{"id":5456,"date":"2024-06-12T16:03:21","date_gmt":"2024-06-12T20:03:21","guid":{"rendered":"https:\/\/carleton.ca\/filmstudies\/?post_type=cu_event&#038;p=5456"},"modified":"2025-04-21T10:22:25","modified_gmt":"2025-04-21T14:22:25","slug":"envisioning-trans-futures","status":"publish","type":"cu_event","link":"https:\/\/carleton.ca\/filmstudies\/event\/envisioning-trans-futures\/","title":{"rendered":"Envisioning Trans Futures"},"content":{"rendered":"<header class=\"mb-6 cu-pageheader cu-component-updated md:mb-12\">\n    <h1 class=\"cu-prose-first-last font-semibold !mt-2 mb-4 md:mb-6 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] relative after:absolute after:h-px after:bottom-0 pb-5 after:w-10 after:bg-cu-red after:left-px\">\n        \n    <\/h1>\n    \n        <\/header>\n\n    \n    \n    \n    \n    <div class=\"cu-buttongroup cu-component-updated flex flex-wrap md:flex-1 gap-3 md:gap-5 justify-start\">\n                                                                        <\/div>\n    \n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Event-2024-Envisioning-Trans-Futures.jpg\" alt=\"\" class=\"wp-image-5457\" srcset=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Event-2024-Envisioning-Trans-Futures.jpg 1024w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Event-2024-Envisioning-Trans-Futures-160x96.jpg 160w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Event-2024-Envisioning-Trans-Futures-240x144.jpg 240w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Event-2024-Envisioning-Trans-Futures-768x461.jpg 768w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Event-2024-Envisioning-Trans-Futures-400x240.jpg 400w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Event-2024-Envisioning-Trans-Futures-360x216.jpg 360w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Envisioning Trans Futures: Montr\u00e9al Trans &amp; 2S Films x The Transgender Media Portal!<\/strong><\/p>\n\n\n\n<p><em>(Fran\u00e7ais suivit!)<\/em><\/p>\n\n\n\n<p>Register here: <a href=\"https:\/\/www.eventbrite.com\/e\/envisioning-trans-futures-tickets-896672701187\">https:\/\/www.eventbrite.com\/e\/envisioning-trans-futures-tickets-896672701187<\/a><\/p>\n\n\n\n<p>Say hello to the newly built <strong>Transgender Media Portal<\/strong>, an open-access website that allows you to explore trans filmmakers and their works!<\/p>\n\n\n\n<p>Then watch 10 remarkable films by trans and Two Spirit filmmakers based in Montreal that open us up to a multitude of trans futures.<\/p>\n\n\n\n<p>Finally, chat about trans filmmaking and the Portal with filmmakers Elian Mikkola, kimura byol lemoine, Kij\u00e2tai-Alexandra Veillette-Cheezo, and Portal creators Aliisa Qureshi and Jada Gannon-Day. TMP director Laura Horak will moderate.<\/p>\n\n\n\n<p><strong>Films:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>tremblement de chair (Mirha-Soleil Ross [M\u00e9tis], 2001, 3 min. 40 sec)<\/li>\n\n\n\n<li>Genderless Jellyfish (Coral Short, 2013, 3 min.)<\/li>\n\n\n\n<li>Tsanizid (Beric Manywounds [Tsuut\u2019ina Nation], 2019, 6 min.)<\/li>\n\n\n\n<li>Binding Chests, Mending Hearts (Rapha\u00ebl Bessette-Viens, 2023, 2 min. 13 sec)<\/li>\n\n\n\n<li>The Future That I Want (Coral Short, 2014, 3 min. 11 sec)<\/li>\n\n\n\n<li>Odohemin (Baie du coeur) (Kij\u00e2tai-Alexandra Veillette-Cheezo [Val-d\u2019Or Quebec], 2020, 3 min.)<\/li>\n\n\n\n<li>Beading Kin (Dayna Danger [M\u00e9tis], 2020, 10 min.)<\/li>\n\n\n\n<li>Je ne suis pas ta geisha (kimura byol lemoine, 2020, 2 min.)<\/li>\n\n\n\n<li>Man Made (Elian Mikkola, 2022, 8 min.)<\/li>\n\n\n\n<li>Magdaleena (Elian Mikkola, 2019, 14 min. 21 sec)<\/li>\n<\/ul>\n\n\n\n<p><strong>Accessibility:<\/strong> Films will be shown with captions when available. There is space at the back of the cinema reserved for a maximum of four audience members using wheelchairs. Unfortunately, the cinema is not equipped with automatic doors and there is no access to the stage due to the stairs on either side.<\/p>\n\n\n\n<p><strong>Location:<\/strong> <a href=\"https:\/\/www.concordia.ca\/it\/cinemas\/deseve-cinema.html\">J.A. DeS\u00e8ve Cinema<\/a>, J.W. McConnell Building, 1400 De Maisonneuve Ouest, Montr\u00e9al, QC<\/p>\n\n\n\n<p><strong>Financial support from:<\/strong> Film and Moving Image Studies at Concordia University; Disrupting Disruptions and Feminist and Women\u2019s Studies at McGill University; the Joint Chair of Women\u2019s Studies, Feminist Institute for Social Transformation, Film Studies, School for Studies in Arts and Cultures, Institute for Comparative Literature, Art, and Culture, and Faculty of Arts and Social Sciences at Carleton University; and the Social Sciences and Humanities Research Council of Canada.<\/p>\n\n\n\n<p>\u2014<br>\n<strong>Envisager l\u2019avenir trans : Montr\u00e9al Trans &amp; 2S Films x le Transgender Media Portal<\/strong><\/p>\n\n\n\n<p>Inscrivez-vous ici: <a href=\"https:\/\/www.eventbrite.com\/e\/envisioning-trans-futures-tickets-896672701187\">https:\/\/www.eventbrite.com\/e\/envisioning-trans-futures-tickets-896672701187<\/a><\/p>\n\n\n\n<p>Dites bonjour au nouveau portail des m\u00e9dias transgenres, un site en libre acc\u00e8s qui vous permet d\u2019explorer les cin\u00e9astes trans et leurs \u0153uvres!<\/p>\n\n\n\n<p>Regardez ensuite 10 films remarquables de cin\u00e9astes trans et deux esprits bas\u00e9s \u00e0 Montr\u00e9al qui nous ouvrent \u00e0 une multitude de futurs trans.<\/p>\n\n\n\n<p>Enfin, discutez du cin\u00e9ma trans et du portail avec les cin\u00e9astes Elian Mikkola, kimura byol lemoine, Kij\u00e2tai-Alexandra Veillette-Cheezo et les cr\u00e9ateurs du portail Aliisa Qureshi et Jada Gannon-Day. La directrice du TMP, Laura Horak, sera la mod\u00e9ratrice.<\/p>\n\n\n\n<p><strong>Films :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>tremblement de chair (Mirha-Soleil Ross [M\u00e9tis], 2001, 3 min. 40 sec)<\/li>\n\n\n\n<li>Genderless Jellyfish (Coral Short, 2013, 3 min.)<\/li>\n\n\n\n<li>Tsanizid (Beric Manywounds [Tsuut\u2019ina Nation], 2019, 6 min.)<\/li>\n\n\n\n<li>Binding Chests, Mending Hearts (Rapha\u00ebl Bessette-Viens, 2023, 2 min. 13 sec)<\/li>\n\n\n\n<li>The Future That I Want (Coral Short, 2014, 3 min. 11 sec)<br><br>Odohemin (Baie du coeur) (Kij\u00e2tai-Alexandra Veillette-Cheezo [Val-d\u2019Or Quebec], 2020, 3 min.)<\/li>\n\n\n\n<li>Beading Kin (Dayna Danger [M\u00e9tis], 2020, 10 min.)<\/li>\n\n\n\n<li>Je ne suis pas ta geisha (kimura byol lemoine, 2020, 2 min.)<\/li>\n\n\n\n<li>Man Made (Elian Mikkola, 2022, 8 min.)<\/li>\n\n\n\n<li>Magdaleena (Elian Mikkola, 2019, 14 min. 21 sec)<\/li>\n<\/ul>\n\n\n\n<p><strong>Accessibilit\u00e9 :<\/strong> Les films seront pr\u00e9sent\u00e9s avec des sous-titres lorsque disponibles. Il y a un espace \u00e0 l\u2019arri\u00e8re du cin\u00e9ma r\u00e9serv\u00e9 \u00e0 un maximum de quatre spectateurs en fauteuil roulant. Malheureusement, le cin\u00e9ma n\u2019est pas \u00e9quip\u00e9 de portes automatiques et il n\u2019y a pas d\u2019acc\u00e8s \u00e0 la sc\u00e8ne en raison des escaliers de chaque c\u00f4t\u00e9.<\/p>\n\n\n\n<p><strong>Lieu :<\/strong> <a href=\"https:\/\/www.concordia.ca\/it\/cinemas\/deseve-cinema.html\">J.A. DeS\u00e8ve Cinema<\/a>, J.W. McConnell Building, 1400 De Maisonneuve Ouest, Montr\u00e9al, QC<\/p>\n\n\n\n<p><strong>Soutien financier de :<\/strong> \u00c9tudes sur le cin\u00e9ma et l\u2019image en mouvement \u00e0 l\u2019Universit\u00e9 Concordia; Disrupting Disruptions et Feminist and Women\u2019s Studies \u00e0 l\u2019Universit\u00e9 McGill; Chaire conjointe d\u2019\u00e9tudes sur les femmes, Institut f\u00e9ministe pour la transformation sociale, \u00c9tudes cin\u00e9matographiques, \u00c9cole d\u2019\u00e9tudes en arts et cultures, Institut de litt\u00e9rature compar\u00e9e, d\u2019art et de culture, et Facult\u00e9 des arts et des sciences sociales de l\u2019Universit\u00e9 Carleton; et Conseil de recherches en sciences humaines du Canada.<\/p>\n","protected":false},"author":2,"featured_media":0,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_event_type":[],"cu_event_audience":[8],"class_list":["post-5456","cu_event","type-cu_event","status-publish","hentry","cu_event_audience-anyone"],"acf":{"cu_event_start_date":"2024-06-16T13:30:00","cu_event_end_date":"2024-06-16T17:30:00","cu_event_location_type":"in-person","cu_event_meeting_address_type":"on-campus","cu_building":false,"cu_event_meeting_room":"","cu_event_meeting_address_full":null,"cu_event_virtual_type":"tbd","cu_event_virtual_meeting_link":"","cu_post_thumbnail":false,"cu_event_cost":"Free","cu_event_registration":"","cu_event_secondary_button":"","cu_event_contact_name":"Laura Horak","cu_event_email":"laura.horak@carleton.ca","cu_event_phone":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_event\/5456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_event"}],"about":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/types\/cu_event"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_event\/5456\/revisions"}],"predecessor-version":[{"id":5458,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_event\/5456\/revisions\/5458"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/media?parent=5456"}],"wp:term":[{"taxonomy":"cu_event_type","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_event_type?post=5456"},{"taxonomy":"cu_event_audience","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_event_audience?post=5456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}