{"id":1345,"date":"2011-11-07T09:06:55","date_gmt":"2011-11-07T14:06:55","guid":{"rendered":"http:\/\/carleton.ca\/filmstudies\/?page_id=1345"},"modified":"2025-04-21T10:22:18","modified_gmt":"2025-04-21T14:22:18","slug":"globalgaze","status":"publish","type":"page","link":"https:\/\/carleton.ca\/filmstudies\/globalgaze\/","title":{"rendered":"Global Gaze 2012"},"content":{"rendered":"\n
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\n Global Gaze 2012\n <\/h1>\n \n \n <\/header>\n\n <\/div>\n\n <\/div>\n\n <\/div>\n<\/section>\n\n
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 <\/p>\n\n\n\n

GLOBAL GAZE: Looking Outside The Frame<\/strong><\/p>\n\n\n\n

2nd<\/sup> Annual Carleton University Film Studies Graduate Student Symposium<\/strong><\/p>\n\n\n\n

March 2nd<\/sup> – 3rd<\/sup>, 2012<\/strong><\/p>\n\n\n\n

 Does world cinema allow for more creativity and expressiveness in filmmaking?  Alternatively, does it merely function as a categorization for everything that Hollywood is not?  Hollywood is often accused of using a formulaic view of genre and conventions.  Is world cinema, then, a useful concept for examining the technology and aesthetics and ideology of filmmaking?  Furthermore, how might it allow us to interrogate filmic representations of spaces and borders in light of cultural and geo-political differences and\/or continuities?<\/p>\n\n\n\n

The intent of the 2012 Global Gaze Graduate Student Symposium<\/strong> is to allow graduate students to share their film-related research interests with their peers.  In doing so, the symposium provides an open and interactive forum for discussion of current conceptual problems and pedagogical issues in world cinema. We also welcome graduate student from departments such as English, Art History, Music, Canadian Studies and Cultural mediations to submit an abstract and\/or attend the symposium.<\/p>\n\n\n\n

For further information send an email to globalgaze@gmail.com<\/a>
\nSymposium Organizers: Renuka Bauri & Patrick Mullen<\/p>\n\n\n\n

The following programme reflects the approximate start\/end times of the events for the symposium.
\nAny changes will be posted here.<\/p>\n\n\n\n

===<\/p>\n\n\n\n

Friday, March 2nd<\/strong>
\nLocation: Prescott Conference Room<\/strong><\/p>\n\n\n\n

Keynote Speaker<\/strong>
\n2:00 \u2013 2:30 p.m.
\nCameron Bailey, Co-executive Director of the Toronto International Film Festival<\/p>\n\n\n\n

Roundtable<\/strong>
\n3:00 – 4:30 p.m.
\nCameron Bailey – TIFF
\nTom McSorley \u2013 Executive Director of the Canadian Film Institute
\nChris Robinson \u2013 Artistic Director of the Ottawa International Animation Festival<\/p>\n\n\n\n

Reception to follow<\/strong><\/p>\n\n\n\n

===<\/p>\n\n\n\n

Saturday, March 3rd<\/strong>
\nLocation: St. Patrick’s Building (SP)<\/strong><\/p>\n\n\n\n

Registration<\/strong>
\n10:00 \u2013 10:30 a.m., SP Foyer 1st floor<\/p>\n\n\n\n

Introduction<\/strong>
\n10:30 – 10:45 a.m., SP 100<\/p>\n\n\n\n

Panel 1<\/strong>
\n10:45 a.m. \u2013 12:00 p.m., SP 100
\nChair: Prof. Jose Sanchez, Film Studies<\/p>\n\n\n\n

Dan Weir – M.A. Film Studies (Concordia University)
\nThe Garrison City: Escaping a Cinematic Vancoucer<\/p>\n\n\n\n

Rachel Jekanowski, M.A. Film Studies (Concordia University)
\nThe Fixity of Blackness: Conceptualizing the Impact of Colonialism on Depictions of Race in National Cuban Cinema<\/p>\n\n\n\n

Juan Llamas-Rodriguez, M.A. Film Studies (Concordia University)
\nGuns, Big Hats & Slutty Women: Gendered Reworkings in Mexican Narco Films<\/p>\n\n\n\n

Light Lunch<\/strong>
\n12:00 \u2013 12:45 p.m., SP Foyer 4th floor<\/p>\n\n\n\n

Panel 2<\/strong>
\n12:45 \u2013 2:00 p.m., SP 100
\nChair: Prof. Charles O\u2019Brien, Film Studies<\/p>\n\n\n\n

Justin Kwinter, M.A. Canadian Studies (Carleton University)
\nFubar II: A Safe Investment for the Alberta Government<\/p>\n\n\n\n

Julie Ravary, M.A. Film Studies (Concordia University)
\nNuevo Cine Argentino<\/p>\n\n\n\n

David Richler, Ph.D ICSLAC (Carleton University)
\nStaging the National, Constructing the Auteur: International Film Festivals and Transnational Circulation<\/p>\n\n\n\n

Break<\/strong>
\n2:00 \u2014 2:15 p.m.<\/p>\n\n\n\n

Panel 3<\/strong>
\n2:15 \u2013 3:30 p.m., SP 100
\nChair: Prof. Erika Balsom, Film Studies<\/p>\n\n\n\n

Nick Shaw \u2013 M.A. Film Studies (Carleton University)
\nDesperation, Disease and Death: the \u2018Immigration Noir,\u2019 1940-53<\/p>\n\n\n\n

Georgia Cowan \u2013 M.A. Film Studies (Concordia University)
\nScience Fiction Cinema and Political Change in the Late Soviet Union<\/p>\n\n\n\n

Kevin Chabot \u2013 M.A. Film Studies (Carleton University)
\nA Spectre in Time: The Ghost Film\u2019s Disavowal of the Homogenized Temporality of Modernity<\/p>\n\n\n\n

Closing Remarks
\n<\/strong>3:30 – 4:00 p.m.<\/p>\n\n\n\n

Dinner Reception<\/strong>
\n5:30 p.m., Heart & Crown, 353 Preston St. (accessible from Carleton via O-Train, Carling exit)<\/p>\n\n\n\n

We gratefully acknowledge the financial support of the School for Studies in Arts & Culture, the Faculty of Graduate and Post-Doctoral Affairs and the Carleton University Graduate Students Association Social Departmental Support and the Graduate Student Association Intellectual Departmental Support.<\/p>\n","protected":false},"excerpt":{"rendered":"

  GLOBAL GAZE: Looking Outside The Frame 2nd Annual Carleton University Film Studies Graduate Student Symposium March 2nd – 3rd, 2012  Does world cinema allow for more creativity and expressiveness in filmmaking?  Alternatively, does it merely function as a categorization for everything that Hollywood is not?  Hollywood is often accused of using a formulaic view […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":31,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"_cu_dining_location_slug":"","footnotes":"","_links_to":"","_links_to_target":""},"cu_page_type":[37],"class_list":["post-1345","page","type-page","status-publish","hentry","cu_page_type-general"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/1345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/comments?post=1345"}],"version-history":[{"count":2,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/1345\/revisions"}],"predecessor-version":[{"id":1531,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/1345\/revisions\/1531"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/media?parent=1345"}],"wp:term":[{"taxonomy":"cu_page_type","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_page_type?post=1345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}