{"id":7044,"date":"2025-08-19T16:47:46","date_gmt":"2025-08-19T20:47:46","guid":{"rendered":"https:\/\/carleton.ca\/icslac\/?post_type=cu_people&#038;p=7044"},"modified":"2026-04-22T10:02:55","modified_gmt":"2026-04-22T14:02:55","slug":"janneke-van-hoeve","status":"publish","type":"cu_people","link":"https:\/\/carleton.ca\/icslac\/people\/janneke-van-hoeve\/","title":{"rendered":"Janneke Van Hoeve"},"content":{"rendered":"<header class=\"mb-6 cu-pageheader cu-component-updated md:mb-12\">\n    <h1 class=\"cu-prose-first-last font-semibold !mt-2 mb-4 md:mb-6 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] relative after:absolute after:h-px after:bottom-0 pb-5 after:w-10 after:bg-cu-red after:left-px\">\n                    \n             \n                \n            <\/h1>\n\n    \n    <\/header>\n\n\n\n<p>Janneke Van Hoeve (she\/her) is a SSHRC-funded graduate student whose work focuses on the global &#8216;Art Bank&#8217; model, through digital methodologies including data modeling and linked open data.<\/p>\n\n\n\n<p>As a research assistant for two global projects (<a href=\"https:\/\/www.worldingcultures.org\/\">Worlding Public Cultures<\/a> and <a href=\"https:\/\/mobilesubjects.org\/about.html)\">Mobile Subjects, Contrapuntal Modernisms<\/a>), she primarily does data-centric work including data synthesis and reconciliation, and database development.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.linkedin.com\/in\/janneke-vanhoeve\">https:\/\/www.linkedin.com\/in\/janneke-vanhoeve<\/a><br>\n<a href=\"https:\/\/orcid.org\/0009-0004-2886-9282\">https:\/\/orcid.org\/0009-0004-2886-9282<\/a><\/p>\n\n\n\n<p><strong>Areas of Academic Interest<\/strong><\/p>\n\n\n\n<p>Art Bank, Art Institutions, Digital Art History, Digital Humanities, Critical Plant Studies, Migration and Diaspora Studies<\/p>\n\n\n\n<p><strong>PhD Stream:&nbsp;<\/strong>Visual Culture, 2024<\/p>\n\n\n\n<p><strong>Doctoral Project:<\/strong> Prospective Dissertation Research: A comparative study of governmental art collections that follow the Art Bank model \u2013 \u201cARTiculating National Identities: Representation and Diasporic Histories in &#8216;Art Bank&#8217; Collections.\u201d<\/p>\n\n\n\n<p><strong>Selected Conference Presentations:<\/strong><\/p>\n\n\n\n<p>Hidalgo-Urbaneja, Maribel, and Janneke Van Hoeve. \u201cMobile Subjects in Linked Open Data: Biases and Gaps in Identity and Representation.\u201d Conference Presentation presented at LD4 2024, October 7, 2024. <a href=\"https:\/\/sched.co\/1lCIM\">https:\/\/sched.co\/1lCIM<\/a>.<\/p>\n\n\n\n<p>Van Hoeve, Janneke. \u201cDigital Humanities Tools as Methodologies for Academic Research: A Reflection on Three Term Papers.\u201d Presented at Digital Humanities Summer Institute (DHSI), June 13, 2023. <a href=\"https:\/\/dhsi.org\/conference-colloquium-2023\/\">https:\/\/dhsi.org\/conference-colloquium-2023\/<\/a>.<\/p>\n\n\n\n<p>Van Hoeve, Janneke. \u201cAddressing Marginalization in the World of Visual Arts through Data Methodologies.\u201d Conference panel, Through the Margins: Amplification and Mobilization: 18th Annual Conference: Communication Graduate Caucus, Carleton University, March 2, 2023.<\/p>\n\n\n\n<p><strong>Selected Publications:<\/strong><\/p>\n\n\n\n<p>Van Hoeve, Jacoba Krina. \u201cData from ARTiculating Canadian Identities: The Canada Council Art Bank\u2019s Mycelial Presence and Influence in the Realm of Canadian Fine Art.\u201d Journal of Open Humanities Data 11, no. 21 (March 12, 2025): 1\u20136. <a href=\"https:\/\/doi.org\/10.5334\/johd.262\">https:\/\/doi.org\/10.5334\/johd.262.<\/a><\/p>\n\n\n\n<p>Van Hoeve, Jacoba Krina. \u201cARTiculating Canadian Identities: The Canada Council Art Bank\u2019s Mycelial Presence and Influence in the Realm of Canadian Fine Art.\u201d Master of Arts, Carleton University, 2024. <a href=\"https:\/\/doi.org\/10.22215\/etd\/2024-16134\">https:\/\/doi.org\/10.22215\/etd\/2024-16134<\/a>.<\/p>\n\n\n\n<p>Hebert-Spence, Franchesca, and Janneke Van Hoeve. \u201cCollecting Bodies, Visualizing and Figures: A Shared Response to Looking the World in the Face.\u201d Vie Des Arts Hiver 2024, no. 273 (January 14, 2024). <a href=\"https:\/\/viedesarts.com\/en\/collecting-bodies-visualizing-amp-figures-a-shared-response-to-looking-the-world-in-the-face\/\">https:\/\/viedesarts.com\/en\/reviews-en\/collecting-bodies-visualizing-amp-figures-a-shared-response-to-looking-the-world-in-the-face\/<\/a>.<\/p>\n\n\n\n<p><strong>Selected TA Assignments:<\/strong><\/p>\n\n\n\n<p>ARTH2108: Intersecting Modernisms<br>\nRELI2732: Religion of Death and the Afterlife<br>\nARTH1101: Art and Society: The Renaissance to the Present<br>\nARTH1105: Art as Visual Communication<br>\nARTH1101: Art and Society: The Renaissance to the Present<br>\nARTH1100: Art and Society: Pre-History to Renaissance<\/p>\n","protected":false},"author":2,"featured_media":7074,"template":"","meta":{"_acf_changed":false,"cu_people_first_name":"Janneke","cu_people_last_name":"Van 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