{"id":27889,"date":"2019-11-21T10:49:49","date_gmt":"2019-11-21T15:49:49","guid":{"rendered":"https:\/\/carleton.ca\/fass\/?post_type=cu_story&p=27889"},"modified":"2025-02-03T11:30:17","modified_gmt":"2025-02-03T16:30:17","slug":"hopes-and-dreams-for-carleton-dominion-chalmers-centre","status":"publish","type":"cu_story","link":"https:\/\/carleton.ca\/fass\/story\/hopes-and-dreams-for-carleton-dominion-chalmers-centre\/","title":{"rendered":"Hopes and Dreams for Carleton Dominion-Chalmers Centre (CDCC)"},"content":{"rendered":"\n
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\n Hopes and Dreams for Carleton Dominion-Chalmers Centre (CDCC)\n <\/h1>\n \n <\/header>\n <\/div>\n\n <\/div>\n\n \n\n <\/div>\n<\/section>\n\n\n\n
\"Director
Director of Carleton Dominion-Chalmers Centre, Mara Brown<\/figcaption><\/figure><\/div>\n\n\n\n

When most people start a new job, they spend a few days getting settled and focusing on the small details, such as arranging their offices, \ufb01guring out the email and phone systems, and \ufb01nding the bathroom and lunchroom.<\/p>\n\n\n\n

Not Mara Brown, the \ufb01rst director of the Carleton Dominion-Chalmers Centre<\/a> (CDCC) \u2014 the historic United Church in downtown Ottawa that the university is transforming into an arts, performance, and learning centre.<\/p>\n\n\n\n

\u201cThis is the \u2018hopes and dreams\u2019 stage,\u201d Brown said in spring 2019, just a few days after arriving in the city to begin her new position.<\/p>\n\n\n\n

\u201cI wholeheartedly invite people to share their ideas and aspirations for the centre.\u201d<\/p>\n\n\n\n

Although Brown has a resum\u00e9 that\u2019s tailor-made for the unique challenge of running a facility like the CDCC \u2014 more on that in a minute \u2014 she spent her \ufb01rst few weeks at Carleton meeting with and talking to as many colleagues and community members as possible to gain a deep understanding of the tapestry of perspectives on the centre\u2019s possibilities.<\/p>\n\n\n\n

\u201cThe vision and planning for the centre continues to evolve,\u201d she says.<\/p>\n\n\n\n

\u201cHopefully, it will always continue to evolve to meet the ever-changing needs of the community. But one of my top priorities is to help create an environment where everyone feels welcome the moment they walk through the doors.\u201d<\/p>\n\n\n\n

\"The
The acoustics are revered in the main performance hall, also known as The Sanctuary, which hosts a myriad of talented artists and speakers.<\/figcaption><\/figure>\n\n\n\n

The acoustics are revered in the main performance hall, also known as The Sanctuary, which hosts a myriad of talented artists and speakers.<\/p>\n\n\n\n

Destined for the Directorship<\/h3>\n\n\n\n

Like the proverbial job seeker who spots a \u201cHelp Wanted\u201d sign outside a business and brings the notice inside to the proprietor (because they know the role is right for them), Brown seemed destined for the directorship of the CDCC.<\/p>\n\n\n\n

\u201cThe position is a hybrid of my past lives,\u201d she says. \u201cIt\u2019s a blend of education, community outreach, arts management, production, and capital renovations.\u201d<\/p>\n\n\n\n

Brown moved to Ottawa from Toronto, where she most recently worked as the senior operations manager for the Tafelmusik Baroque Orchestra and Chamber Choir, an organization based at Trinity-St. Paul\u2019s \u2014 a United Church with a 700-seat sanctuary that\u2019s also a social justice and arts centre.<\/p>\n\n\n\n

She was responsible for all production and logistical leadership, supported the music director, and made significant contributions to the organization\u2019s operations through special projects and renovations. She also managed Tafelmusik\u2019s instrument bank and the maintenance of instruments, including the organ and harpsichords.<\/p>\n\n\n\n

Because Trinity-St. Paul\u2019s is a true community centre, home to a Montessori school, dance classes, and support group meetings, and serves as a rehearsal and performance space for a wide spectrum of arts groups (from musical theatre and opera to poetry, and spoken word), she also had to ensure that Tafelmusik functioned smoothly within a larger context.<\/p>\n\n\n\n

The Carleton Dominion-Chalmers Centre is not the same as Trinity-St. Paul\u2019s, of course. First and foremost, it has to serve the university community.<\/p>\n\n\n\n

But to Brown, that\u2019s not a constraint. Rather, it\u2019s the foundation from which so many collaborative opportunities can emerge.<\/p>\n\n\n\n

\"Carleton
The future of philanthropy requires finding ways to engage millennials and new donors with institutions, said several speakers at a discussion co-hosted by Carleton University on the \u201cnew landscape\u201d of philanthropy on Wednesday (Feb. 27).\u2028\nCarleton and magazine The Walrus partnered on this latest edition of the national event series, \u201cThe Walrus Talks.\u201d This most recent edition was held at Dominion-Chalmers United Church, now owned by Carleton, on Feb. 27, 2018.\n\nCreator: Fangliang Xu\n\nCarleton University internal use only.<\/figcaption><\/figure>\n\n\n\n

Carleton President Benoit-Antoine Bacon discusses \u201csmart philanthropy\u201d in a speech he delivered to an enthusiastic crowd for The Walrus Talks, an event held at CDCC.<\/p>\n\n\n\n

A Belief in the Value of Artistic Expression<\/h3>\n\n\n\n

Brown grew up on a farm in southern Ontario. Her parents believed in the value of artistic expression, dance and music were a big part of her life.<\/p>\n\n\n\n

Living in the country, Brown often had to tap into her rural resourcefulness on DIY arts projects, which sparked an interest in production, lighting, and set design.<\/p>\n\n\n\n

She went on to earn a Bachelor of Fine Arts in dance at York University and a Bachelor of Education at Trent University, and then combined those two worlds, co-founding a collective that enlisted retired arts profes-sionals to mentor youth in everything from lighting and sound to acting and hip hop.<\/p>\n\n\n\n

Brown has also developed arts-based ESL curriculum for students in South Korea, has been involved with arts initiatives in Iqaluit, and mining communities in England, and was part of a team that started an environmentally sustainable construction company that diverts thousands of pounds of waste from landfill each year.<\/p>\n\n\n\n

\u201cI\u2019ve travelled from rural Ontario to Versailles, France, thanks to arts projects,\u201d she says.<\/p>\n\n\n\n

\u201cI\u2019ve had an opportunity to be involved in every element of stage shows, from the smallest detail behind the scenes to the performances themselves. A willingness to problem solve and collaborate with others has brought forth opportunities to work with amazing people on very inspiring projects.\u201d<\/p>\n\n\n\n

Big Plans for the Carleton Dominion-Chalmers Centre<\/h3>\n\n\n\n

At the Carleton Dominion-Chalmers Centre, the stage expansion is finished, the Ottawa Symphony Orchestra is on board as a partner, and music will be a large part of programming going forward.<\/p>\n\n\n\n

But other Faculty of Arts and Social Sciences (FASS) staples, from Film Studies to English, may also find a new home. The chapel, just off the sanctuary, could be converted into a small screening room for films.<\/p>\n\n\n\n

The summer was busy with small renovations, including boiler replacements, electrical upgrades for the air conditioning system, roof repairs, and basic updates to the centre\u2019s classrooms and other peripheral spaces. Festivals including Chamberfest and Music and Beyond will continue to use the CDCC amid the improvements.<\/p>\n\n\n\n

In the fall of 2019, courses in Carleton\u2019s Learning in Retirement program began being offered at the centre, along with drama courses. Some of the university\u2019s musical ensemble groups (including choir, fusion, chamber, musical theatre and opera ensembles) will also start to use it for rehearsals.<\/p>\n\n\n\n

Carleton\u2019s practice carillon \u2014 a smaller version of the instrument on Parliament Hill \u2014 will be set up at the CDCC and other large instruments, such as a harpsichord and bigger percussion pieces, will be relocated there as well.<\/p>\n\n\n\n

\u201cEvery room is being planned to be multi-functional,\u201d says Brown, who likes the idea of bringing lifelong learning to the centre, as well as parents\u2019 and babies\u2019 programs, so all ages benefit and community engagement flourishes, including interactions between Carleton students and their fellow Ottawans.<\/p>\n\n\n\n

\u201cThere\u2019s a real momentum at Carleton and in the city to energize community partnerships,\u201d she says.<\/p>\n\n\n\n

\u201cCommunity, cultural, and creative hubs are important throughout the world. They take different shapes in different places, but lend themselves to social and economic growth.\u201d<\/p>\n\n\n\n

Other plans include a Carleton archivist working with the church congregation to review the church archives and options for preservation and to shine a light on their stories.<\/p>\n\n\n\n

Architecture students from the university, meanwhile, have already come through and used new laser scanning technology to document the building as part of a building pathology and rehabilitation course.<\/p>\n\n\n\n

\u201cAmidst the great learning and interaction opportunities within the centre, there is also going to be the chance for students to walk out the doors and have access to the downtown community, which will expand their experi-ences in the city,\u201d Brown adds, noting that the O-Train will eventually be able to zip people back and forth.<\/p>\n\n\n\n

The Importance of Community Dialogue<\/h3>\n\n\n\n

FASS, under the leadership of Dean Pauline Rankin<\/a>, is responsible for the CDCC.<\/p>\n\n\n\n

On May 28, 2019, the faculty hosted a community dialogue event at the centre, seeking input from members of the greater Ottawa community to help shape the vision for community programs.<\/p>\n\n\n\n

Many people attended and raised ideas about multidisci-plinary programs, providing accessible rehearsal space for students, supporting youth and marginalized communities, and beyond.<\/p>\n\n\n\n

Brown is receptive to all input \u2014 it\u2019s part of her philosophy of listening and openness \u2014 and she does have a loose roll-out plan in mind.<\/p>\n\n\n\n

The first full year of Carleton\u2019s management should feature plenty of trial and error while monitoring how the university and community user groups interact with the space.<\/p>\n\n\n\n

There will also be a focus on community outreach and engagement to develop rich and meaningful collaborative opportunities, emphasizing new and exciting experiential learning for students.<\/p>\n\n\n\n

Once operations find a good rhythm and community collaborations start to vibrantly fill the space, the focus can shift to future program ideas and larger capital projects, including the creation of a professionally equipped recording studio and new art installations.<\/p>\n\n\n\n

\u201cThe space is to be safe and welcoming in order to foster programming that is multi-generational, inclusive, and diverse,\u201d says Brown.<\/p>\n\n\n\n

\u201cA dream would be to host at least one event per year where the university and community groups could fill the entire facility, and where people could move from room to room to experience different performances or exhibits.<\/p>\n\n\n\n

\u201cThis type of event could allow visitors to become more fully aware of the centre\u2019s footprint and user potential, and would hopefully encourage people to feel more at home by getting to know all the nooks and spaces at the Carleton Dominion-Chalmers Centre.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

At the Carleton Dominion-Chalmers Centre, the stage expansion is finished, the Ottawa Symphony Orchestra is on board as a partner, and music will be a large part of programming going forward.<\/p>\n","protected":false},"author":3,"featured_media":0,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_story_type":[775,588],"cu_story_tag":[],"class_list":["post-27889","cu_story","type-cu_story","status-publish","hentry","cu_story_type-creative-expression","cu_story_type-fassinate-2019"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/cu_story\/27889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/cu_story"}],"about":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/types\/cu_story"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":5,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/cu_story\/27889\/revisions"}],"predecessor-version":[{"id":33120,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/cu_story\/27889\/revisions\/33120"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/media?parent=27889"}],"wp:term":[{"taxonomy":"cu_story_type","embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/cu_story_type?post=27889"},{"taxonomy":"cu_story_tag","embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/cu_story_tag?post=27889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}