{"id":2196,"date":"2014-12-12T11:17:52","date_gmt":"2014-12-12T16:17:52","guid":{"rendered":"http:\/\/carleton.ca\/filmstudies\/?page_id=2196"},"modified":"2025-04-21T10:22:17","modified_gmt":"2025-04-21T14:22:17","slug":"fandom","status":"publish","type":"page","link":"https:\/\/carleton.ca\/filmstudies\/fandom\/","title":{"rendered":"Fandom"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n            <div class=\"cu-textmedia flex flex-col lg:flex-row mx-auto gap-6 md:gap-10 my-6 md:my-12 first:mt-0 max-w-5xl\">\n        <div class=\"justify-start cu-textmedia-content cu-prose-first-last\" style=\"flex: 0 0 100%;\">\n            <header class=\"font-light prose-xl cu-pageheader md:prose-2xl cu-component-updated cu-prose-first-last\">\n                                    <h1 class=\"cu-prose-first-last font-semibold !mt-2 mb-4 md:mb-6 relative after:absolute after:h-px after:bottom-0 after:bg-cu-red after:left-px text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] pb-5 after:w-10 text-cu-black-700 not-prose\">\n                        Fandom\n                    <\/h1>\n                \n                                \n                            <\/header>\n\n                    <\/div>\n\n            <\/div>\n\n    <\/div>\n<\/section>\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/1920-fandom-small.png\" alt=\"poster image - Fandom in the Digital and Transmedia Age\" class=\"wp-image-2197\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Come One Come All!<br>\nThe 5th Annual Carleton University Film Studies Graduate Student Symposium:<\/p>\n\n\n\n<p><strong>Fandom in the Digital and Transmedia Age<\/strong><br>\n<strong> March 6-7, 2015<\/strong><\/p>\n\n\n\n<p><strong>Keynote Presentation:&nbsp; &#8220;&#8216;P&#8217; is for Fan Producer: The NicoNico Video Platform, Limited Animation, and the Kagerou Project&#8221;&nbsp; by Marc Steinberg.<br>\n<\/strong><\/p>\n\n\n\n<p><strong>CALL FOR PAPERS &#8211; ACADEMICS ASSEMBLE!<\/strong><\/p>\n\n\n\n<p>Browncoats (Firefly), Loki\u2019s Army (Avengers), Bronies and Pega-Sisters (My Little Pony: Friendship is Magic), Gleeks (Glee), Potterheads (Harry Potter) and the fan community par excellence, Trekkies (Star Trek), are just a small sampling of some of the nicknames bestowed upon the fans of popular entertainments, demonstrating the strong communal bond of \u201cfandom.\u201d&nbsp; While the words \u201cfan\u201d and \u201cfandom\u201d can evoke the negative connotations of mindless, screaming, obsessive junkies, fandom\u2019s influence on contemporary culture (from film to television, literature and video games) is undeniable.<\/p>\n\n\n\n<p>Fandom in the Digital and Transmedia Age invites graduate students from across disciplines (Film and TV Studies, Video Game studies, English, Gender Studies, etc.) to share their research on fandom and fan cultures around the world. In doing so, this symposium provides an open and interactive forum to consider the ways in which fandom has shaped how audiences both engage with the products of art and entertainment and connect and interact with media industries and each other. We are especially interested in research on fandom in the context of digital technologies (the DVD, the internet, social media, second screen, etc), but we also welcome proposals that look at the historical antecedents of contemporary fan cultures (i.e., film societies, book clubs, Beatlemania, cinephelia, etc.).<\/p>\n\n\n\n<p>Possible topics may include, but are not restricted to:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Economy of Fandom<\/li>\n\n\n\n<li>Transmedia Fandom<\/li>\n\n\n\n<li>Fandom and Labour (i.e., fan activities as free labour)<\/li>\n\n\n\n<li>Fandom and Production\/Consumption (incl. fan texts\/paratexts)<\/li>\n\n\n\n<li>Fan Activism and Participatory Culture (e.g., Avatar activism)<\/li>\n\n\n\n<li>Fandom and Celebrity<\/li>\n\n\n\n<li>Branding Fandom<\/li>\n\n\n\n<li>Fandom and Authorship (the fan-author relationship \/ the fan-as-author)<\/li>\n\n\n\n<li>Gendering Fandom\/Gender in Fandom (Gamergate, etc.)<\/li>\n\n\n\n<li>Racializing Fandom\/Race and Ethnicity in Fandom<\/li>\n\n\n\n<li>Fandom and Community<\/li>\n\n\n\n<li>Cross-Cultural Fandoms (Anim\u00e9\/Manga, Martial Arts Films, Anne of Green Gables, etc\u2026)<\/li>\n\n\n\n<li>Non-Western Fan Cultures<\/li>\n<\/ul>\n\n\n\n<p><strong>Submission Deadline: February 1, 2015<\/strong><\/p>\n\n\n\n<p>Please submit an abstract of no more than 250 words. Include your name, degree\/department, email address, and the title of your presentation in the body of the email.<\/p>\n\n\n\n<p>All proposals (and related questions) should be directed to:&nbsp; <a href=\"mailto:ssacfilmsymposium@gmail.com\" target=\"_blank\">ssacfilmsymposium@gmail.com<\/a><br>\nSymposium Organizers: Derek Daniher and Elizabeth MacLeod<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Come One Come All! The 5th Annual Carleton University Film Studies Graduate Student Symposium: Fandom in the Digital and Transmedia Age March 6-7, 2015 Keynote Presentation:&nbsp; &#8220;&#8216;P&#8217; is for Fan Producer: The NicoNico Video Platform, Limited Animation, and the Kagerou Project&#8221;&nbsp; by Marc Steinberg. CALL FOR PAPERS &#8211; ACADEMICS ASSEMBLE! Browncoats (Firefly), Loki\u2019s Army (Avengers), [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_cu_dining_location_slug":"","footnotes":"","_links_to":"","_links_to_target":""},"cu_page_type":[37],"class_list":["post-2196","page","type-page","status-publish","hentry","cu_page_type-general"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/2196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/comments?post=2196"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/2196\/revisions"}],"predecessor-version":[{"id":2210,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/2196\/revisions\/2210"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/media?parent=2196"}],"wp:term":[{"taxonomy":"cu_page_type","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_page_type?post=2196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}