{"id":2747,"date":"2016-08-25T14:57:57","date_gmt":"2016-08-25T18:57:57","guid":{"rendered":"https:\/\/carleton.ca\/filmstudies\/?page_id=2747"},"modified":"2025-04-21T13:14:25","modified_gmt":"2025-04-21T17:14:25","slug":"books-by-faculty","status":"publish","type":"page","link":"https:\/\/carleton.ca\/filmstudies\/about\/books-by-faculty\/","title":{"rendered":"Books by Faculty"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n                    \n                    \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-opacity-50 bg-cover bg-cu-black-50 py-24 md:py-28 lg:py-36 xl:py-48\" style=\"background-image: url(https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/theatre-outside.png); background-position: 50% 50%;\">\n\n                    <div class=\"absolute top-0 w-full h-screen\" style=\"background-color:rgba(0,0,0,0.600);\"><\/div>\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-white cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        Books by Faculty\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n\n\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n        \n    <div class=\"grid gap-6 mx-auto my-6 cu-column md:gap-10 md:grid-cols-2 md:my-10 first:mt-0\">\n        \n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"371\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Anable2-240x371.jpg\" alt=\"\" class=\"wp-image-4326\" style=\"width:492px;height:auto\" srcset=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Anable2-240x371.jpg 240w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Anable2-160x247.jpg 160w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Anable2-400x618.jpg 400w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Anable2-360x556.jpg 360w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/Anable2.jpg 550w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/www.upress.umn.edu\/book-division\/books\/playing-with-feelings\">Playing with Feelings: Video Games and Affect<\/a><br>Aubrey Anable<br>University of Minnesota Press, 2018<\/p>\n\n\n<\/div>\n\n\n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"240\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/9780253040428_med-160x240.jpg\" alt=\"\" class=\"wp-image-4311\" style=\"width:492px;height:auto\" srcset=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/9780253040428_med-160x240.jpg 160w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/9780253040428_med.jpg 230w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"http:\/\/www.iupress.indiana.edu\/product_info.php?products_id=809549\">Movies, Songs, and Electric Sound: Transatlantic Trends<\/a><br>Charles O&#8217;Brien<br>Indiana University Press, 2019<\/p>\n\n\n<\/div>\n\n\n    <\/div>\n\n\n    <\/div>\n<\/section>\n\n\n\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n        \n    <div class=\"grid gap-6 mx-auto my-6 cu-column md:gap-10 md:grid-cols-2 md:my-10 first:mt-0\">\n        \n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"240\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/unwatchable-newspost-image-1-160x240.png\" alt=\"cover image\" class=\"wp-image-4074\" style=\"width:492px;height:auto\" srcset=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/unwatchable-newspost-image-1-160x240.png 160w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/unwatchable-newspost-image-1-240x360.png 240w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/unwatchable-newspost-image-1-400x600.png 400w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/unwatchable-newspost-image-1-360x540.png 360w, https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/unwatchable-newspost-image-1.png 432w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/www.rutgersuniversitypress.org\/unwatchable\/9780813599588\">Unwatchable<\/a><br>Edited by Nicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen<br>Rutgers University Press, 2019<\/p>\n\n\n<\/div>\n\n\n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/horak-book-mini1.png\"><img decoding=\"async\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/horak-book-mini1.png\" alt=\"book cover image\" class=\"wp-image-2748\" style=\"width:492px;height:auto\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/www.rutgersuniversitypress.org\/girls-will-be-boys\/9780813574820\" target=\"_blank\" rel=\"noopener noreferrer\">Girls Will Be Boys: Cross-dressed Women, Lesbians, and American Cinema, 1908-1934<br><\/a>Laura Horak<br>Rutgers University Press, 2016<\/p>\n\n\n<\/div>\n\n\n    <\/div>\n\n\n    <\/div>\n<\/section>\n\n\n\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n        \n    <div class=\"grid gap-6 mx-auto my-6 cu-column md:gap-10 md:grid-cols-2 md:my-10 first:mt-0\">\n        \n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/guha-book-mini1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"227\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/guha-book-mini1.png\" alt=\"book cover image\" class=\"wp-image-2749\" style=\"width:492px;height:auto\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/edinburghuniversitypress.com\/book-from-empire-to-the-world.html\" target=\"_blank\" rel=\"noopener noreferrer\">From Empire to the World: Migrant London and Paris in the Cinema<br><\/a>Malini Guha<br>Edinburgh University Press, 2015<\/p>\n\n\n<\/div>\n\n\n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/horak-book-mini2.png\"><img loading=\"lazy\" decoding=\"async\" width=\"144\" height=\"216\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/horak-book-mini2.png\" alt=\"book cover image\" class=\"wp-image-2751\" style=\"width:492px;height:auto\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"http:\/\/www.iupress.indiana.edu\/product_info.php?products_id=807150\" target=\"_blank\" rel=\"noopener noreferrer\">Silent Cinema and the Politics of Space<br><\/a>Edited by Jennifer M. Bean, Anupama Kapse, and Laura Horak<br>Indiana University Press, 2014<\/p>\n\n\n<\/div>\n\n\n    <\/div>\n\n\n    <\/div>\n<\/section>\n\n\n\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n        \n    <div class=\"grid gap-6 mx-auto my-6 cu-column md:gap-10 md:grid-cols-2 md:my-10 first:mt-0\">\n        \n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/obrien-book-mini1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"156\" height=\"234\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/obrien-book-mini1.png\" alt=\"book cover image\" class=\"wp-image-2753\" style=\"width:492px;height:auto\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"http:\/\/www.iupress.indiana.edu\/product_info.php?cPath=6040_7494&amp;products_id=181695\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema\u2019s Conversion to Sound: Technology and Film Style in France and the U.S.<br><\/a>Charles O\u2019Brien<br>Indiana University Press, 2004<\/p>\n\n\n<\/div>\n\n\n<div class=\"cu-column-content\">\n    \n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/furstenau-book-mini1.png\"><img loading=\"lazy\" decoding=\"async\" width=\"156\" height=\"221\" src=\"https:\/\/carleton.ca\/filmstudies\/wp-content\/uploads\/sites\/76\/furstenau-book-mini1.png\" alt=\"book cover image\" class=\"wp-image-2754\" style=\"width:492px;height:auto\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/www.routledge.com\/Film-Theory-Reader-Debates--Arguments\/Furstenau\/p\/book\/9780415493222\" target=\"_blank\" rel=\"noopener noreferrer\">The Film Theory Reader: Debates and Arguments<br><\/a>Edited by Marc Furstenau<br>Routledge, 2010<\/p>\n\n\n<\/div>\n\n\n    <\/div>\n\n\n    <\/div>\n<\/section>\n\n\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1956,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_cu_dining_location_slug":"","footnotes":"","_links_to":"","_links_to_target":""},"cu_page_type":[37],"class_list":["post-2747","page","type-page","status-publish","hentry","cu_page_type-general"],"acf":{"cu_post_thumbnail":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/2747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/comments?post=2747"}],"version-history":[{"count":5,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/2747\/revisions"}],"predecessor-version":[{"id":5718,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/2747\/revisions\/5718"}],"up":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/1956"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/media?parent=2747"}],"wp:term":[{"taxonomy":"cu_page_type","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_page_type?post=2747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}