{"id":7899,"date":"2017-10-31T15:51:18","date_gmt":"2017-10-31T19:51:18","guid":{"rendered":"https:\/\/carleton.ca\/music\/?page_id=7899"},"modified":"2025-06-03T10:52:25","modified_gmt":"2025-06-03T14:52:25","slug":"shepherd-symposium","status":"publish","type":"page","link":"https:\/\/carleton.ca\/music\/shepherd-symposium\/","title":{"rendered":"A Symposium in Honour of John Shepherd"},"content":{"rendered":"\n
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\n A Symposium in Honour of John Shepherd\n <\/h1>\n \n <\/header>\n <\/div>\n\n <\/div>\n\n \n\n <\/div>\n<\/section>\n\n\n\n

The Social and Cultural Study of Music: Then and Now<\/strong><\/h3>\n\n\n\n

Carleton University, Ottawa, 24\u201325 Nov. 2017<\/strong><\/p>\n\n\n\n

\"book<\/a><\/figure>\n\n\n\n

During the late 1970s and early 80s, an emerging body of literature based in sociology, popular music, feminism, cultural and critical theory began to infiltrate the study of music, challenging the objects and methods of conventional music theory and musicology, on the one hand, and questioning Western classical music as the primary musical text, on the other. Issues of class, identity, race, gender and sexuality, technology, industry, values and aesthetics came to the fore and popular musics, genres and fandom slowly gained status as legitimate areas of study. Today, these issues continue to inform much writing and theorizing about music but new areas of inquiry \u2013 ethnography, music in everyday life, sound studies, music and the moving image, cities and scenes, disability studies, digitalization and others \u2013 have added to the increasingly inter-disciplinary character of music as an area of cultural study.<\/p>\n\n\n\n

\"cover<\/a><\/figure>\n\n\n\n

In the forty years since he first co-edited Whose Music?: A Sociology of Musical Languages <\/em>(with Phil Virden, Graham Vulliamy and Trevor Wishart, 1977) John Shepherd\u2019s work has been among the most consistently challenging in its scope and its theoretical implications for our understanding of music as a social phenomenon. In an extensive series of works \u2013 including Music as Social Text <\/em>(1991) and Music <\/em>and Cultural Theory <\/em>(with Peter Wicke, 1997) \u2013 and major encyclopedias and anthologies \u2013 The <\/em>Continuum Encyclopedia of Popular Music of the World <\/em>(with David Horn, et al, 2003\u201317) and The <\/em>Routledge Reader on The Sociology of Music <\/em>(with Kyle Devine, 2015) \u2013 Shepherd has helped define the social and cultural study of music. In his many years of teaching and leadership, Shepherd has also helped establish Carleton University as a centre for research and pedagogy in music, society and culture.<\/p>\n\n\n\n

The purpose of the symposium is to reconsider the historical development of the social and cultural study of music (including John Shepherd\u2019s contribution), its successes and blind spots and, equally important, to rethink and reformulate it for the 21st century.<\/p>\n\n\n\n

Updated: Symposium Schedule<\/a><\/strong><\/p>\n\n\n\n

Accommodations and Travel Info: PDF<\/strong><\/a><\/p>\n\n\n\n

Registration Fees:<\/strong><\/p>\n\n\n\n

$50 (full Symposium) \/ $30 (one day)
\nStudents Free!<\/p>\n\n\n\n

For inquiries or further information<\/strong>, contact: shepherd.symposium@carleton.ca<\/a><\/p>\n\n\n\n

\"Music<\/a><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The Social and Cultural Study of Music: Then and Now Carleton University, Ottawa, 24\u201325 Nov. 2017 During the late 1970s and early 80s, an emerging body of literature based in sociology, popular music, feminism, cultural and critical theory began to infiltrate the study of music, challenging the objects and methods of conventional music theory and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_cu_dining_location_slug":"","footnotes":"","_links_to":"","_links_to_target":""},"cu_page_type":[54],"class_list":["post-7899","page","type-page","status-publish","hentry","cu_page_type-general"],"acf":{"cu_post_thumbnail":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/pages\/7899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/comments?post=7899"}],"version-history":[{"count":4,"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/pages\/7899\/revisions"}],"predecessor-version":[{"id":14110,"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/pages\/7899\/revisions\/14110"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/media?parent=7899"}],"wp:term":[{"taxonomy":"cu_page_type","embeddable":true,"href":"https:\/\/carleton.ca\/music\/wp-json\/wp\/v2\/cu_page_type?post=7899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}