{"id":4568,"date":"2022-04-07T12:58:54","date_gmt":"2022-04-07T16:58:54","guid":{"rendered":"https:\/\/carleton.ca\/icslac\/?page_id=4568"},"modified":"2026-04-23T09:18:06","modified_gmt":"2026-04-23T13:18:06","slug":"theses-and-dissertations","status":"publish","type":"page","link":"https:\/\/carleton.ca\/icslac\/theses-and-dissertations\/","title":{"rendered":"Graduates and Theses"},"content":{"rendered":"\n
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\n Graduates and Theses\n <\/h1>\n \n \n <\/header>\n\n <\/div>\n\n <\/div>\n\n <\/div>\n<\/section>\n\n\n\n

Cultural Mediations Graduates and Theses<\/h2>\n\n\n\n

2025<\/h3>\n\n\n\n

2025, Casey Gray, <\/strong>Assembling Bodies: the museum exhibition as apparatus of bodily production in Canada and the United Kingdom<\/a>
\n<\/em>Supervisor: Dr. Monica Patterson<\/a><\/p>\n\n\n\n

2024<\/strong><\/h4>\n\n\n\n

2024, Krista Zawadski,  <\/strong>\u1431\u1581\u144f\u1466 \u1403\u14c5\u14ef\u1593\u1466 \u1583\u144e\u1483\u1455\u14d5\u1595\u14a5\u1466 <\/span>PIQUTIIT INUUSINGAT QATIKTALINGMIT: CULTURAL AND SOCIAL LIVES OF INUIT PIQUTINGIT<\/span><\/a>
\n<\/em>Supervisor: Dr. Carmen Robertson<\/a><\/p>\n\n\n\n

2024, Cara Tierney, <\/strong>Art as Gender Pedagogy: A Transdisciplinary Investigation of Art in the Service of Gender Liberation<\/a>
\n<\/em>Supervisor: Dr. Laura Horak<\/a><\/p>\n\n\n\n

2024, Kevin Pat Fong,<\/strong> Reframing Racial Passing in Asian Diaspora Comics<\/em><\/a>
\nSupervisors: Dr. Sarah Phillips Casteel<\/a>, Dr. Catherine Khordoc<\/a><\/p>\n\n\n\n

2024, Anna Paluch,<\/strong> From Turtle Island to Vistula\u2019s Shores: Indigenous North A<\/em>merican and Eastern European Futurisms in Dialogue<\/em><\/a>
\nSupervisors: Dr. Allan Ryan, Dr. Philip Kaisary<\/a><\/p>\n\n\n\n

2023<\/strong><\/h4>\n\n\n\n

2023, Jessica Marino,<\/strong> Holocaust Memory, Aesthetics and the Dictatorships of the Southern Cone of Latin America: Interconnecting Memories and Traumas<\/em><\/a>
\nSupervisor: Dr. Sarah Phillips Casteel<\/a><\/p>\n\n\n\n

2023, Gemey Kelly,<\/strong> Place and Standing in Canadian Art: Jack Humphrey and the Discourses of Regionalism, 1930\u20131967<\/em><\/a>
\nSupervisor: Dr. Brian Foss<\/a><\/p>\n\n\n\n

2023, Marie-Catherine Allard,<\/strong>  Reshaping Memory: Counter-narratives in Kindertransport Literature<\/em><\/a>
\nSupervisor: Dr. Sarah Phillips Casteel<\/a><\/p>\n\n\n\n

2023, Victoria Nolte, <\/strong>One Place and Another: Worldmaking in Asian Canadian Contemporary Art<\/a>
\n<\/em>Supervisors: Dr. Ming Tiampo<\/a>, Dr. Sarah Phillips Casteel<\/a><\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

2022, Pansee Abou ElAtta, <\/strong>Unruly Appreciations: How contestation shapes the value of Pharaonic thing<\/a> (Senate Medal for Outstanding Achievement)
\nSupervisors: Dr. Monica Patterson<\/a>, Dr. Ming Tiampo<\/a><\/p>\n\n\n\n

2022, Amy Bruce,<\/strong> Resistivity in Contemporary Art Biennials: A Synchronic Analysis<\/a>
\n<\/em>Supervisors: Dr. Ming Tiampo<\/a>, Dr. Birgit Hopfener <\/a><\/p>\n\n\n\n

2022, Patricia B\u00e9rub\u00e9,<\/strong> Towards a More Inclusive Museum: Developing Multi-Sensory Approaches to the Visual Arts for Visually Impaired Audiences <\/em><\/a>
\nSupervisors: Dr. Jesse Stewart<\/a>, Dr. Lois Frankel<\/a><\/p>\n\n\n\n

2022, Lale Eskicio\u011flu,<\/strong> Beyond Postcolonialism: Urban and Social Realist Turn in Indian and Nigerian Literatures<\/em><\/a>
\nSupervisor: Dr. Sarah Phillips Casteel<\/a><\/p>\n\n\n\n

2022, Nicola Oddy,<\/strong> Seeking Awareness of Our Selves and the Environment through Vocal Improvisation in The Singing Field  <\/em><\/a>
\nSupervisor: Dr. Jesse Stewart<\/a><\/p>\n\n\n\n

2022, Christina Williamson,<\/strong> Sewing in Arviat: Inuit Women’s Work Through Stories and <\/em>Parkas<\/em><\/a>
\nSupervisors: Dr. Michel Hogue,<\/a> Dr. Ruth Phillips<\/a><\/p>\n\n\n\n

2021<\/h3>\n\n\n\n

2021, Hicham Gourgem, <\/strong>Beyond Afropolitanism: Representations of African Identities in Select 21st Century African Novels<\/a>
\n<\/span><\/em>Supervisor: Dr. Nduka Otiono<\/a><\/span>
\n<\/strong><\/p>\n\n\n\n

2021, Emily (Emma) Lind, <\/strong>The White Settler Colonial Landscape of Toronto\u2019s Wychwood Park<\/span><\/a><\/em>
\n<\/strong>Supervisor: Dr. Peter Hodgins<\/a><\/p>\n\n\n\n

2020<\/h3>\n\n\n\n

2020, Trina Cooper-Bolam,<\/strong> Claiming the Terrible Gift – A Post-TRC Investigation in Praxiological Museology<\/i><\/a>, recipient of a Senate Medal for Outstanding Academic Achievement
\nSupervisor: Dr. Ruth Phillips<\/a><\/p>\n\n\n\n

2020, Konstantinos (Dino) Koutras<\/strong>, Screening Politics: The Egalitarian Film Theory of Jacques Ranci\u00e8re<\/a>, <\/i>nominated for a Senate Medal for Outstanding Academic Achievement
\n<\/i>Supervisor: Dr. Marc Furstenau<\/a><\/p>\n\n\n\n

2020, Matthew Purvis<\/strong>, John Boyle, Greg Curnoe and Joyce Wieland: Erotic Art and English Canadian Nationalism<\/a>, <\/i>recipient of a Senate Medal for Outstanding Academic Achievement
\n<\/i>Supervisor: Dr. Brian Foss<\/a><\/p>\n\n\n\n

2019<\/h3>\n\n\n\n

2019, Jenna Stidwill,<\/strong> \u201cBeyond Mickey Mouse History\u201d: The Disney Archive and the Construction of Animation History as Discipline, 1928-2018
\n<\/em>Supervisor: Dr. Brian Greenspan<\/a><\/p>\n\n\n\n

2018<\/h3>\n\n\n\n

2018, Rachel Chantal Beausoleil-Morrison,<\/strong> A Nation Sings Itself: S\u00e3o Paulo Voices and the Canons of Brazilian Song<\/a><\/em>
\nSupervisors: Dr. Sonya Lipsett-Rivera,<\/a> Dr. Lori Burns<\/p>\n\n\n\n

2018, Joana de Medeiros Mota Pimentel<\/strong>, Transcultrual Bodies: A Comparative Approach to Dissident ‘Minor’ Women’s Writings in Portuguese, Italian, and Spanish<\/a><\/em>
\nSupervisor: Dr. Catherine Khordoc<\/a><\/p>\n\n\n\n

2018, Matthew Rushton<\/strong>, Photographs in Two Works of Life Writing: <\/em>L\u2019Afrique fant\u00f4me by Michel Leiris and <\/em>L\u2019Africain by J.-M.G Le Cl\u00e9zio<\/em><\/a>
\nSupervisor: Dr. S\u00e9bastien C\u00f4t\u00e9<\/a><\/p>\n\n\n\n

2018, Sarah Thorne, <\/strong>The Shape of Games to Come: Critical Digital Storytelling in the Era of Communicative Capitalism<\/a><\/em>
\nSupervisor: Dr. Brian Greenspan<\/a><\/p>\n\n\n\n

2017<\/h3>\n\n\n\n

2017, Pamela M. Barber,<\/strong> A Dialogue among Genres during the Late Eighteenth Century: Conjectural History and Travellers\u2019 Textual and Visual Representations of Cultures of the Near East and India<\/a> <\/em>
\nSupervisor: Dr. Mark Salber Phillips<\/a><\/p>\n\n\n\n

2017, Johnny El-Alam,<\/strong> Making or Breaking Nations. Traveling Memory in Contemporary Art and Photography: History, <\/em>Commemoration, Nostalgia, and Humanitarian<\/em> Interventions
\nSupervisors: Dr. Barbara Gabriel,<\/a> Dr. Catherine Khordoc<\/a><\/p>\n\n\n\n

2017, Pauline Goutain,<\/strong> Art Brut’s Material Mythologies (1945-1976): Dimensions, Materials and Creative Processes<\/a><\/em>
\nSupervisors: Dr. Fabrice Flahutez, Dr. Jill Carrick<\/a><\/p>\n\n\n\n

2016<\/h3>\n\n\n\n

2016, Michael Robert Audette-Longo, <\/strong>Shine a Light: Surveying Locality, Independence, and Digitization in Ottawa’s Independent Rock Scene<\/a><\/em>
\nSupervisor: Dr. Paul Th\u00e9berge<\/a><\/p>\n\n\n\n

2016, Mihaela Irina,<\/strong> The Spell of Live Performance: HD Opera and Liveness Today<\/em><\/a>
\nSupervisor: Dr. Paul Th\u00e9berge<\/a><\/p>\n\n\n\n

2016, Mohsen Nasrin, <\/strong>The Intensity of Recollection-Images in <\/em>Suspicious River and <\/em>The Law of Enclosures<\/a>
\nSupervisor: Dr. Andr\u00e9 Loiselle<\/p>\n\n\n\n

2015<\/h3>\n\n\n\n

2015, Todd Hokins,<\/strong> Virtual Graffiti: Dyscribing Humans<\/a><\/em>
\nSupervisors: Dr. Jill Carrick,<\/a> Dr. Carlos Novas <\/a><\/p>\n\n\n\n

2015, Anna Khimasia,<\/strong> At Play in the Archive: Reading Sophie Calle’s <\/em>Double Game as Autofictional Remains<\/em><\/a>
\nSupervisors: Dr. Chris Faulkner,<\/a> Dr. Ming Tiampo<\/a><\/p>\n\n\n\n

2015, Owen Lyons,<\/strong> An Inverted Reflection: Representations of Finance and Speculation in Weimar Cinema<\/a><\/em>
\nSupervisors: Dr. Barbara Gabriel,<\/a> Dr. Mitchell Frank<\/a><\/p>\n\n\n\n

2014<\/h3>\n\n\n\n

2014, Thomas Michael Everrett,<\/strong> Ears Wide Shut: Headphones and Moral Design<\/a><\/em>
\nSupervisor: Dr. Paul Th\u00e9berge<\/a><\/p>\n\n\n\n

2013<\/h3>\n\n\n\n

2013, Jessica Laine Aldred,<\/strong> From Synthespian to Convergence Character: Reframing the Digital Human in Contemporary Hollywood Cinema<\/a><\/em>
\nSupervisor: Dr. Mark Langer<\/a><\/p>\n\n\n\n

2013, Bianca Otilia Briciu,<\/strong> Negotiating Power: Gender and Body Politics in the New Wave Japanese Cinema<\/a><\/em>
\nSupervisor: Dr. Mitsuyo Wada-Marciano<\/p>\n\n\n\n

2013, Matthew Croombs,<\/strong> An Opposition in Search of Itself: Modern French Cinema and the Algerian War<\/a><\/em>
\nSupervisors: Dr. Chris Faulkner,<\/a> Dr. Marc Furstenau<\/a><\/p>\n\n\n\n

2013, Annette Windsor de Stecher,<\/strong> Engaged Histories: Wendat Women’s Souvenir Arts of Cultural Preservation and Entrepreneurial Invention<\/a><\/em>
\nSupervisor: Dr. Ruth Phillips<\/a><\/p>\n\n\n\n

2013, Heather Lynette Igloliorte,<\/strong> Nunatsiavummi Sananguagusigisimajangit \/ Nunatsiavut Art History: Continuity, Resilience, and Transformation in Inuit Art<\/a><\/em>
\nSupervisor: Dr. Ruth Phillips<\/a><\/p>\n\n\n\n

2013, Stacey Anna-Marie Loyer,<\/strong> Belonging and Belongings: Ethnographic Collecting and Indigenous Agency at the Six Nations of the Grand River<\/a><\/em>
\nSupervisor: Dr. Ruth Phillips<\/a><\/p>\n\n\n\n

2013, Daniel James Sheridan,<\/strong> Wagner and “Grand” Opera: Performing the Nation Through Embodied Sonorous Spectacle<\/a><\/em>
\nSupervisor: Dr. James Deaville<\/a><\/p>\n\n\n\n

2012<\/h3>\n\n\n\n

2012, Kyle Ross Devine, <\/strong>Imperfect Sound Forever: Loudness, Listening, Formations, and the Historiography of Sound Reproduction<\/a><\/em>
\nSupervisor: Dr. Paul Th\u00e9berge<\/a><\/p>\n\n\n\n

2012, Paul Jasen,<\/strong> Bass: a myth-science of the sonic body,<\/a><\/em>
\nSupervisor: Dr. Paul Th\u00e9berge<\/a><\/p>\n\n\n\n

2012, Danielle Annette M. Wiley,<\/strong> House as a City: Re-contructing Vancouver’s urban imaginary in master-planned neighbourhoods, South False Creek (1976-1986) and Concord Pacific Place (1990-2000)<\/a><\/em>
\nSupervisor: Dr. Stephen Fai <\/a><\/p>\n\n\n\n

2011<\/h3>\n\n\n\n

2011, Robert Edward Evans,<\/strong> A Bird’s-Eye View of Modernity: The Synoptic View in Nineteenth-Century Cityscapes<\/a><\/em>
\nSupervisor: Dr. Mitchell Frank<\/a><\/p>\n\n\n\n

2011, Sylvie Jasen,<\/strong> Reenactment as Event in Contemporary Cinema<\/a><\/em>
\nSupervisor: Dr. Chris Faulkner<\/a><\/p>\n\n\n\n

2011, Murray John Davis Leeder,<\/strong> Early Cinema and the Supernatural<\/a><\/em>
\nSupervisor: Dr. Charles O’Brien<\/a><\/p>\n\n\n\n

2011, Jeremy Melvin Maron,<\/strong> Unbridgeable Barriers: The Holocaust in Canadian Cinema<\/a><\/em>
\nSupervisor: Dr. Andr\u00e9 Loiselle<\/p>\n\n\n\n

2011, eldritch Michael Priest,<\/strong> Boring Formless Nonsense (or, On the Aesthetics of Failure in Recent Experimental Composition)<\/a><\/em>
\nSupervisor: Dr. Geraldine Finn<\/a><\/p>\n\n\n\n

2011, Stephen J. Rifkin,<\/strong> Andr\u00e9 Bazin’s “Ontology of the Photographic Image”: Representation, Desire, and Presence<\/a><\/em>
\nSupervisor: Dr. Chris Faulkner<\/a>, Dr. Mark Salber Phillips<\/a><\/p>\n\n\n\n

2011, Benjamin Andrew Wright,<\/strong> Sound from Start to Finish: Professional Style and Practice in Modern Hollywood Sound Production<\/a><\/em>
\nSupervisor: Dr. Paul Th\u00e9berge<\/a><\/p>\n\n\n\n

2010<\/h3>\n\n\n\n

2010, Christopher Eaket,<\/strong> “Theatre-Outside-of-Theatres”: Spaces of Digital Performance<\/em><\/a>
\nSupervisor: Dr. Brian Greenspan<\/a><\/p>\n\n\n\n

2010, Mar\u00eda Victoria Guglietti,<\/strong> Imagining Drumbytes and Logging in Powwows: A History of Community Imagination in Canadian-Based Aboriginal New Media Art<\/a><\/em>
\nSupervisor: Dr. Paul Th\u00e9berge<\/a><\/p>\n\n\n\n

2010, Alex Wetmore,<\/strong> Touching Fiction: Embodied Narrative Self-Reflexivity and Eighteenth-Century British Sentimental Novels<\/a><\/em>
\nSupervisor: Dr. Paul Keen,<\/a> Dr. Mark Salber Phillips<\/a><\/p>\n\n\n\n

2009<\/h3>\n\n\n\n

2009, David W. Lafferty, <\/strong>Wyndham Lewis’s <\/em>Kulturkampf<\/a>
\nSupervisor: Dr. Chris Faulkner<\/a><\/p>\n\n\n\n

2009, Julia Margaret Pine, <\/strong>An “Anecdotic Self-Portrait”: Strategies of Disclosure in <\/em>The Secret Life of Salvador Dali<\/a>
\nSupervisor: Dr. Barbara Gabriel<\/a><\/p>\n\n\n\n

2009, Marc Raymond,<\/strong> Martin Scorsese and Film Culture: Radically Contextualizing the Contemporary Auteur<\/a><\/em>
\nSupervisor: Dr. Mark Langer<\/a><\/p>\n\n\n\n

2009, Robert Sean Winger, <\/strong>John Thompson, Phyllis Webb, and the Roots of the Free-Verse Ghazal in Canada<\/a><\/em>
\nSupervisor: Dr. Robert Hogg, Dr. Brenda Carr-Vellino<\/p>\n\n\n\n

2008<\/h3>\n\n\n\n

2008, Janne Cleveland,<\/strong> Getting in the Car to Weirdsville: Taking a Trip with Ronnie Burkett Theatre of Marionettes<\/em><\/a>
\nSupervisor: Dr. Jodie Medd<\/p>\n","protected":false},"excerpt":{"rendered":"

Cultural Mediations Graduates and Theses 2025 2025, Casey Gray, Assembling Bodies: the museum exhibition as apparatus of bodily production in Canada and the United Kingdom Supervisor: Dr. Monica Patterson 2024 2024, Krista Zawadski,  \u1431\u1581\u144f\u1466 \u1403\u14c5\u14ef\u1593\u1466 \u1583\u144e\u1483\u1455\u14d5\u1595\u14a5\u1466 PIQUTIIT INUUSINGAT QATIKTALINGMIT: CULTURAL AND SOCIAL LIVES OF INUIT PIQUTINGIT Supervisor: Dr. Carmen Robertson 2024, Cara Tierney, Art as Gender […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_cu_dining_location_slug":"","footnotes":"","_links_to":"","_links_to_target":""},"cu_page_type":[],"class_list":["post-4568","page","type-page","status-publish","hentry"],"acf":{"cu_post_thumbnail":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/pages\/4568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/comments?post=4568"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/pages\/4568\/revisions"}],"predecessor-version":[{"id":7132,"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/pages\/4568\/revisions\/7132"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/media?parent=4568"}],"wp:term":[{"taxonomy":"cu_page_type","embeddable":true,"href":"https:\/\/carleton.ca\/icslac\/wp-json\/wp\/v2\/cu_page_type?post=4568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}