{"id":5428,"date":"2024-04-30T16:04:06","date_gmt":"2024-04-30T20:04:06","guid":{"rendered":"https:\/\/carleton.ca\/filmstudies\/?page_id=5428"},"modified":"2025-04-21T14:26:13","modified_gmt":"2025-04-21T18:26:13","slug":"archived-graduate-courses-2023-2024","status":"publish","type":"page","link":"https:\/\/carleton.ca\/filmstudies\/graduate\/courses\/archived-graduate-courses-2023-2024\/","title":{"rendered":"Archived: Graduate Courses 2023-2024"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n        \n        \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-cu-black-50 pt-10 pb-12\" style=\"\">\n\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-cu-black-800 cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        Archived: Graduate Courses 2023-2024\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n\n\n<h2 id=\"fall-2023-winter-2024\" class=\"wp-block-heading\">Fall 2023\/Winter 2024<\/h2>\n\n\n\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n        \n    \n    <dl class=\"cu-description cu-component-updated\">\n        \n    <div class=\"grid pt-4 pb-3 border-b accordion border-cu-black-100 md:pt-6 md:pb-5 first:border-t\">\n        <dt class=\"font-semibold not-prose\">\n            <button class=\"flex items-center justify-between w-full text-left accordion__button\" aria-expanded=\"false\" aria-controls=\"accordion-film-5002f-media-and-emotion-fall-term\">\n                <span class=\"flex-1 ml-auto text-left break-words whitespace-normal cu-icon\">\n                    FILM 5002F Media and Emotion &#8211; Fall Term\n                <\/span>\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"none\" viewbox=\"0 0 24 24\" stroke-width=\"1.5\" stroke=\"currentColor\" aria-hidden=\"true\" data-slot=\"icon\" class=\"w-5 h-5 ml-auto transition-transform rotate-0 accordion__icon text-cu-black-500\">\n                    <path stroke-linecap=\"round\" stroke-linejoin=\"round\" d=\"M8.25 4.5l7.5 7.5-7.5 7.5\"><\/path>\n                <\/svg>\n            <\/button>\n        <\/dt>\n        <dd class=\"p-0 mt-0 cu-prose cu-prose-first-last accordion__content md:p-0 md:mt-0\" hidden=\"\" id=\"accordion-film-5002f-media-and-emotion-fall-term\">\n            \n\n<ul class=\"wp-block-list\">\n<li>PROFESSOR: Aubrey Anable<\/li>\n\n\n\n<li>DESCRIPTION: This graduate seminar will consider the ways that emotion figures in theoretical and historical accounts of film and related audio-visual media. Questions about emotion and \u201caffect\u201d are at the root of contemporary debates about identity, subjectivity, politics, and representation. Yet, the body\u2014its sensual capacities and vulnerabilities\u2014is often figured as that which media technologies and those who study them must overcome or entirely deny. Our primary concern will be tracing this intellectual history and the ways contemporary media culture and recent theoretical shifts reframe the relationship between media and emotion. We will use screenings and readings as materials to think (and feel) with.<\/li>\n\n\n\n<li>METHOD OF EVALUATION: TBA<\/li>\n\n\n\n<li>CROSS-LISTED WITH: TBA<\/li>\n<\/ul>\n\n\n        <\/dd>\n    <\/div>\n\n\n    <div class=\"grid pt-4 pb-3 border-b accordion border-cu-black-100 md:pt-6 md:pb-5 first:border-t\">\n        <dt class=\"font-semibold not-prose\">\n            <button class=\"flex items-center justify-between w-full text-left accordion__button\" aria-expanded=\"false\" aria-controls=\"accordion-film-5010f-film-theory-historiography-and-critical-methodologies-fall-term\">\n                <span class=\"flex-1 ml-auto text-left break-words whitespace-normal cu-icon\">\n                    FILM 5010F Film Theory, Historiography and Critical Methodologies &#8211; Fall Term\n                <\/span>\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"none\" viewbox=\"0 0 24 24\" stroke-width=\"1.5\" stroke=\"currentColor\" aria-hidden=\"true\" data-slot=\"icon\" class=\"w-5 h-5 ml-auto transition-transform rotate-0 accordion__icon text-cu-black-500\">\n                    <path stroke-linecap=\"round\" stroke-linejoin=\"round\" d=\"M8.25 4.5l7.5 7.5-7.5 7.5\"><\/path>\n                <\/svg>\n            <\/button>\n        <\/dt>\n        <dd class=\"p-0 mt-0 cu-prose cu-prose-first-last accordion__content md:p-0 md:mt-0\" hidden=\"\" id=\"accordion-film-5010f-film-theory-historiography-and-critical-methodologies-fall-term\">\n            \n\n<ul class=\"wp-block-list\">\n<li>PROFESSOR: Gunnar Iversen<\/li>\n\n\n\n<li>DESCRIPTION: This course offers a rigorous orientation to the discipline of Film Studies. We will think critically about and practice key methodologies of the discipline, ranging from interpretation and close analysis, to building arguments, conducting research, and formulating original research project proposals. We will also explore the genealogies of key concepts in Film Studies, including national cinema, genre, and authorship. In the course, students will work on their analytic, writing, research, and communication skills.<\/li>\n\n\n\n<li>METHOD OF EVALUATION: Essays and Oral Presentations<\/li>\n\n\n\n<li>READINGS: All readings will be available on Brightspace.<\/li>\n<\/ul>\n\n\n        <\/dd>\n    <\/div>\n\n\n    <div class=\"grid pt-4 pb-3 border-b accordion border-cu-black-100 md:pt-6 md:pb-5 first:border-t\">\n        <dt class=\"font-semibold not-prose\">\n            <button class=\"flex items-center justify-between w-full text-left accordion__button\" aria-expanded=\"false\" aria-controls=\"accordion-film-5020f-film-theory-history-and-critical-methodologies-ii-winter-term\">\n                <span class=\"flex-1 ml-auto text-left break-words whitespace-normal cu-icon\">\n                    FILM 5020F Film Theory, History, and Critical Methodologies II &#8211; Winter Term\n                <\/span>\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"none\" viewbox=\"0 0 24 24\" stroke-width=\"1.5\" stroke=\"currentColor\" aria-hidden=\"true\" data-slot=\"icon\" class=\"w-5 h-5 ml-auto transition-transform rotate-0 accordion__icon text-cu-black-500\">\n                    <path stroke-linecap=\"round\" stroke-linejoin=\"round\" d=\"M8.25 4.5l7.5 7.5-7.5 7.5\"><\/path>\n                <\/svg>\n            <\/button>\n        <\/dt>\n        <dd class=\"p-0 mt-0 cu-prose cu-prose-first-last accordion__content md:p-0 md:mt-0\" hidden=\"\" id=\"accordion-film-5020f-film-theory-history-and-critical-methodologies-ii-winter-term\">\n            \n\n<ul class=\"wp-block-list\">\n<li>PROFESSOR: Malini Guha<\/li>\n\n\n\n<li>DESCRIPTION: This course continues where FILM 5010 left off in offering an advanced orientation to some of the longstanding debates in the discipline of film studies in an Anglophone context while also introducing students to more contemporary methods of analysis. Topics to be studied in this course include: film\u2019s enduring relationship to reality; the question of how we might disrupt the Western-centric nature of the discipline; revisiting and rethinking the gaze; interdisciplinary methods of analysis.<\/li>\n\n\n\n<li>METHOD OF EVALUATION: TBA<\/li>\n\n\n\n<li>READINGS: Readings will be available via Brightspace.<\/li>\n<\/ul>\n\n\n        <\/dd>\n    <\/div>\n\n\n    <div class=\"grid pt-4 pb-3 border-b accordion border-cu-black-100 md:pt-6 md:pb-5 first:border-t\">\n        <dt class=\"font-semibold not-prose\">\n            <button class=\"flex items-center justify-between w-full text-left accordion__button\" aria-expanded=\"false\" aria-controls=\"accordion-film-5109w-topics-in-film-and-philosophy-cinematic-representation-and-the-problem-of-depiction-winter-term\">\n                <span class=\"flex-1 ml-auto text-left break-words whitespace-normal cu-icon\">\n                    FILM 5109W Topics in Film and Philosophy: Cinematic Representation and the Problem of Depiction &#8211; Winter Term\n                <\/span>\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"none\" viewbox=\"0 0 24 24\" stroke-width=\"1.5\" stroke=\"currentColor\" aria-hidden=\"true\" data-slot=\"icon\" class=\"w-5 h-5 ml-auto transition-transform rotate-0 accordion__icon text-cu-black-500\">\n                    <path stroke-linecap=\"round\" stroke-linejoin=\"round\" d=\"M8.25 4.5l7.5 7.5-7.5 7.5\"><\/path>\n                <\/svg>\n            <\/button>\n        <\/dt>\n        <dd class=\"p-0 mt-0 cu-prose cu-prose-first-last accordion__content md:p-0 md:mt-0\" hidden=\"\" id=\"accordion-film-5109w-topics-in-film-and-philosophy-cinematic-representation-and-the-problem-of-depiction-winter-term\">\n            \n\n<ul class=\"wp-block-list\">\n<li>PROFESSOR: Marc Furstenau<\/li>\n\n\n\n<li>DESCRIPTION: We live in a world of pictures\u2014of images, visual representations, or depictions\u2014that are increasingly complex in form and function, combining various audio-visual components, distributed through a wide variety of means. In this course students are introduced to the concept of depiction, to the philosophical debates about the nature and effects of pictures, which can be traced back to the very beginnings of Western philosophy. The most basic debate is about the relation between the depiction and what is depicted, between the picture or image and the objects or events being represented\u2014between visual representation and the world, image and reality. We will trace the history of these philosophical debates, considering photographic and cinematic depiction specifically, in relation to older forms such as drawing, painting, and sculpture, but also new ones, such as computer-generated images and virtual reality.<\/li>\n\n\n\n<li>METHOD OF EVALUATION: Choice of various optional assignments: Reading Reports (25%); Discussion Groups (25%); or Essay (50%).<\/li>\n\n\n\n<li>READINGS: Various on-line readings \u2014 book chapters and essays.<\/li>\n<\/ul>\n\n\n        <\/dd>\n    <\/div>\n\n\n    <div class=\"grid pt-4 pb-3 border-b accordion border-cu-black-100 md:pt-6 md:pb-5 first:border-t\">\n        <dt class=\"font-semibold not-prose\">\n            <button class=\"flex items-center justify-between w-full text-left accordion__button\" aria-expanded=\"false\" aria-controls=\"accordion-film-5506f-queer-cinema-fall-term\">\n                <span class=\"flex-1 ml-auto text-left break-words whitespace-normal cu-icon\">\n                    FILM 5506F Queer Cinema &#8211; Fall Term\n                <\/span>\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"none\" viewbox=\"0 0 24 24\" stroke-width=\"1.5\" stroke=\"currentColor\" aria-hidden=\"true\" data-slot=\"icon\" class=\"w-5 h-5 ml-auto transition-transform rotate-0 accordion__icon text-cu-black-500\">\n                    <path stroke-linecap=\"round\" stroke-linejoin=\"round\" d=\"M8.25 4.5l7.5 7.5-7.5 7.5\"><\/path>\n                <\/svg>\n            <\/button>\n        <\/dt>\n        <dd class=\"p-0 mt-0 cu-prose cu-prose-first-last accordion__content md:p-0 md:mt-0\" hidden=\"\" id=\"accordion-film-5506f-queer-cinema-fall-term\">\n            \n\n<ul class=\"wp-block-list\">\n<li>PROFESSOR: Laura Horak<\/li>\n\n\n\n<li>DESCRIPTION: This course investigates cinema by, for, and about queer people in Canada and around the world.<\/li>\n\n\n\n<li>METHOD OF EVALUATION: Screening questions (20%), Close analysis essay (20%), Presentation (20%), Final essay (40%).<\/li>\n\n\n\n<li>READINGS: Online Readings.<\/li>\n<\/ul>\n\n\n        <\/dd>\n    <\/div>\n\n\n    <\/dl>\n\n\n    <\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Fall 2023\/Winter 2024<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2594,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_cu_dining_location_slug":"","footnotes":"","_links_to":"","_links_to_target":""},"cu_page_type":[37],"class_list":["post-5428","page","type-page","status-publish","hentry","cu_page_type-general"],"acf":{"cu_post_thumbnail":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/5428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/comments?post=5428"}],"version-history":[{"count":4,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/5428\/revisions"}],"predecessor-version":[{"id":5800,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/5428\/revisions\/5800"}],"up":[{"embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/pages\/2594"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/media?parent=5428"}],"wp:term":[{"taxonomy":"cu_page_type","embeddable":true,"href":"https:\/\/carleton.ca\/filmstudies\/wp-json\/wp\/v2\/cu_page_type?post=5428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}