{"id":28263,"date":"2020-01-17T15:03:45","date_gmt":"2020-01-17T20:03:45","guid":{"rendered":"https:\/\/carleton.ca\/fass\/?p=28263"},"modified":"2024-08-09T07:41:37","modified_gmt":"2024-08-09T11:41:37","slug":"cdcc-one-year-anniversary-george-hinchliffes-ukulele-orchestra-of-great-britain","status":"publish","type":"post","link":"https:\/\/carleton.ca\/fass\/2020\/cdcc-one-year-anniversary-george-hinchliffes-ukulele-orchestra-of-great-britain\/","title":{"rendered":"Celebrating the First Academic Year at CDCC with George Hinchliffe\u2019s Ukulele Orchestra of Great Britain"},"content":{"rendered":"\n
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\n Celebrating the First Academic Year at CDCC with George Hinchliffe\u2019s Ukulele Orchestra of Great Britain\n <\/h1>\n \n \n <\/header>\n\n <\/div>\n\n <\/div>\n\n <\/div>\n<\/section>\n\n\n\n

George Hinchliffe\u2019s Ukulele Orchestra of Great Britain<\/h3>\n\n\n\n

Date: April 07, 2020 at 7:30pm (doors at 7:00pm)
\nLocation: Carleton Dominion-Chalmers Centre, 355 Cooper Street, Ottawa
\nTickets: $35 + HST
\nStudent tickets: $30 + HST<\/p>\n\n\n\n

The Ukulele Orchestra<\/a> is a touring musical group which has been delighting audiences, raising the roof, selling out performances, and receiving standing ovations since 1985. This all-singing, all strumming group has been performing for 35 years using only a fistful of ukuleles and maintaining that all genres of music are available for reinterpretation.<\/p>\n\n\n\n

The premise sounds astoundingly simple: instruments, voices, no gimmicks, no light show. Yet the New York Times<\/em> exclaim that \u2018they extract more than seems humanly possible from so small and so modest an instrument\u201d and millions have enthused over the years about the fact that the Orchestra tears the house down with a lively, touching, catchy, emotive, stomping show, threaded with humour and wit which inexplicably draws the audience in, to a joyous world beyond the conflicts of musical genres and transcending differences between a serious concert and entertainment.<\/p>\n\n\n\n

As soon as the performers walk on stage, the audience feels that they are in safe hands, at home with friends who are totally in command of the art, craft, and magic of the stage. Sitting in chamber group format, and dressed in formal evening wear (regardless of the time of day or the venue, whether Glastonbury Festival or Carnegie Hall), it uses the limitations of the instrument to create a musical freedom as it reveals unsuspected musical insights.<\/p>\n\n\n\n

At this point, the audience may well sit back, all prior assumptions forgotten, and allow the Orchestra, which has sixteen-handedly changed the face of the ukulele world, to give what the Independent<\/em> raved as “the best musical entertainment in the country\u201d.<\/p>\n\n\n\n

The first gig, intended as a one-off bit of fun was an instant sell out and led to national radio, TV, album recordings and international tours. Since then the Orchestra has become what the Observer<\/em> called \u201ca much loved institution\u201d giving thousands of concerts, TV, and radio appearances all over the world. There have been tours in Britain, across Europe, Scandinavia, New Zealand, Australia, Japan, China America, Canada and the North Pole. They also had the honour to perform, by invitation of The Prince of Wales, at the private 90th Birthday party of Her Majesty the Queen at Windsor Castle.<\/p>\n\n\n\n

The Ukulele Orchestra have released CDs and DVDs on their own independent label. The orchestra\u2019s music has been used in films, plays, and commercials. The Financial Times<\/em> praised \u201cThe sophisticated sound they make \u2013 both percussive and melodic \u2013 is at once hilarious and heartfelt\u201d<\/p>\n\n\n\n

The programme will be announced from the stage. There will be a 20 minute intermission.<\/p>\n\n\n\n

\"George
George Hinchliffe\u2019s Ukulele Orchestra of Great Britain<\/figcaption><\/figure>\n\n\n\n

About the Members<\/h3>\n\n\n\n

Musical Director<\/strong>: George Hinchliffe
\nManagement<\/strong>: Jodi Cartwright
\nSound<\/strong>: Doug Beveridge<\/p>\n\n\n\n

Dave Suich<\/h4>\n\n\n\n

Dave has worked as a teacher, a drama & a special needs specialist, and is a Makaton signer. For many years he was a compere at Glastonbury Festival for the Theatre Stage. Dave has been with the Orchestra for 35 years and notes that he has \u201cjammed with a Beatle and performed for a Rolling Stone\u201d as well as discussed gardening with HRH Prince Charles. At the same Chamber Music Chicago Festival at which the Kronos String Quartet played Purple Haze in the 80s, Dave introduced the Ukulele Orchestra version of Born To Be Wild to the north American audience.<\/p>\n\n\n\n

When Dave is not touring with the Orchestra he may be found instead with his bluesy group: The World Wide Whelks, or on his allotment.<\/p>\n\n\n\n

Peter Brooke-Turner<\/h4>\n\n\n\n

At over 2 metres tall, Peter Brooke Turner may well the tallest ukulele player in the world \u2013 he is certainly the tallest in the Ukulele Orchestra. He was born in Portugal and grew up in the Soviet Union, Brazil, America, Finland and Italy. After false starts on the violin, trumpet and guitar, he finally discovered the ukulele and joined the Ukes in 1995.<\/p>\n\n\n\n

He has released three albums under his pseudonym Tony Penultimate and has worked with many well known showbiz names in the UK and has even lent his uke to Tiny Tim. He fronted his own \u2018Ukulele Kings\u2019 rock group in the 90s.<\/p>\n\n\n\n

Peter has started the worlds first high altitude drama company \u2013 the ATTC (Airline Toilets Theatre Company) which has subsequently produced over twenty high quality, low budget songs, sketches and shows (all on Peter\u2019s iPhone) from this oft neglected performance area. They can be viewed online.<\/p>\n\n\n\n

Ben Rouse<\/h4>\n\n\n\n

Ben was born in Cornwall but grew up in Hampshire. At the age of 8 he began playing the drums, turning to the guitar at age 11. At 23, Ben formed the rock band Purple Monkey, which became a popular band along the South coast of England. At 25, he decided to learn the violin and mandolin and formed the folk duo, Teapot Junkies, releasing two albums of original material. He went on to teach himself the saxophone, flute, trumpet and banjo.<\/p>\n\n\n\n

At 30, Ben decided that a proper job might be necessary and earned himself an HND in electronics but in 2007 was drawn back to music when he saw the Ukulele Orchestra perform on \u2018Jools Holland Hootenanny\u2019. The next day he bought a ukulele and began performing and teaching workshops at festivals around the UK until, in 2014, he was invited to play with the Orchestra, he has since toured America, China, Europe, Scandinavia and the UK with them.<\/p>\n\n\n\n

Richie Williams<\/h4>\n\n\n\n

Born in Liverpool, Richie took up the guitar at thirteen. He played with many local bands through his teens, including sharing the bill with Ralph McTell at Liverpool University and with Thin Lizzy at The Cavern. During this time he also roadied for Frank Zappa and Status Quo.<\/p>\n\n\n\n

After studying music at college in Liverpool, he moved to London in the 80s where he played with Snake Davis on Motown tours backing Mary Wells, Martha Reeves, Ben E.King and Edwin Starr \u2013 this led him to meeting George, at that time playing the Hammond organ.<\/p>\n\n\n\n

In 1985, George invited him to play baritone ukulele in his new project with Kitty Lux \u2013 a Ukulele Orchestra. Within 2 years, Richie had moved to Yorkshire, and for ten years, he juggled playing with two local bands with the Ukes gigs.<\/p>\n\n\n\n

Richie moved to Dorset in 2001. He has since travelled the world with the Ukes playing venues most musicians can only dream of!<\/p>\n\n\n\n

Leisa Rea<\/h4>\n\n\n\n

Leisa\u2019s has worked as an actor, director, comedy writer and teacher. Her professional directorial debut in 1991 of Oscar Wilde\u2019s The Selfish Giant<\/em>, won the Lloyds Theatre Challenge and was performed at the National Theatre in London.<\/p>\n\n\n\n

Since then, she has taught Stand Up Comedy at the Soho Theatre, directed several smash-hit comedy shows, written and performed two critically acclaimed solo shows, and for some time, was one half of the duo, Adams & Rea, who scooped the Musical Comedy Awards prize in 2009.<\/p>\n\n\n\n

Alongside this, Leisa co-created a theatre show with Miranda Hart and was one of the writers for the pilot episodes of BAFTA nominated \u2018Miranda\u2019 on the BBC. When she\u2019s not on tour with the Orchestra, Leisa is a creative consultant for several organisations offering training, workshops and advice.<\/p>\n\n\n\n

She joined the Ukulele Orchestra in 2003 and found it to be the perfect home for her colourful backstory.<\/p>\n\n\n\n

Will Grove-White<\/h4>\n\n\n\n

Will began playing with the Ukulele Orchestra of Great Britain in 1989, when he was just 16 years old, after seeing them perform in a North London pub and pestering George endlessly for sheet music.<\/p>\n\n\n\n

After University Will began a career directing and producing television documentaries, one of which won a Royal Television Society Award (as well as others that very much didn\u2019t). Luckily the Ukulele Orchestra took over and he\u2019s been a musician ever since. His voice has been described as \u201csuitably insane-sounding\u201d by the New York Times<\/em>. He can also balance a ukulele on his chin, which is useful.<\/p>\n\n\n\n

Will records his own solo albums and writes and produces music for television and radio. He’s written eight library music albums for Universal and Warner\/Chappell, one of which won a Library Music Award in 2015 (they\u2019re a bit like the Oscars only more prestigious). In 2014 he wrote the book \u2018Ukulele for Beginners\u2019 for Hachette press. He now lives in South London with his wife and two sons and is currently learning how to speak Welsh.<\/p>\n\n\n\n

Jonty Bankes<\/h4>\n\n\n\n

Jonty was serenaded to sleep as a child by his father playing Bach on the cello, inevitably he learned to appreciate music and knew from an early age that he wanted to be a performer. His formative years were spent playing music and acting. He discovered and fell in love with the bass in 1972.<\/p>\n\n\n\n

Moving to London to try an acting career in 1980 he met Dave Suich and acted in his show until the bassist left and he took over; he changed from struggling actor to struggling musician. He supplemented his income as a London double decker bus driver and has since discovered he drove Will to school.<\/p>\n\n\n\n

Jonty became a full time musician in the early 90\u2019s joining the orchestra in 1992 while also recording and touring with Ray Davis, Louisiana Red, Marcus Malone and John Mayall. He can also be heard whistling on many TV soundtracks and commercials.<\/p>\n\n\n\n

He currently lives in Germany and often performs as a guest bassist with various bands and supported Eric Clapton on the German leg of his 2018 stadium tour.<\/p>\n\n\n\n

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