Sound Studies Group,
\nInstitute for Comparative Studies in Literature, Art & Culture
\nCarleton University, Ottawa
\n<\/strong>March 9 \u2013 11, 2012<\/strong><\/p>\n

Keynote speakers:
\nDr. Jonathan Sterne, McGill University
\nDr. Tim J. Anderson, Old Dominion University<\/p>\n

This conference is about the history and significance of stereo sound reproduction in aural culture. Stereo is everywhere: the whole culture and industry of music and sound became organized around the principle of stereo during the mid twentieth century. But nothing about this \u2013 not the invention or acceptance or ubiquity of stereo \u2013 was inevitable. Nor did the aesthetic conventions, technological objects, and listening practices required to make sense of stereo emerge fully formed, out of the blue.<\/p>\n

\"Interface2012\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

(\u00a0\u00a0(\u00a0\u00a0(\u00a0\u00a0(\u00a0\u00a0\u00a0Living Stereo\u00a0\u00a0\u00a0)\u00a0\u00a0)\u00a0\u00a0)\u00a0\u00a0) History, Culture, Multichannel Sound A Symposium organized by the Sound Studies Group, Institute for Comparative Studies in Literature, Art & Culture Carleton University, Ottawa March 9 \u2013 11, 2012 Keynote speakers: Dr. Jonathan Sterne, McGill University Dr. Tim J. Anderson, Old Dominion University This conference is about the history and significance of stereo […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":15,"comment_status":"open","ping_status":"open","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"yoast_head":"\nLiving Stereo Conference - Cultural Mediations<\/title>\n<meta name=\"description\" content=\"(\u00a0\u00a0(\u00a0\u00a0(\u00a0\u00a0(\u00a0\u00a0\u00a0Living Stereo\u00a0\u00a0\u00a0)\u00a0\u00a0)\u00a0\u00a0)\u00a0\u00a0) History, Culture, Multichannel Sound A Symposium organized by the Sound Studies Group, Institute for Comparative\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/carleton.ca\/culturalmediations\/livingstereo\/\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/carleton.ca\/culturalmediations\/livingstereo\/\",\"url\":\"https:\/\/carleton.ca\/culturalmediations\/livingstereo\/\",\"name\":\"Living Stereo Conference - 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