{"id":15998,"date":"2015-10-13T10:51:20","date_gmt":"2015-10-13T14:51:20","guid":{"rendered":"https:\/\/carleton.ca\/fass\/?p=15998"},"modified":"2024-08-09T07:42:36","modified_gmt":"2024-08-09T11:42:36","slug":"your-guide-to-the-inagural-african-film-festival-of-ottawa","status":"publish","type":"post","link":"https:\/\/carleton.ca\/fass\/2015\/your-guide-to-the-inagural-african-film-festival-of-ottawa\/","title":{"rendered":"Your Guide to the Inaugural African Film Festival of Ottawa"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n            <div class=\"cu-textmedia flex flex-col lg:flex-row mx-auto gap-6 md:gap-10 my-6 md:my-12 first:mt-0 max-w-5xl\">\n        <div class=\"justify-start cu-textmedia-content cu-prose-first-last\" style=\"flex: 0 0 100%;\">\n            <header class=\"font-light prose-xl cu-pageheader md:prose-2xl cu-component-updated cu-prose-first-last\">\n                                    <h1 class=\"cu-prose-first-last font-semibold !mt-2 mb-4 md:mb-6 relative after:absolute after:h-px after:bottom-0 after:bg-cu-red after:left-px text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] pb-5 after:w-10 text-cu-black-700 not-prose\">\n                        Your Guide to the Inaugural African Film Festival of Ottawa\n                    <\/h1>\n                \n                                \n                            <\/header>\n\n                    <\/div>\n\n            <\/div>\n\n    <\/div>\n<\/section>\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/Guide-to-the-African-Film-Festival-of-Ottawa-1_Page_01-1000x1294.jpg\" alt=\"African Film Festival Poster\" class=\"wp-image-18051\"\/><\/figure><\/div>\n\n\n\n<p>AFRICAN FILM FESTIVAL OF OTTAWA (AFFO)<\/p>\n\n\n\n<p class=\"p2\">Carleton University\u2019s Film Studies Department and Institute of African Studies, the African Group of Ambassadors and High Commissioners in Canada and the Canadian Film Institute are pleased to present the inaugural <b>African Film Festival of Ottawa (AFFO), <\/b>held over two weeks, on <b>October 16-18 and October 23-25, 2015 <\/b>in the <b>River Building Theater of the Carleton University Campus. <\/b><\/p>\n\n\n\n<p class=\"p2\">The cinemas of Africa have consistently delivered some of most impressive, urgent, and engaged films in contemporary world cinema. The project of this new annual festival is to showcase the best in contemporary African cinema and offer a complex, nuanced and doubly moving image of Africa. It seeks to engage audiences in a conversation on Africa around the moving image by presenting Africa and Africans through the cinematic voices and visions of the continent\u2019s filmmakers themselves.<\/p>\n\n\n\n<p class=\"p2\">The films selected primarily celebrate emerging voices from across the five regions of the African continent as well as its historical diaspora. They range across a number of genres from futurist to political thriller, melodrama to horror, social realist to fantasy. They are at once celebratory and critical, contemplative and reflexive, elegiac and prospective. The films have been screened, won awards, or entered for nomination at FESPACO (Pan African Film Festival of Ouagadougou), the Durban International Film Festival, the Cannes Film Festival, The Berlin Film Festival, the Toronto International Film Festival, the American Film Institute Film Festival and the Academy Awards (Oscars) among others.<\/p>\n\n\n\n<p class=\"p2\">For this first edition of the festival, the following countries are represented (in alphabetical order): Benin, Burkina Faso, Cameroon, C\u00f4te d\u2019Ivoire, Democratic Republic of the Congo, Ethiopia, Ghana, Haiti, Kenya, Madagascar, Morocco, Nigeria, South Africa and Tunisia. Together they represent both the major and emerging film producing countries across the continent.<\/p>\n\n\n\n<h3 id=\"schedule-of-screenings-and-synopsis-of-the-films\" class=\"has-text-align-center p1 wp-block-heading\">SCHEDULE OF SCREENINGS AND SYNOPSIS OF THE FILMS<\/h3>\n\n\n\n<p class=\"p2\"><span style=\"text-decoration: underline;\"><b>Fri\/Ven 16 Oct \/ 19:00 (Opening Night!) <\/b><\/span><\/p>\n\n\n\n<p class=\"p2\"><b><i>AFRICA PARADISE<br>\n<\/i><\/b><b>Dir: Sylvestre Amoussou | Benin 2006, | 86 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"363\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-1.jpg\" alt=\"Scene from Africa Paradise\" class=\"wp-image-18050\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-1.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-1-200x94.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-1-400x189.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-1-768x362.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p2\">Amoussou\u2019s clever comedic satire inverts the world economic and power structures. In his scenario, Europe has become underdeveloped due to acute economic and political crisis, while Africa has been experiencing a very thriving development. Africans are no longer emigrating; it is the Europeans who flee their dire situations to come to Africa. Witness Olivier and Pauline: an engineer and teacher from France, who can no more decently live in their country, and decide to immigrate into the United States of Africa. Unfortunately they don&#8217;t manage to get an entry visa and therefore call on a smuggler. From then on their life is turned upside down, and they face the grim realities of immigration: the tenuous position of illegal immigrants, the difficulty to find decent jobs, and the political use of immigration in this other U.S.A. Witty and telling, AFRICA PARADISE is a clever overturning of the geopolitical status quo. <b>English sub-titles<\/b>.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Africa Paradis Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/IsB-vxM2Vko?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><b>Preceded by: <i>FASA<br>\n<\/i><\/b><b>Dir: Laza | Madagascar 2015 | 16 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"355\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-2.jpg\" alt=\"FASA movie poster\" class=\"wp-image-18049\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-2.jpg 674w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-2-200x105.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-2-400x211.jpg 400w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">This fascinating, poetic short drama deals with the connection between the world of the living and the world of the ancestors, mediated by the Zebu cattle. Fasa, who was orphaned very young because of a zebu thief, decides to use her poems to contact her long lost father. <b>English sub-titles.<\/b><\/p>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><b>Sat\/Sam 17 Oct \/ 14:00 <\/b><\/span><\/p>\n\n\n\n<p class=\"p1\"><b><i>SOUNDIATA THE AWAKENING OF THE LION<br>\n<\/i><\/b><b>Animation |Dir: Abel Kouam\u00e9\/ Cote d&#8217;Ivoire 2014 | 70 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-3-1000x348.jpg\" alt=\"SOUNDIATA THE AWAKENING OF THE LION\" class=\"wp-image-18048\"\/><\/figure><\/div>\n\n\n\n<p class=\"p1\">In this family-friendly adaptation of the one of Africa&#8217;s greatest epics, Abidjan-based Africatoon studio offers a feature 3D animation biopic on the founder of the Mande Empire. They recast the major stages of the life of great Soundiata Keita from sibling rivalry and his conquest of physical disability to his exile and return to save the Mande from the dominance of the terrifying, megalomaniac and putatively invincible Soumangourou Kante. The film ends with the proclamation of the Mande Charter, considered by UNESCO as one of the oldest human rights documents and part of the Intangible Cultural Heritage of Humanity. A must-see for children and family!!! <b>English sub-titles.<\/b><\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SOUNDIATA - LE REVEIL DU LION - Tr\u00e8s bient\u00f4t\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/-1k_KxokKvY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><b>Sat\/Sam 17 Oct \/ 16:00 <\/b><\/span><\/p>\n\n\n\n<p class=\"p1\"><b><i>NINAH\u2019S DOWRY<br>\n<\/i><\/b><b>Dir: Victor Viyouh | Cameroon 2012 | 95 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"364\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-5.jpg\" alt=\"NINAH\u2019S DOWRY\" class=\"wp-image-18047\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-5.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-5-200x95.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-5-400x189.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-5-768x363.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">A mother of three, Ninah is stuck in an abusive relationship with no hope of change. Her family lives off her meagre earnings from farm work while her husband, Memfi, drinks away his equally modest earnings as a shepherd. When she learns that her father is seriously ill and her husband refuses to let her go to see him, Ninah realizes that she cannot take the abuse anymore and flees. Memfi pursues her, determined to either recover the dowry he paid or take home the woman he owns\u2014by any means necessary. As a result, an extraordinary series of dramatic, suspenseful events takes place across the sprawling Cameroon landscape. Writer-director Victor Viyouh\u2019 s powerful story is filled with complex characters, and Mbufung Seikeh, as&nbsp;Ninah, makes a screen debut that is nothing short of astonishing. <b>English sub-titles.<\/b><\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ninah&#039;s Dowry Teaser Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zLJWEbVP4F0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><b>Sat\/Sam 17 Oct \/ 19:00 <\/b><\/span><\/p>\n\n\n\n<p class=\"p1\"><b><i>PRICE OF LOVE<br>\n<\/i><\/b><b>Dir: Hermon Hailay | Ethiopia 2015 | 99 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"364\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-6.jpg\" alt=\"PRICE OF LOVE\" class=\"wp-image-18046\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-6.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-6-200x95.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-6-400x189.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-6-768x363.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">One of the leading female filmmakers in Ethiopia, Hermon Hailay\u2019s third feature, offers a gritty dramatic portrait of the sinister underworld of Addis Ababa&#8217;s prostitution rings. Outside a fancy nightclub, the alluring young Fere frantically jumps into a taxi after freeing herself from the grip of a middle-aged man. Examining Fere in his rearview mirror, cab driver Teddy can guess that she, like thousands of young Ethiopian women &#8211; including his own mother- was lured into the dark world of prostitution networks. Growing up on the street after his mother died when he was a teenager, Teddy had fallen into addiction, until the priest to whom his mother had entrusted his care gave him a second chance by lending him the money to buy a cab licence. As Fere and Teddy grow closer, they discover that falling in love can liberate, but the cruel reality is that it comes with a very high price. Selected in Official Competition at FESPACO 2015 where it won the Special Prize of Ouagadougou. It has gone on to compete in numerous international film festivals (most recently, TIFF) and has won multiple awards.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"PRICE OF LOVE Trailer | Festival 2015\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/-g_1fxcRAHk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><b>Preceded by: <i>ZAKARIA<br>\n<\/i><\/b><b>Dir: Leyla Bouzid | Tunisia 2013 | 28 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"432\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-7.jpg\" alt=\"ZAKARIA\" class=\"wp-image-18045\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-7.jpg 599w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-7-200x144.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-7-400x288.jpg 400w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">Zak is living in a village in Southern France. He has a quiet life, with his wife and his two kids. When he learns about his father&#8217;s death in Algeria, he decides to go there with his family. Sarah, his daughter, refuses to come with him. Complications mount.<\/p>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><b>Sun\/Dim 18 Oct \/ 16:00 <\/b><\/span><\/p>\n\n\n\n<p class=\"p1\"><b><i>OJUJU<br>\n<\/i><\/b><b>Dir: C.J. \u2018Fiery\u2019 Obasi | Nigeria 2014 | 95 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"364\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-8.jpg\" alt=\"OJUJU\" class=\"wp-image-18044\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-8.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-8-200x95.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-8-400x189.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-8-768x363.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">\u201cConsidering the massive output of the Nollywood film industry, it was probably inevitable that it would eventually get around to appropriating that most familiar of Hollywood tropes, the zombie film. The result is this horror film\u2026 brings the flesh-eating creatures to a Nigerian slum. Winner of the Best Nigerian Movie award at last year&#8217;s African International Film Festival, Ojuju was recently showcased at the Brooklyn Academy of Music&#8217;s New Voices in Black Cinema. Although made on an obviously miniscule budget, this enterprising genre film is very well crafted. Infused with both sly humor and genuine thrills. Set in a teeming Lagos slum, it provides an all-too-realistic explanation for the sudden transformation of its inhabitants into desiccated figures with an appetite for human flesh: It&#8217;s the result of a contaminated water supply, which is certainly a problem endemic to the African nation. Among those first affected is local drug dealer Fela, who gets bitten early on and suffers the predictable ill consequences as a result. The film&#8217;s hero is Romero (a charismatic Gabriel Afolayan) &#8211; the name&#8217;s inspiration is obvious &#8211; who discovers that his pregnant girlfriend has become infected. Along with his friends Emmy (Kelechi Udegbe) and Peju (Omowunmi Dada), he desperately searches for a solution to the situation while trying to stay alive in the process.\u201d <i>(Hollywood Reporter).<\/i><\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"OJUJU Official Teaser Trailer | A Film by C.J. &#039;Fiery&#039; Obasi\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/w04umSkXvNo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><b>Preceded by: <i>SISTER OYO<br>\n<\/i><\/b><b>Dir: Monique Phoba Mbeka | Democratic Republic of Congo 2014 | 24 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"278\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-9.jpg\" alt=\"SISTER OYO\" class=\"wp-image-18043\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-9.jpg 500w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-9-200x111.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-9-400x222.jpg 400w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">In 1950s colonial Congo, a Congolese schoolgirl, Godelive, lives in a Catholic boarding school in Mbanza-Mboma, the first school teaching French to Congolese.<\/p>\n\n\n\n<p class=\"p1\">According to the wishes of her parents, Godelive is becoming \u2018westernized,\u2019 but her grandmother thinks otherwise. A potent short drama about the politics of history. <b>English sub-titles.<\/b><\/p>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><b>Fri\/Ven 23 Oct \/ 19:00 <\/b><\/span><\/p>\n\n\n\n<p class=\"p2\"><b><i>PEGASUS<br>\n<\/i><\/b><b>Dir: Mohamed Mouftakir | Morocco 2010 | 104 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"364\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-10.jpg\" alt=\"Pegasus scene\" class=\"wp-image-18042\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-10.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-10-200x95.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-10-400x189.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-10-768x363.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p2\">Talented writer-director Mouftakir\u2019s acclaimed first feature is a penetrating psychological drama about memory, gender, and the clash of the old and the new in contemporary Morocco. Zineb is an emotionally exhausted psychiatrist assigned to Rihana, a traumatized and pregnant young woman found in the street muttering unintelligibly about \u201cThe Lord of the Horse.\u201d A flashback sequence returns us to Rihana\u2019s childhood, where her dictatorial father, horseman chief of his tribe, raises her as the son his legacy demands. Trapped in parental delusions, Rihana falls in love with a young man with whom she carves out the beginnings of her own life. Soon, Rihana\u2019s story awakens repressed thoughts in Zineb\u2019s own troubled mind, and reality merges into a haunted fever-dream of fear and denial in this visually striking, award-winning psychological thriller. <b>English sub-titles<\/b>.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"PEGASUS (Pegase)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/bqlF5-D9Swc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><b>Preceded by: <i>KWAKU ANANSE<br>\n<\/i><\/b><b>Dir: Akosua Adoma Owusu | Ghana 2013, | 26 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"282\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-11.jpg\" alt=\"KWAKU ANANSE\" class=\"wp-image-18041\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-11.jpg 590w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-11-200x96.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-11-400x191.jpg 400w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">The traditional West African fable of Kwaku Ananse is combined with the story of a young outsider named Nyan Koronhwea attending her estranged father&#8217;s funeral. Nyan&#8217;s father led two separate lives with two wives and two families &#8211; one in Ghana, one in the United States. Nyan&#8217;s 9<\/p>\n\n\n\n<p class=\"p1\">ambivalence about her father&#8217;s double life is a reflection of a broader truth about the nature of our personal relationships.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.youtube.com\/watch?v=VwjCwJv8saM\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><b>Sat\/Sam 24 Oct \/ 16:00 <\/b><\/span><\/p>\n\n\n\n<p class=\"p1\"><b><i>NAIROBI HALF LIFE<br>\n<\/i><\/b><b>Dir: David \u2018Tosh\u2019 Gitonga | Kenya 2012 | 96 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"365\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-13.jpg\" alt=\"NAIROBI HALF LIFE\" class=\"wp-image-18040\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-13.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-13-200x95.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-13-400x190.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-13-768x364.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">Screened at the 2013 Pan African Film Festival, NAIROBI HALF LIFE revolves around the story of Mwas, an aspiring young actor who moves to the big city, as so many do, to realize his dreams. Playing on Nairobi&#8217;s nickname &#8220;Nairobbery,&#8221; Mwas experiences the harsh realities of big city life early. The film then follows him as he hooks up with a group of local thieves who become a band of brothers. The film depicts their antics, as well as Mwas&#8217;s efforts to break into acting. He ends up leading a double life as a petty crook and that of an aspiring actor. The two lives become increasingly intertwined as the film&#8217;s climax features a series of unexpected twists. Gritty and energetic, the film also maintains a sense humour throughout. Impressive. <b>English sub-titles<\/b>.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.youtube.com\/watch?v=VHXWOJRFMpM\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><b>Preceded by: <i>TWAAGA<br>\n<\/i><\/b><b>Dir: Cedric Ido | Burkina Faso 2013 | 30 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"341\" height=\"512\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-14.jpg\" alt=\"Twaaga movie poster\" class=\"wp-image-18039\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-14.jpg 341w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-14-200x300.jpg 200w\" sizes=\"auto, (max-width: 341px) 100vw, 341px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">Burkina Faso in 1987 is a country in the throes of revolution. Manu, an eight-year-old who loves comics, tags along with Albert, his big brother. When Albert decides to undergo a magic ritual to become invincible, Manu realizes there are real powers to rival those of his comic-book superheroes. <b>English sub-titles<\/b><span class=\"s1\">.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"TWAAGA teaser\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/uiAXrryFXVY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><strong>Sat\/Sam 24 Oct \/ 19:00<\/strong><\/span><\/p>\n\n\n\n<p class=\"p1\"><b style=\"line-height: 1.5;\"><i>OF GOOD REPORT<br>\n<\/i><\/b><b>Dir: Jahmil X.T. Qubeka | South Africa 2013 | 101 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"364\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-15.jpg\" alt=\"OF GOOD REPORT\" class=\"wp-image-18038\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-15.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-15-200x95.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-15-400x189.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-15-768x363.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">\u201cThe drama concerns a shy, spindly, bespectacled young man called Parker Sithole, played by Mothusi Magano. Parker is new in town, having turned up to take a job teaching English literature in a high school: we see him earnestly preparing lessons on Keats and Shakespeare. He is, as his headteacher puts it, \u2018of good report,\u2019 with a great degree result and fine references. But his landlady doesn&#8217;t trust this quiet, secretive new tenant, and Parker&#8217;s male colleague, a boozy reprobate called Vuyani recognises a strange darkness in him. Parker is troubled by family memories and flashbacks to gruesome military service in the Democratic Republic of Congo, and his lethally non-mousy side is revealed when there is a spark of desire between him and a pert teenage girl in his class\u2026 Their affair unleashes a macabre spasm of sexual obsession and violence. Watching this brazenly shocking and gripping film, I remembered the feeling I had on seeing Christopher Nolan&#8217;s low-budget black-and-white debut, <i>Following. <\/i>Here is a director who is going places.\u201d Peter Bradshaw <i>(The Guardian). <\/i><\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"OF GOOD REPORT Trailer | Festival 2013\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/6HkWNZq-6u0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\"><span style=\"text-decoration: underline;\"><b>Sun\/Dim 25 Oct \/ 16:00 (Closing Film!) <\/b><\/span><\/p>\n\n\n\n<p class=\"p1\"><b><i>LUMUMBA<br>\n<\/i><\/b><b>Dir: Raoul Peck | Haiti 2000 | 115 minutes<\/b><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"365\" src=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-16.jpg\" alt=\"LUMUMBA\" class=\"wp-image-18037\" srcset=\"https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-16.jpg 770w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-16-200x95.jpg 200w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-16-400x190.jpg 400w, https:\/\/carleton.ca\/fass\/wp-content\/uploads\/sites\/46\/African-Film-Festival-of-Ottawa-16-768x364.jpg 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/figure><\/div>\n\n\n\n<p class=\"p1\">The true story of the rise to power and brutal assassination of the first Prime Minister of independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of this mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States of America, the international community, and Lumumba&#8217;s own administration; a true story of political 11<\/p>\n\n\n\n<p class=\"p1\">intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political power<b>. English sub-titles<\/b>.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LUMUMBA (2000), Dir. RAOUL PECK\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/iLh4LGadxoU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"p1\">NOTE: All films are presented in their original languages with <b>English sub-titles.<\/b><\/p>\n\n\n\n<h3 id=\"practical-information\" class=\"has-text-align-center p1 wp-block-heading\">PRACTICAL INFORMATION<\/h3>\n\n\n\n<p class=\"p1\"><b>Directions: <\/b><\/p>\n\n\n\n<p class=\"p1\">All screenings will take place in the River Building Theater of Carleton University. The address is: 2200 River Building, 42 Campus Avenue, Carleton University, 1125 Colonel By Drive, Ottawa, ON K1S 5B6-Phone 613-520-2600.<\/p>\n\n\n\n<p class=\"p1\">For more information on how to get to the River Building Theater, please click on the following link from the Canadian Film Institute: <span class=\"s1\">Link <\/span><\/p>\n\n\n\n<p class=\"p1\"><b>Ticketing <\/b><\/p>\n\n\n\n<p class=\"p1\">For general admission, the Canadian Film Institute will set up a box office at the entrance of the River Building Theater before the beginning of the screening. Please click on the following CFI link for more information: <span class=\"s1\">Link <\/span><\/p>\n\n\n\n<p class=\"p1\"><b>Opening Reception <\/b><\/p>\n\n\n\n<p class=\"p1\">An opening reception will be offered by the Dean of the Faculty of Arts and Social Sciences of Carleton University around 9.30pm on Friday, October 16 after the screenings of <i>Fasa <\/i>and <i>Africa Paradis <\/i>in the Atrium of the River Building. You are cordially invited to attend.<\/p>\n\n\n\n<p class=\"p1\"><b>Contact <\/b><\/p>\n\n\n\n<p class=\"p1\">For more information about the event, please contact us at the following addresses:<\/p>\n\n\n\n<p class=\"p1\"><b>General information<\/b>:<\/p>\n\n\n\n<p class=\"p2\"><span class=\"s2\">Kumru Bilici: <\/span><a href=\"mailto:affoinfo@gmail.com\">affoinfo@gmail.com<\/a><\/p>\n\n\n\n<p class=\"p1\"><b>Specific and more details<\/b>:<\/p>\n\n\n\n<p class=\"p1\"><strong>Aboubakar Sanogo<\/strong>: <span class=\"s3\"><a href=\"mailto:aboubakar.sanogo@carleton.ca\">aboubakar.sanogo@carleton.ca<\/a> <\/span>(Film Studies Department) &#8211; Phone 613-520-2600 ext. 2346<br>\n<strong>Blair Rutherford<\/strong>: <span class=\"s3\"><a href=\"mailto:blair.rutherford@carleton.ca\">blair.rutherford@carleton.ca<\/a> <\/span>(Institute of African Studies) &#8211; Phone: 613-520-2600, ext. 2422 or 2601<br>\n<strong>Jerrett Zaroski<\/strong>: <span class=\"s3\"><a href=\"mailto:zaroski@cfi-icf.ca\">zaroski@cfi-icf.ca<\/a> <\/span>and Tom McSorley: <span class=\"s3\"><a href=\"mailto:mcsorley@cfi-icf.ca\">mcsorley@cfi-icf.ca<\/a> <\/span>(Canadian Film Institute) &#8211; Phone: Tel: 613-232-6727<\/p>\n\n\n\n<h2 id=\"more-information\" class=\"has-text-align-center p1 wp-block-heading\"><a href=\"http:\/\/www.cfi-icf.ca\/index.php?option=com_cfi&amp;task=showevent&amp;id=150&amp;Itemid=1456\">More information<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>AFRICAN FILM FESTIVAL OF OTTAWA (AFFO) Carleton University\u2019s Film Studies Department and Institute of African Studies, the African Group of Ambassadors and High Commissioners in Canada and the Canadian Film Institute are pleased to present the inaugural African Film Festival of Ottawa (AFFO), held over two weeks, on October 16-18 and October 23-25, 2015 in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16018,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[72,52,90,75],"tags":[135],"class_list":["post-15998","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-african-studies","category-events","category-fass-news","category-film-studies","tag-african-film-festival"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts\/15998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/comments?post=15998"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts\/15998\/revisions"}],"predecessor-version":[{"id":34225,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/posts\/15998\/revisions\/34225"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/media?parent=15998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/categories?post=15998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/carleton.ca\/fass\/wp-json\/wp\/v2\/tags?post=15998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}