{"id":39,"date":"2010-06-22T10:44:08","date_gmt":"2010-06-22T15:44:08","guid":{"rendered":"http:\/\/carleton.ca\/litnews\/?page_id=39"},"modified":"2016-10-04T14:05:16","modified_gmt":"2016-10-04T18:05:16","slug":"programs","status":"publish","type":"page","link":"https:\/\/carleton.ca\/litnews\/programs\/","title":{"rendered":"Programs"},"content":{"rendered":"<h4 style=\"text-align: center;\"><a href=\"http:\/\/carleton.ca\/litnews\/programs\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2320\" src=\"http:\/\/carleton.ca\/litnews\/wp-content\/uploads\/fSIZwB.jpeg\" alt=\"CKCU Literary News Programs\" width=\"1700\" height=\"2200\" srcset=\"https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/fSIZwB.jpeg 1700w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/fSIZwB-160x207.jpeg 160w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/fSIZwB-240x311.jpeg 240w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/fSIZwB-768x994.jpeg 768w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/fSIZwB-400x518.jpeg 400w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/fSIZwB-360x466.jpeg 360w\" sizes=\"(max-width: 1700px) 100vw, 1700px\" \/><\/a><\/h4>\n<p><\/p>\n<p><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-thumbnail wp-image-2314\" src=\"http:\/\/www.carleton.ca\/litnews\/wp-content\/uploads\/POETRY-Foundation-logo-160x43.jpg\" alt=\"CKCU-FM93.1\/Literary News is airing podcasts in partnership with the POETRY Magazine: poetryfoundation.org\" width=\"160\" height=\"43\" srcset=\"https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/POETRY-Foundation-logo-160x43.jpg 160w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/POETRY-Foundation-logo-240x65.jpg 240w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/POETRY-Foundation-logo-768x207.jpg 768w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/POETRY-Foundation-logo-400x108.jpg 400w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/POETRY-Foundation-logo-360x97.jpg 360w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/POETRY-Foundation-logo.jpg 1264w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/p>\n<p style=\"text-align: center;\">\u00a0CKCU-FM93.1\/Literary News is airing podcasts in partnership with the\u00a0<strong> POETRY Magazine<\/strong>&gt; http:\/\/poetryfoundation.org<\/p>\n<h4 style=\"text-align: center;\"><\/h4>\n<h4 style=\"text-align: center;\"><\/h4>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\">PLEASE SCROLL DOWN TO THE PROGRAM DESCRIPTIONS.<\/span><\/p>\n<p style=\"text-align: center;\">Veuillez d\u00e9filer vers le bas. Bitte nach unten scrollen.<\/p>\n<h2>CKCU LitNews-1<\/h2>\n<h2><em>Literatures in Europe Today<\/em><\/h2>\n<h3>GENERAL PROGRAM INFORMATION<\/h3>\n<p><a href=\"http:\/\/goo.gl\/BSrsc\"><strong>CKCU Literary News <\/strong><\/a>is an internet-based broadcasting service of <a href=\"http:\/\/www.en.wikipedia.org\/wiki\/CKCU-FM\">Radio CKCU-FM 93.1<\/a>. Launched in 1975 as the first campus radio in Canada, the station is an integral part of <a href=\"http:\/\/carleton.ca\">Carleton University<\/a> and its community of friends and partners in the National Capital Region and beyond. It is currently producing four programs:<\/p>\n<p><strong>CKCU LitNews<\/strong><em><strong>-1 <a href=\"http:\/\/carleton.ca\/litnews\/european\/\"><span style=\"text-decoration: underline;\">Literatures in Europe Today<\/span><\/a><\/strong>, <\/em>hosted by Hans G. Ruprecht, <a href=\"http:\/\/carleton.ca\/litnews\/prog-1podcast\/\"><strong><em>Podcast-1<\/em><\/strong><\/a><\/p>\n<p><strong>CKCU LitNews-2 <span style=\"text-decoration: underline;\"><a href=\"http:\/\/carleton.ca\/litnews\/actualites-litteraire\/\"><em>Les Actualit\u00e9s litt\u00e9raires dans le monde francophone<\/em><\/a><\/span><\/strong> , hosted by Hans G. Ruprecht, <a href=\"http:\/\/carleton.ca\/litnews\/prog-2podcast\/\"><strong><em>Podcast-2<\/em><\/strong><\/a>;<\/p>\n<p><strong>CKCU LitNews-3<span style=\"text-decoration: underline;\"> <em><a href=\"http:\/\/carleton.ca\/litnews\/german\/\">Das literarische Echo<\/a>. <a href=\"http:\/\/carleton.ca\/litecho\/\">Deutschsprachige Litertur im Gespr\u00e4ch<\/a><\/em><\/span><\/strong>, co-hosted by Hans G. Ruprecht &amp; Helmut Zobl, <strong><em><span style=\"text-decoration: underline;\">P<\/span><\/em><\/strong><a href=\"http:\/\/carleton.ca\/litnews\/prog-3podcast\/\"><strong><em>odcast-3<\/em><\/strong> <\/a>.<\/p>\n<p><strong>CKCU LitNews-4 <span style=\"text-decoration: underline;\"><em><a href=\"http:\/\/carleton.ca\/litnews\/latinamerica\/\">Noticias literarias de Latinoam\u00e9rica \/ Latin American literary news<\/a><\/em><\/span><\/strong>, co-produced with Alberto Quero (Venezuela).<\/p>\n<p>These programs can be heard locally on <strong>FM 93.1<\/strong>, Wednesdays<strong>,\u00a0<\/strong><strong> 9:30 &#8211; 10:00 a.m.<\/strong><strong> EST<\/strong> , and on CKCU LitNewsSTREAM (in Europe at 15:30-16:00 CET) <strong><a href=\"http:\/\/streema.com\/radios\/CKCU_FM_Radio\">LISTEN LIVE<\/a><\/strong>,\u00a0 on<a href=\"http:\/\/cod.ckcufm.com\/programs\/414\/index.html?filter=all\"><strong> ALL CKCU Literary News PLAYLISTS<\/strong><\/a>\u00a0 and as <a href=\"http:\/\/carleton.ca\/litnews\/podcast\/\">PODCAST<\/a>. The episodes of <strong>CKCU LitNews-1<\/strong>, <strong>LitNews-2<\/strong>, and <strong>CKCU LitNews-3<\/strong> are being posted as MP3-audio files for free and easy downloading; whereas older audio files of <strong>CKCU LitNews-3<\/strong> are still accessible in the archive of <em>Das literarische Echo<\/em> at <a href=\"http:\/\/www3.carleton.ca\/litecho\/archiv.html\">www3.carleton.ca\/litecho\/archiv.html<\/a><\/p>\n<h3>Format<\/h3>\n<p>Episodes consist of various modes of interfacing with local or foreign correspondents, and of dialogues with special guests in the studio. The duration of each episode is 30 minutes, and occasionally twice as long, because some episodes may include a supplementary podcast in addition to the broadcast. Shows are being aired without commercial breaks.<\/p>\n<h3>Content<\/h3>\n<p>Given the complexity of the wider geographical, historical and sociopolitical context of such culturally diverse traditions, circumstances and ways of creative writing in Europe; the vast amount of information available about <em>Literatures in Europe Today<\/em>; and, last but not least, the &#8216;normal constraints&#8217; (budget-wise, personnel-wise, etc.) that define the program&#8217;s mode of production, the content of <em>newscasts<\/em> therefore pertains only to the following points:<\/p>\n<blockquote>\n<blockquote>\n<ul>\n<li><em>Selected writers and their recent works as reviewed in Europe<\/em>\n<ul>\n<li><em>Regional differences (cultures \/ languages \/ borders)<\/em><\/li>\n<li><em>Historical relations (traditions \/ changes)<\/em><\/li>\n<\/ul>\n<\/li>\n<li><em>Books (poetry, fiction, drama, essay) in the News<\/em><\/li>\n<li><em>Prizes (national, international award-winning authors)<\/em><\/li>\n<li><em>Themes, genres and styles of contemporary writing<\/em><\/li>\n<li><em>New Media (blogs, e-magazines) and creative writing<\/em><\/li>\n<li><em>Circumstances of commemorative celebrations<\/em><\/li>\n<li><em>Inter- \/ national literature (theatre, poetry) festivals,<\/em><\/li>\n<li><em>Inter- \/ national book fairs (London, Paris, Frankfurt, etc.)<\/em><\/li>\n<li><em>Perspectives on cultural, and &#8216;literary life&#8217;in major European cities<\/em><\/li>\n<li><em>Latest trends in dramatic performance<\/em><\/li>\n<li><em>New film adaptations of fiction: reception and critique<\/em><\/li>\n<\/ul>\n<\/blockquote>\n<\/blockquote>\n<p>In dialogue with Canadian and European correspondents, who are graciously volunteering their time to participate in the broadcast, the show informs, from every aspect possible, about the considerable range of debate LITERATURE is generating in Europe, as it always has and continues to do in many countries.<\/p>\n<p>If there is a <em>common thread<\/em> running through the episodes of the show, then it may well be one that is also entwined with the multicultural fabric of Canadian society. In fact, in this vast country of ours many people do relate to each other in full awareness of their European cultural heritage, which includes shared experiences of literary readings.<\/p>\n<p>In addition to presentations of specific literary news items from all over Europe the program about <em>Literatures in Europe Today<\/em> proposes to engage guests, correspondents, and listeners in exploring program-related <em>themes<\/em> and <em>literary subject matters<\/em>, including the following:<\/p>\n<ul>\n<li><em>Rethinking &#8216;the literary&#8217; in Europe today<\/em><\/li>\n<li><em>Canadian media coverage of European writing: What do we get?<\/em><\/li>\n<li><em>Literary expressions of post-national \/ regional identities<\/em><\/li>\n<li><em>Reconstructing the recent past in fiction<\/em><\/li>\n<li><em>&#8216;War-torn European countries&#8217; as a theme<\/em><\/li>\n<li><em>The Holocaust: mourning and memory in creative writing<\/em><\/li>\n<li><em>1989 \u2013 writing twenty years later<\/em><\/li>\n<li><em>Writers mediating borderland experiences<\/em><\/li>\n<li><em>The figure of the exiled, refugee, immigrant<\/em><\/li>\n<li><em>Narratives of migration, immigration<\/em><\/li>\n<li><em>Experiences of ethnic cleansing, displacement, and loss<\/em><\/li>\n<li><em>Self and otherness in fiction, drama, and in poetry<\/em><\/li>\n<li><em>Overcoming \/ living with cultural divides<\/em><\/li>\n<li><em>Writing in more than one language<\/em><\/li>\n<li><em>The literary &#8216;publishing industry&#8217; in Europe<\/em><\/li>\n<li><em>European bestsellers: Translation, reception, success<\/em><\/li>\n<li><em>Popular literary genres<\/em><\/li>\n<li><em>Poetic voices on the outside: Can they be heard?<\/em><\/li>\n<li><em>Circulating writers, &#8216;\u00e9crivains sans fronti\u00e8res&#8217;<\/em><\/li>\n<li><em>Essayists and critics read across Europe<\/em><\/li>\n<li><em>Is there an established &#8216;literary scene&#8217; across Europe?<\/em><\/li>\n<li><em>Writers speaking up for people and causes<\/em><\/li>\n<li><em>Contemporary creative writing and the canons of &#8216;modern literature&#8217;<\/em><\/li>\n<li><em>Literature and new media in Europe<\/em><\/li>\n<li><em>Literary perspectives from the margins of society<\/em><\/li>\n<li><em>Fractured communities: writing about sub-cultural identities<\/em><\/li>\n<li><em>Literary traditions of resistance and dissidence: Are they still alive?<\/em><\/li>\n<li><em>Transgressive &#8216;underground&#8217; writing: Where? what about?<\/em><\/li>\n<li><em>Are there any new trends, or emerging literary movements?<\/em><\/li>\n<\/ul>\n<h3>Production<\/h3>\n<p>The program is recorded and produced in the Studios of CKCU. Its content is \u00a9 <em>copyright<\/em> protected. It may be reused for educational purposes with the permission of the broadcaster.<\/p>\n<p>(<a href=\"http:\/\/youtu.be\/-1kO8_UJBVg\">Video<\/a>: Editing in the CKCU Production Studio.)<\/p>\n<p><em>Contact<\/em>:<\/p>\n<p>&#114;&#x61;d&#105;&#x6f;&#46;&#99;&#x6b;c&#117;&#x2e;l&#105;&#x74;n&#101;&#x77;s&#64;&#x67;m&#97;&#x69;l&#46;&#x63;o&#109;<\/p>\n<p>S<em>ocial media<\/em>:<\/p>\n<p><a href=\"http:\/\/www.linkedin.com\/in\/hostckculitnews\">www.linkedin.com\/in\/hostckculitnews<\/a><a href=\"http:\/\/twitter.com\/#!\/ckculitnews\"><br \/>\nwww.twitter.com\/#!\/ckculitnews<\/a><a href=\"http:\/\/www.facebook.com\/ckculitnews\"><br \/>\nwww.facebook.com\/ckculitnews<\/a><\/p>\n<p><em>Skype:<\/em><strong> radiockcu-litnews<br \/>\n<\/strong><\/p>\n<p>mb +1 (613) 883-2120<br \/>\ntf +1\u00a0\u00a0\u00a0\u00a0 (613) 730-2220<\/p>\n<p><strong>CKCU<\/strong> <strong>Reception,<\/strong> weekdays 8:00 &#8211; 17:00 EST: + 1 (613) 520-2898<\/p>\n<p><em>Postal Address:<\/em><\/p>\n<p><strong>Radio Carleton CKCU-FM<br \/>\n<\/strong>Unicentre, Room 517<br \/>\nCarleton University<br \/>\n1125 Colonel By Drive<br \/>\nOttawa, ON K1S 5B6 \/ Canada<\/p>\n<h2>CKCU LitNews-2<\/h2>\n<h2><em>Actualit\u00e9s litt\u00e9raires du monde francophone<br \/>\n<\/em><\/h2>\n<p><\/p>\n<p>et<\/p>\n<h3><em><a title=\"Radio CKCU\/Literary News: Paroles d'Afrique\" href=\"http:\/\/carleton.ca.\/litnews\/afrique\/\">Paroles d&#8217;Afrique<\/a>: entretiens, reportages et po\u00e9sie<\/em><\/h3>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/CKCU-FM\">CKCU-FM 93,1<\/a> est la station de radio universitaire et communitaire situ\u00e9e au campus de CARLETON U \u2013 &#8216;<em>Canada&#8217;s Capital University&#8217;<\/em> \u2013 \u00e0 Ottawa. Emettant vingt-quatre heures sur vingt-quatre, ses \u00e9missions peuvent \u00eatre \u00e9cout\u00e9es, localement sur 93,1 MHz (FM), dans un rayon de 100 km, et sur Internet http:\/\/ckcufm.com <a href=\"http:\/\/www.ckcufm.com\/sites\/default\/themes\/ckcu\/ckcuradio.php\">LISTEN LIVE <\/a>.<\/p>\n<p>La radiodiffusion en modulation de fr\u00e9quence de <strong>CKCU Literary News<\/strong>, <a href=\"[culink%20page_id=5]\">page d&#8217;accueil<\/a> comprend des \u00e9missions litt\u00e9raires en anglais, fran\u00e7ais et en allemand. Elles font partie int\u00e9grante de la grille de programmes d&#8217;int\u00e9r\u00eat culturel en treize langues aussi diffus\u00e9s par CKCU-FM.<\/p>\n<p>Lanc\u00e9 en 2010, \u00e0 l&#8217;occasion du trente-cinqui\u00e8me anniversaire de la station, <a href=\"http:\/\/goo.gl\/BSrsc\"><strong>CKCU Literary News<\/strong><\/a>, nouveau m\u00e9dia d&#8217;information litt\u00e9raire, diffuse ses \u00e9missions\u00a0<strong>MER de 9H30 <\/strong>&#8211;<strong> 109H0<\/strong> HNE au Canada \/ <strong>15H30<\/strong> &#8211; <strong>16H00 <\/strong>HEC (Europe) en direct et <a href=\"http:\/\/www2.carleton.ca\/litnews\/stream\/\"><strong><em>en continu<\/em><\/strong><\/a> (sur Internet), puis <strong><em>en diff\u00e9r\u00e9 <\/em>(sur la <\/strong><a href=\"http:\/\/cod.ckcufm.com\/programs\/414\/info.html\">liste d&#8217;\u00e9coute automatique\u00a0 <\/a><strong><a href=\"http:\/\/cod.ckcufm.com\/programs\/414\/info.html\">Au<\/a><a href=\"http:\/\/cod.ckcufm.com\/programs\/414\/info.html\">dio fil<\/a><\/strong>PLAYLIST). Toutes les \u00e9missions sont aussi \u00e0 \u00e9couter en <a href=\"http:\/\/carleton.ca\/litnews\/podcast\/\"><strong>baladodiffusion <\/strong><\/a>(podcast)\u00a0 comme suit:<\/p>\n<ul>\n<li><strong>CKCU LitNews-1<\/strong> <em>Literatures in Europe Today<\/em>, au microphone Hans G. Ruprecht et ses invit\u00e9s, <strong><em>en diff\u00e9r\u00e9<\/em><\/strong> &gt; <a href=\"http:\/\/carleton.ca\/litnews\/prog-1podcast\/\">Podcast-1<\/a><\/li>\n<li><strong>CKCU LitNews-2<\/strong> <em>Les Actualit\u00e9s litt\u00e9raires dans le monde francophone<\/em>, au microphone Hans G. Ruprecht et ses invit\u00e9s,<strong><em> en diff\u00e9r\u00e9<\/em><\/strong> &gt; <a href=\"http:\/\/carleton.ca\/litnews\/prog-2podcast\/\">Podcast-2<\/a><\/li>\n<li><strong>CKCU LitNews-3<\/strong> <em>Das literarische Echo<\/em><em>. Deutschsprachige Literatur im Gespr\u00e4ch<\/em>, au microphone Hans G. Ruprecht et Helmut Zobl, voir <strong>HP<\/strong>&gt; <a href=\"http:\/\/www.carleton.ca\/litecho\/\">http:\/\/www.carleton.ca\/litecho\/<\/a> <strong><em>en diff\u00e9r\u00e9<\/em><\/strong> &gt; <a href=\"http:\/\/carleton.ca\/litnews\/prog-3podcast\/\">Podcast-3<\/a> , voir aussi <a href=\"http:\/\/www.carleton.ca\/litecho\/archiv.html\">LitEcho Archiv<\/a>.<\/li>\n<li><strong>CKCU LitNews-4<\/strong> <em>Noticias literarias de Latinoam\u00e9rica<\/em> \/\u00a0 <em>Latin American literary news, <\/em>une \u00e9mission bilingue copodruite avec Alberto Quero (Venezuela).<\/li>\n<\/ul>\n<p>La programmation de ces \u00e9missions s&#8217;inspire de principes directeurs et des valeurs auxquels adh\u00e8rent les pays signataires de la <em>Convention sur la protection et la promotion de la diversit\u00e9 des expressions culturelles<\/em>(UNESCO 2005). Elle d\u00e9clare notamment \u00abque la culture prend diverses formes dans le temps et dans l&#8217;espace et que cette diversit\u00e9 s&#8217;incarne dans l&#8217;originalit\u00e9 et la pluralit\u00e9 des identit\u00e9s ainsi que dans les expressions culturelles des peuples et des soci\u00e9t\u00e9s qui constituent l&#8217;humanit\u00e9\u00bb.<sup>1<\/sup><\/p>\n<p>Dans la mesure que la diversit\u00e9 <em>et<\/em> des traditions litt\u00e9raires d&#8217;expression fran\u00e7aise <em>et<\/em> des pratiques textuelles contemporaines, qui l&#8217;augmentent la rendant encore plus impressionnante, rel\u00e8ve aussi de ce qui est dans &#8216;la vie litt\u00e9raire&#8217; des pays francophones d&#8217;ordre g\u00e9ographique, historique et socioculturel, les \u00e9missions sur <strong>CKCU LitNews-2<\/strong> poursuivent un triple objectif:<\/p>\n<p>1\/Appr\u00e9cier &#8220;l&#8217;originalit\u00e9 et la pluralit\u00e9 des identit\u00e9s&#8221; telles qu&#8217;elles se manifestent dans les pays de la Francophonie par la cr\u00e9ativit\u00e9 litt\u00e9raire sous toutes ses formes.<\/p>\n<p>2\/Apporter des nouvelles litt\u00e9raires francophones d&#8217;actualit\u00e9 locale, r\u00e9gionale et nationale autant que transnationale (nouveaut\u00e9s, grands prix litt\u00e9raires, foires \/ salons du livre, festivals litt\u00e9raires, saisons th\u00e9\u00e2trales, anniversaires, etc.).<\/p>\n<p>3\/Pr\u00e9senter aux auditeurs des \u00e9crivain(e)s dont les livres jouissent, dans leurs pays d&#8217;origine, et de la faveur des lecteurs et de l&#8217;attention suivie de la part des critiques litt\u00e9raires.<\/p>\n<p>Pour pouvoir pr\u00e9senter une vision \u00e9largie de la sc\u00e8ne litt\u00e9raire dans les pays de la Francophonie nos auditeurs, nos correspondant(e)s (lecteurs, gens de lettres; auteurs, \u00e9diteurs, critiques; professeurs, enseignants, \u00e9tudiants ; parmi d&#8217;autres) ainsi que nos amis des r\u00e9seaux sociaux sont pri\u00e9s de bien vouloir contribuer au succ\u00e8s du programme, par ex., en nous envoyant des petits dossiers \u00e0 th\u00e8me sur <strong>fichiers MP3<\/strong> (dur\u00e9e: 15-20 min. \u2264 20 MB).<\/p>\n<p>Voici un choix de th\u00e8mes qui int\u00e9ressent nos auditeurs en milieu universitaire:<\/p>\n<ul>\n<li>La situation actuelle <em>du litt\u00e9raire <\/em>au pays (\u00e0 choisir) :\n<ul>\n<li>\u00c9crire, publier et lire en fran\u00e7ais dans un \u00e9tat officiellement unilingue \/ bilingue \/ trilingue \/ plurilingue.<\/li>\n<li>Les concours et prix litt\u00e9raires du pays.<\/li>\n<li>Statut (place publique, m\u00e9dia, institutions, r\u00f4le, prestige, influence) du litt\u00e9raire.<\/li>\n<li>\u00c9dition, traduction et diffusion des ouvrages \u00e0 l&#8217;int\u00e9rieur \/ ext\u00e9rieur du pays.<\/li>\n<li>La litt\u00e9rature francophone du pays sur Internet (blogs, magazines en ligne, forums; biblioth\u00e8ques, librairies, achats en ligne; les fichiers MP3 et MP4 \u00e0 contenu litt\u00e9raire disponibles sur Internet).<\/li>\n<li>Le march\u00e9 du livre: La r\u00e9ception de la litt\u00e9rature d&#8217;autres pays.<\/li>\n<li>L&#8217;enseignement scolaire du canon litt\u00e9raire national.<\/li>\n<\/ul>\n<\/li>\n<li>Comment faut-il aborder, imaginer, penser la<strong> franco<em>poly<\/em>phonie<\/strong><sup>2<\/sup> <strong>litt\u00e9raire<\/strong> au XXI<sup>e <\/sup>si\u00e8cle? Interd\u00e9pendance, m\u00e9tissage, migrations et r\u00e9seautage virtuel, etc. autant de sujets qui m\u00e9ritent une attention suivie.<\/li>\n<li>Quelles sont les &#8216;pratiques litt\u00e9raires&#8217; propres \u00e0 un quartier (&#8216;cit\u00e9 ghetto&#8217;), un district, un territoire, une r\u00e9gion, une aire linguistique? Et ce, pour tout dire, par opposition \u00e0 l&#8217;identification de <em>la<\/em> <em>Litt\u00e9rature<\/em> aux principes normatifs de &#8216;litt\u00e9rarit\u00e9&#8217; \u00e9tablis, qui se r\u00e9percutent dans des fa\u00e7ades mondaines de &#8216;la vie litt\u00e9raire&#8217;, voire dans les grands succ\u00e8s en librairie m\u00e9diatis\u00e9s comme dans les crit\u00e8res d&#8217;\u00e9valuation particuliers aux critiques, ou encore dans l&#8217;attribution des prix litt\u00e9raires et la cons\u00e9cration officielle.<\/li>\n<li>Regards sur <em>La po\u00e9tique de la relation <\/em>(E. Glissant)<sup>3<\/sup> et les champs du litt\u00e9raire francophone \u00e0 l&#8217;air du num\u00e9rique.<\/li>\n<li>Continuit\u00e9 \/ discontinuit\u00e9 des formes et genres de la cr\u00e9ation po\u00e9tique, romanesque et dramatique, etc. par rapport \u00e0 l&#8217;histoire r\u00e9cente des pays appartenant \u00e0 la Francophonie (en Europe, au Maghreb, en Afrique, dans les Am\u00e9riques et les Cara\u00efbes, en Asie, etc.).<\/li>\n<li>Ecrivain(e)s francophones face aux grands d\u00e9fis de notre temps.<\/li>\n<\/ul>\n<p>Nous mettons en ondes des <em>entretiens t\u00e9l\u00e9phoniques<\/em>, en nombre limit\u00e9, avec des auteur(e)s o\u00f9 qu&#8217;ils\/elles soient. Nous diffusons aussi des <strong>fichiers MP3<\/strong> pr\u00e9par\u00e9s sp\u00e9cialement pour nos \u00e9missions, et ce en collaboration avec des auteur(e)s qui ont bien voulu accepter notre invitation. <em>La<\/em> <em>dur\u00e9e du temps d&#8217;antenne est 20 min. par \u00e9mission, sans publicit\u00e9 intercal\u00e9e<\/em>. Gracieuesement offerte, cette coop\u00e9ration se fera sans frais.-<\/p>\n<p>Les organisateurs et promoteurs d&#8217;importants<em> \u00e9v\u00e9nements \u00e0 caract\u00e8re litt\u00e9raire<\/em> (d\u00e9bats publiques, colloques, festivals de litt\u00e9rature, &#8216;nuits de la po\u00e9sie&#8217;, anniversaires, comm\u00e9morations, expositions, Salons du livre, etc.) sont pri\u00e9s de nous contacter pour que nous puissions communiquer de tels \u00e9v\u00e9nements \u00e0 nos auditeurs.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>1\/ Pr\u00e9ambule<em>, Convention sur la protection et la promotion de la diversit\u00e9 des expressions culturelles<\/em>, <a href=\"http:\/\/agora.qc.ca\/francophonie.nsf\/Dossiers\/Diversit\u00e9_culturelle\">www.agora.qc.ca<\/a><\/p>\n<p>2 \/ <em>Po\u00e9tiques et Imaginaires \/ <\/em><em>Franco<\/em>poly<em>phonie litt\u00e9raire des Am\u00e9riques<\/em>, sous la direction de Pierre Laurette et Hans G. Ruprecht (Paris: Edtions L&#8217;Harmattan, 1995).<\/p>\n<p>3 \/ \u00c9douard Glissant, <em>La po\u00e9tique de la relation<\/em> (Paris: Gallimard, 1990).<\/p>\n<p><\/p>\n<h3>Hans G. Ruprecht,<\/h3>\n<p>Animateur, producteur, r\u00e9alisateur<\/p>\n<p><a href=\"http:\/\/goo.gl\/BSrsc\"><strong><em>CKCU<\/em><\/strong><em> <strong>Literary News<\/strong><\/em><\/a><\/p>\n<p><em>Courriel<\/em>:<\/p>\n<p>radi&#111;&#46;&#99;&#107;&#99;&#117;&#46;&#x6c;&#x69;&#x74;&#x6e;&#x65;&#x77;&#x73;&#x40;&#x67;mail&#46;&#99;&#111;&#109;<\/p>\n<p><em>R\u00e9seaux sociaux<\/em>:<\/p>\n<p><a href=\"http:\/\/www.linkedin.com\/in\/hostckculitnews\">www.linkedin.com\/in\/hostckculitnews<\/a><a href=\"http:\/\/twitter.com\/#!\/ckculitnews\"><br \/>\nwww.facebook.com\/ckculitnews<br \/>\nwww.twitter.com\/#!\/ckculitnews<\/a><\/p>\n<p><em>Skype:<\/em><strong> radiockcu-litnews<br \/>\n<\/strong><\/p>\n<p>mb +1 (613) 883-2120<br \/>\ntf +1 (613) 730-2220<\/p>\n<p><strong>CKCU<\/strong> <strong>R\u00e9ception,<\/strong>de 8h00 \u00e0 17h00 EST: + 1 (613) 520-2898<\/p>\n<p><em>Adresse postale<\/em>:<\/p>\n<p><strong>Radio Carleton CKCU-FM<br \/>\n<\/strong>Unicentre, Room 517<br \/>\nCarleton University<br \/>\n1125 Colonel By Drive<br \/>\nOttawa, ON K1S 5B6 \/ Canada<\/p>\n<h2>CKCU LitNews-3<\/h2>\n<h3 style=\"text-align: left;\"><a href=\"http:\/\/carleton.ca\/litecho\/\">Das literarische Echo <\/a><\/h3>\n<h3 style=\"text-align: left;\"><em>Deutschsprachige Literatur im Gespr\u00e4ch,<\/em><\/h3>\n<h3 style=\"text-align: left;\"><em>Kritiken und Kontroversen.<\/em><\/h3>\n<p><em>Sendezeit<\/em> (im Anschluss an <em>BBC World News<\/em>): <strong>Mittwochs<\/strong>, <strong>9.30 \u2013 10.00 Uhr EST<\/strong> in Kanada \/ <strong>15.30 \u2013 16.00 Uhr MEZ<\/strong> (Europa) im Internet &gt; CKCU LitNewsSTREAM &gt; <a href=\"http:\/\/streema.com\/radios\/play\/2934\">LISTEN LIVE <\/a>und \u00fcber die<a href=\"cod\"><em> ABSPIELLISTE <\/em><\/a>(CKCU Literary News PLAYLIST<em>), <\/em>dann auch zum Nachh\u00f6ren &gt; CKCU LitNews-3 &gt; <a href=\"http:\/\/carleton.ca\/litnews\/prog-3podcast\/\">Podcast-3<\/a><\/p>\n<h3 style=\"text-align: center;\">PROGRAMMSCHEMA<\/h3>\n<h3>I. Ausgangspunkte<\/h3>\n<p>Die Sendungen verstehen sich als ein <em>kanadisches<\/em> Echo auf das literarische Leben in europ\u00e4ischen L\u00e4ndern und Landesteilen, die \u00fcberwiegend oder zum Teil deutschsprachiger Kultur sind.-<\/p>\n<p>Die Programmgestaltung der Sendung bezieht sich auf folgende Ausgangspunkte:<\/p>\n<ol>\n<li>Was schreiben deutschsprachige Autoren heutzutage? Wie und f\u00fcr wen erz\u00e4hlen sie ihre Geschichten? Wovon handeln ihre Romane und Theaterst\u00fccke? Wie klingen ihre Gedichte? Was bedeuten ihre Texte?<\/li>\n<li>Wie soll man sie lesen und bewerten? Wer findet \u00ad\u2014 gro\u00dfe, geringe oder gar keine Beachtung? Was halten Kritiker von Bestsellern? Welche kulturelle Bedeutung haben heutzutage (noch immer?] die gro\u00dfen Literaturpreise in Deutschland, in \u00d6sterreich und in der Schweiz? Finden sie grenz\u00fcberschreitende Beachtung?<\/li>\n<li>Welchen Platz nimmt neuartige, experimentelle Dichtung deutscher Sprache in der schweizer, \u00f6sterreichischen und deutschen Medienlandschaft ein? Wo und wie wird sie rezipiert? Was ist &#8216;literarische \u00d6ffentlichkeit&#8217; im deutschsprachigen Raum? Wer sind die meinungsbildenden K\u00f6pfe?<\/li>\n<li>Die Sendungen sind auch ein Echo aus virtuellen R\u00e4umen im Internet, wo junge Lyriker, Schriftstellerinnen, und St\u00fcckeschreiber aus aller Welt ihre Werke in deutscher Sprache vorstellen und produzieren.<strong>*<\/strong><\/li>\n<li>Wie wirkt aktuelle Literatur in deutscher Sprache im multikulturellen Rahmen globaler &#8220;Weltliteratur&#8221;? Gibt es sie? Als Goethe 1827 mit diesem Begriff eine \u00e4hnliche Frage aufwarf, waren die Bedingungen des literarischen Schaffens nat\u00fcrlich anders\u2026<\/li>\n<\/ol>\n<p style=\"text-align: left;\">* <strong>Walter Benjamin<\/strong> war in dieser Hinsicht wegweisend; meinte er doch in seiner oft zitierten Ansprache, <em>Der Autor als Produzent<\/em> (1934): &#8220;Also ehe ich frage: wie steht eine Dichtung <em>zu <\/em>den Produktionsverh\u00e4ltnissen einer Epoche? m\u00f6chte ich fragen: wie steht sie <em>in<\/em> ihnen? Diese Frage zielt unmittelbar auf die Funktion, die das Werk innerhalb der schriftstellerischen Produktionsverh\u00e4ltnisse einer Zeit hat.&#8221; <em>Gesammelte Schriften <\/em>II.2 (Suhrkamp Verlag, 1977), S. 686.<\/p>\n<p><\/p>\n<h3>II. Aktuelle Schwerpunkte<\/h3>\n<p>Das sind Inhalte unterschiedlicher Art, die w\u00e4hrend der ersten H\u00e4lfte einer Sendung gebracht werden, z.B. Gespr\u00e4che mit Autoren, die im Studio zu Gast sind. Dabei kann es auch zu einer ausf\u00fchrlichen Unterhaltung kommen, die den Inhalt einer ganzen Sendung f\u00fcllt (20 Min.). Auch l\u00e4ngere Telefongespr\u00e4che sind m\u00f6glich. Ferner wird eingangs auf erw\u00e4hnenswerte Daten im Literaturkalendar (Gedenktage,Geburtstage) hingewiesen.<\/p>\n<p><strong>Literarische Kurznachrichten<\/strong><\/p>\n<p>Aktuelles aus dem deutschsprachigen Literaturbetrieb, z.B. beachtenswerte literarische Ereignisse; Preisverleihungen; \u00f6ffentliche Ehrungen; Debatten und Kontroversen; Neues aus dem Verlagswesen, Buchmessen; Berliner Theatertreffen, Krimifest, etc;<\/p>\n<p><strong>Top-Ten Bestsellerlisten<\/strong> (in deutschsprachigen Medien)<\/p>\n<p><strong>Hinweise auf Tendenzen<\/strong> (literarische Geschmacksrichtungen): &#8216;Was geht derzeit gut?&#8217; (Telefongespr\u00e4che mit Verlegern, Kritikern, Buchh\u00e4ndlern); Hinweise auf noch ungedruckte, experimentelle <strong>ONLINE<\/strong> Werke; wenn m\u00f6glich kurze Leseprobe aus besonders zu empfehlenden <strong>e-texten.<br \/>\n<\/strong><\/p>\n<p><strong>Wir besprechen kurz und empfehlen wirklich <em>neue Titel<\/em><\/strong> (Romane, Lyrik, Theaterst\u00fccke; wichtige Neuausgaben; auch mal Biographien, Geschichtliches, Heiteres, Kontroverses, Reiseliteratur; Kriminalromane; Kinderb\u00fccher, Jugendliteratur, H\u00f6rb\u00fccher, e-books; aber leider keine Sachb\u00fccher.)<\/p>\n<p><strong>Besuche in virtuellen literarischen Salons, Caf\u00e9s und Blogs<\/strong> mit kurzen Kommentaren zu aktuellen Inhalten, und wenn irgend m\u00f6glich mit Toneinlagen. Was wird derzeit in den &#8216;H\u00e4usern der Literatur&#8217; geboten?<\/p>\n<p><\/p>\n<h3>III. Verschiedene Gesichtspunkte<\/h3>\n<p>&gt; Die Moderatoren diskutieren (auch mal mit einem Gast) \u00fcber das was sich aus der Lekt\u00fcre eines Buches ableiten l\u00e4sst: Sujet und Inhalt; Sprache, Erz\u00e4hlform, Gestalt. Die Handlung [Zeit\/Raum]: darin die psychologische \/ historische Glaubw\u00fcrdigkeit der Charaktere.<\/p>\n<p>&gt; Diskussion \u00fcber inhaltlich bemerkenswerte, gestalterisch origin\u00e4re Werkaspekte. Was ist neuartig an dem Buch? Wie ist es zu bewerten? Was hei\u00dft das \u00fcberhaupt, &#8216;ein literarisches Werk bewerten&#8217;? Warum ist das Buch (sehr \/nur begrenzt) lesenswert? Mit was ist es zu vergleichen? Welche kulturelle Bedeutung hat es? Dazu kommt danneine kurze Leseprobe.<\/p>\n<p>&gt; Gedankenaustausch \u00fcber ein aktuelles Theaterst\u00fcck: Wie war die Rezeption? Was sagen Feuilletonisten in \u00d6sterreich, in der Schweiz und in Deutschland zu einer bedeutsamen Theaterauff\u00fchrung? Was besagt das \u00fcber den &#8216;Erwartungshorizont&#8217; der Zuschauer?<\/p>\n<p><strong>Das Gedicht des Monats aus drei Jahrhunderten<\/strong> (19 .- 21. Jhd.): Ein Gedicht wird vorgelesen und kurz besprochen: gespr\u00e4chsweise werden m\u00f6gliche Inhalte angedeutet, nichts &#8216;tiefsch\u00fcrfend&#8217; interpretiert; vielmehr soll manches offen bleiben\u2026<\/p>\n<p><\/p>\n<h3>IV. Thematische Schwerpunkte<\/h3>\n<p>Das sind vorprogrammierte Inhalte, z.B. au\u00dferhalb des Studios aufgenommene Interviews mit Schriftstellern, die nach Ottawa zu Lesungen gekommen sind.<\/p>\n<p>Thematisch ausgearbeitete Sendereihen, wie z.B. die bereits gelaufenen \u00fcber &#8216;Literatur der Wendezeit&#8217; und \u00fcber &#8216;neue Literatur aus \u00d6sterreich&#8217;, die noch immer im<a href=\"http:\/\/carleton.ca\/litecho\/archiv.html\"> ARCHIV <\/a> nachzuh\u00f6ren sind, unter &gt; http:\/\/carleton.ca\/litecho\/archiv.html<\/p>\n<p>Augenommene Telefongespr\u00e4che (MP3-Dateien), z.B. mit Leseprogrammleitern in &#8216;H\u00e4usern der Literatur&#8217; oder mit Lektoren deutschsprachiger Verlagsh\u00e4user. &#8216;Das literarische Leben&#8217; in den virtuellen R\u00e4umen der Social-Networks und Foren mit denen <strong>CKCU Literay News<\/strong> mehrsprachig vernetzt ist (<em><a href=\"http:\/\/www.facebook.com\/ckculitnews\">facebook<\/a> | <a href=\"http:\/\/www.twitter.com\/#!\/ckculitnews\">twitter<\/a> <\/em>).Was l\u00e4sst sich \u00fcber die \u00abjunge Literatur\u00bb erfahren?<\/p>\n<p><strong>Unterhaltsame Behandlung umstrittener Themen<\/strong><\/p>\n<p>Vorgesehen sind Kommentare zu folgenden Themen:<\/p>\n<ul>\n<li>Literarische Fernsehsendungen: <em>Show<\/em>, Manipulation und Wirkung;<\/li>\n<li>Schreiben heute: Was h\u00f6rt man von jungen Autoren?<\/li>\n<li>Literarisches Leben im deutschsprachigen Raum: kulturgeschichtlich bedingt, geographisch begrenzt, sich selbst organisierend, virtuell und offen;<\/li>\n<li>Gibt es au\u00dfer der \u00abliterarischen Sprachgemeinschaft\u00bb, neben der kulturellen Eigenst\u00e4ndigkeit und Vielfalt, noch etwas Spezifisches, das allen gemeinsam ist?<\/li>\n<li>Literatur und sozial-politisches Engagement \u2014 noch immer? Warum?<\/li>\n<li>&#8220;Die Wende&#8221; (1989-2009): Erz\u00e4hlte Zeitgeschichte;<\/li>\n<li>Merkmale massenhaft verbreiteter Belletristik;<\/li>\n<li>Literatur und Tabu: Gibt es noch tabuisierte Stoffe?<\/li>\n<li>Lyrik und Musik: Gibt es eine literarische <em>pop culture<\/em>?<\/li>\n<li>Formen und Ausdrucksweisen \u00abintermedialer Literatur\u00bb;<\/li>\n<li>Literatur und Film: Gelungene \/ gescheiterte Verfilmungen;<\/li>\n<li>Literatur und bildende Kunst: Gibt es Beziehungen? Kafka, Hesse, Grass;<\/li>\n<li>Literarische Tradition heute: Wer beruft sich (noch?) auf [moderne?] Klassiker?<\/li>\n<li>Was ist postmodern?<\/li>\n<li>Wo gibt es eine avantgardistische Literatur deutscher Sprache?<\/li>\n<li>Publikumsgeschmack: Was l\u00e4sst sich heutzutage dazu sagen?<\/li>\n<li>Deutschsprachige Schriftsteller in der <em>Diaspora<\/em>;<\/li>\n<li>Schriftsteller-\/innen, die sich des Deutschen als Zweitsprache bedienen;<\/li>\n<li>Deutsch \u2014 eine literarische Weltsprache?<\/li>\n<li>Gibt es noch so etwas wie Dichterruhm? Wer kommt auf das <em>blaue Sofa<\/em> w\u00e4hrend der Frankfurter Buchmesse?<\/li>\n<li>Wie liest man heute? Buchkultur und <em>e-books<\/em>;<\/li>\n<li>Dichtung im virtuellen Raum \u2013 leicht findbar oder f\u00fcr immer verloren?<\/li>\n<\/ul>\n<h3 style=\"text-align: center;\">IMPRESSUM<\/h3>\n<p>Die Sendung <a href=\"http:\/\/www.carleton.ca\/litecho\/\"><em>Das literarische Echo<\/em><\/a> wird vom universit\u00e4tseigenen <strong>Sender CKCU-FM 93.1<\/strong> <cite><\/cite>auf dem Campus der <a href=\"http:\/\/carleton.ca\">Carleton University<\/a> ( hier bitte en <a href=\"http:\/\/www.youtube.com\/watch?v=EQ_lf_QBcro&amp;feature=colike\">Video<\/a> anklicken ) in Ottawa ausgestrahlt. Sie ist auch im Internet zu h\u00f6ren, auf CKCU LitNewsSTREAM &gt; <a href=\"http:\/\/carleton.ca\/litnews\/stream\/\">LISTEN LIVE<\/a>.<\/p>\n<p>Derzeit werden \u00fcber 100 gespeicherte Radiosendungen im <a href=\"http:\/\/www3.carleton.ca\/litecho\/archiv.html\">Archiv (<em>podcast<\/em>)<\/a> sowie unter <strong>CKCU Literary News<\/strong> <a href=\"http:\/\/carleton.ca\/litnews\/prog-3podcast\/\">Podcast 3<\/a> zum Nachh\u00f6ren angeboten.<\/p>\n<p style=\"text-align: left;\"><em>Moderatoren<\/em>:<\/p>\n<div align=\"center\">\n<div id=\"attachment_974\" class=\"wp-caption aligncenter\" style=\"width: 400px\"><img decoding=\"async\" loading=\"lazy\" class=\"size-large wp-image-974\" title=\"P1060600\" src=\"http:\/\/carleton.ca\/litnews\/wp-content\/uploads\/P1060600-400x283.jpg\" alt=\"\" width=\"400\" height=\"283\" \/><p class=\"wp-caption-text\">Dr. Hans-George Ruprecht und\u00a0 Dr. Helmut Zobl<\/p><\/div>\n<\/div>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.carleton.ca\/slals\/faculty\/linguistics\/index.html\">http:\/\/www.carleton.ca\/slals\/faculty\/linguistics\/index.html<\/a><\/p>\n<p><em>Kontakt<\/em>:<\/p>\n<p>&#114;&#x61;&#x64;&#105;&#x6f;&#x2e;c&#x6b;&#x63;u&#46;&#x6c;i&#116;&#x6e;e&#119;&#x73;&#64;&#103;&#x6d;a&#105;&#x6c;&#x2e;&#99;&#x6f;&#x6d;<\/p>\n<p><a href=\"http:\/\/www.linkedin.com\/in\/hostckculitnews\">www.linkedin.com\/in\/hostckculitnews<\/a><a href=\"http:\/\/www.facebook.com\/ckculitnews\"><br \/>\nwww.facebook.com\/ckculitnews<\/a><a href=\"http:\/\/twitter.com\/#!\/ckculitnews\"><br \/>\nwww.twitter.com\/#!\/ckculitnews<\/a><\/p>\n<p><em>Postanschrift:<\/em><\/p>\n<p><strong>Radio CKCU Literary News<\/strong><\/p>\n<p>Unicentre, Room 517<br \/>\nCarleton University<br \/>\n1125 Colonel By Drive<br \/>\nOttawa, ON K1S 5B6 \/ Canada<\/p>\n<p><em>Skype:<\/em><strong> radiockcu-litnews<br \/>\n<\/strong><\/p>\n<p>mb +1 (613) 883-2120<br \/>\ntf +1 (613) 730-2220<\/p>\n<p><strong>CKCU<\/strong><strong> Empfang,<\/strong>werktags 8.00 &#8211; 17.00 Uhr EST: + 1 (613) 520-2898<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.youtube.com\/watch?v=EQ_lf_QBcro&amp;feature=colike\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-large wp-image-941\" title=\"Carleton Univerrsity Campus\" src=\"http:\/\/carleton.ca\/litnews\/wp-content\/uploads\/RxMF46-400x154.jpg\" alt=\"\" width=\"400\" height=\"154\" \/><\/a><\/p>\n<p style=\"text-align: left;\">Das ist Carleton University <strong><a href=\"http:\/\/www.youtube.com\/watch?v=EQ_lf_QBcro&amp;feature=colike\">video<\/a> <\/strong>in\u00a0 Ottawa<strong>, <\/strong>am\u00a0 Rideau Kanal, ein<a href=\"http:\/\/de.m.wikipedia.org\/wiki\/Rideau_Canal\"><strong> UNESCO-Welterbe<\/strong> <\/a>.<\/p>\n<h2 style=\"text-align: left;\"><\/h2>\n<h2 style=\"text-align: left;\"><a href=\"http:\/\/carleton.ca\/litnews\/latinamerica\/\">CKCU LitNews-4<\/a><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2348 size-large\" src=\"http:\/\/carleton.ca\/litnews\/wp-content\/uploads\/CKCU_LitNewsIMG_4223-400x400.jpg\" alt=\"CKCU_LitNewsIMG_4223\" width=\"400\" height=\"400\" srcset=\"https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/CKCU_LitNewsIMG_4223-400x400.jpg 400w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/CKCU_LitNewsIMG_4223-160x160.jpg 160w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/CKCU_LitNewsIMG_4223-240x240.jpg 240w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/CKCU_LitNewsIMG_4223-768x768.jpg 768w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/CKCU_LitNewsIMG_4223-200x200.jpg 200w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/CKCU_LitNewsIMG_4223-360x360.jpg 360w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-2325 size-large\" src=\"http:\/\/carleton.ca\/litnews\/wp-content\/uploads\/yCes8E-400x192.jpeg\" alt=\"yCes8E\" width=\"400\" height=\"192\" srcset=\"https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/yCes8E-400x192.jpeg 400w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/yCes8E-160x77.jpeg 160w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/yCes8E-240x115.jpeg 240w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/yCes8E-768x368.jpeg 768w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/yCes8E-360x173.jpeg 360w, https:\/\/carleton.ca\/litnews\/wp-content\/uploads\/yCes8E.jpeg 905w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p><strong>Noticias literarias de Latinoam\u00e9rica<\/strong> \/ <strong>Latin American Literary<\/strong> News is a program being aired every second month by <strong>CKCU-FM | Literary News<\/strong> of the community based campus radio of CARLETON UNIVERSITY in Ottawa (Canada). It can be heard locally (alternating with other broadcasts about literature being aired in English, French and German) on FM 93.1, Wednesdays 9:30-10:00 EDT in Canada and worldwide on STREAM <a href=\"http:\/\/carleton.ca\/litnews\/stream\/\">http:\/\/carleton.ca\/litnews\/stream\/<\/a> as well as ON DEMAND <a href=\"http:\/\/carleton.ca\/litnews\/playlist\/\">http:\/\/carleton.ca\/litnews\/playlist\/<\/a><\/p>\n<p>This segment of the multilingual <em>CKCU-FM Literary News<\/em> casts \u2013 for more information please go to <a href=\"http:\/\/carleton.ca\/litnews\/programs\/\">http:\/\/carleton.ca\/litnews\/programs\/<\/a> \u2013 is bilingual, and it will be open for ad honorem contributions by young authors from all over Latin America.<\/p>\n<p>Audio files of up to 25 minutes duration may be submitted in MP3 format to radio.ckcu.litnews[at]gmail.com<\/p>\n<p>Dr. Alberto QUERO recently joined the CKCU-FM team as a contributing literary correspondent, bringing you the latest literary news from Latin America. Thanks to his feature reports and well-informed comments about literary news from <em>Nuestra<\/em> <em>Am\u00e9rica, <\/em>to use Jos\u00e9 Mart\u00ed\u2019s term. the Canadian audience will get acquainted with an always vibrating scene full of amazing literary events.<\/p>\n<p>Alberto Quero is a writer and critic based in Maracaibo, Venezuela. He studied at the University of Zulia.\u00a0\u00a0He holds a BA in literature and linguistics, a Master\u2019s degree in Venezuelan literature and a Doctorate in Humanities. He teaches English, French and Spanish as foreign languages, and he is a member of the Semiotics Association of Venezuela.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0CKCU-FM93.1\/Literary News is airing podcasts in partnership with the\u00a0 POETRY Magazine&gt; http:\/\/poetryfoundation.org PLEASE SCROLL DOWN TO THE PROGRAM DESCRIPTIONS. Veuillez d\u00e9filer vers le bas. Bitte nach unten scrollen. CKCU LitNews-1 Literatures in Europe Today GENERAL PROGRAM INFORMATION CKCU Literary News is an internet-based broadcasting service of Radio CKCU-FM 93.1. Launched in 1975 as the first [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"open","ping_status":"open","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_mi_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Radio CKCU\/Literary News_PROGRAMS<\/title>\n<meta name=\"description\" content=\"&nbsp; &nbsp; \u00a0CKCU-FM93.1\/Literary News is airing podcasts in partnership with the\u00a0 POETRY Magazine&gt; 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