{"id":103285,"date":"2026-10-27T16:00:00","date_gmt":"2026-10-27T20:00:00","guid":{"rendered":"https:\/\/carleton.ca\/news\/?post_type=cu_story&#038;p=103285"},"modified":"2026-10-29T15:43:32","modified_gmt":"2026-10-29T19:43:32","slug":"scream-queens-women-horror-films","status":"publish","type":"cu_story","link":"https:\/\/carleton.ca\/news\/story\/scream-queens-women-horror-films\/","title":{"rendered":"The Female Scream Is Now an All-Powerful Cry in Horror Films"},"content":{"rendered":"    \n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n                    \n                    \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-opacity-50 bg-cover bg-cu-black-50 pt-24 pb-32 md:pt-28 md:pb-44 lg:pt-36 lg:pb-60 xl:pt-48 xl:pb-72\" style=\"background-image: url(https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/2026\/10\/istock-horror-scene-1920x1280-1-1600x700.jpg); background-position: 50% 50%;\">\n\n                    <div class=\"absolute top-0 w-full h-screen\" style=\"background-color:rgba(0,0,0,0.600);\"><\/div>\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-white cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        The Female Scream Is Now an All-Powerful Cry in Horror Films\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"absolute bottom-0 w-full z-[1]\" fill=\"none\" viewbox=\"0 0 1280 312\">\n                <path fill=\"#fff\" d=\"M26.412 315.608c-.602-.268-6.655-2.412-13.524-4.769a1943.84 1943.84 0 0 1-14.682-5.144l-2.276-.858v-5.358c0-4.876.086-5.358.773-5.09 1.674.643 21.38 5.84 34.646 9.109 14.682 3.59 28.935 6.858 45.936 10.449l9.874 2.089H57.322c-16.4 0-30.31-.16-30.91-.428ZM460.019 315.233c42.974-10.074 75.602-19.88 132.443-39.867 76.16-26.791 152.063-57.709 222.385-90.663 16.7-7.823 21.336-10.074 44.262-21.273 85.004-41.688 134.719-64.193 195.291-88.413 66.55-26.577 145.2-53.584 194.27-66.765C1258.5 5.626 1281.34 0 1282.24 0c.17 0 .34 27.596.34 61.3v61.299l-2.23.375c-84.7 13.718-165.93 35.955-310.736 84.931-46.494 15.753-65.427 22.076-96.166 32.15-9.102 3-24.814 8.198-34.989 11.574-107.543 35.954-153.008 50.422-196.626 62.639l-6.74 1.876-89.126-.054c-78.135-.054-88.782-.161-85.948-.857ZM729.628 312.875c33.229-10.985 69.248-23.523 127.506-44.207 118.705-42.223 164.596-57.709 217.446-73.302 2.62-.75 8.29-2.465 12.67-3.751 56.19-16.772 126.94-33.597 184.17-43.671 5.07-.91 9.66-1.768 10.22-1.875l.94-.161v170.236l-281.28-.054H719.968l9.66-3.215ZM246.864 313.411c-65.041-2.251-143.047-12.11-208.432-26.256-18.375-3.965-41.73-9.538-42.202-10.074-.171-.214-.257-21.38-.214-47.046l.129-46.618 6.654 3.697c57.313 32.043 118.491 56.531 197.699 79.143 40.313 11.521 83.459 18.058 138.669 21.059 15.584.857 65.685.857 81.14 0 33.744-1.876 61.306-4.93 88.396-9.806 6.396-1.126 11.634-1.983 11.722-1.929.255.375-20.48 7.769-30.999 11.038-28.592 8.948-59.288 15.646-91.873 20.147-26.36 3.59-50.015 5.627-78.35 6.698-15.584.59-55.209.59-72.339-.053Z\"><\/path>\n                <path fill=\"#fff\" d=\"M-3.066 295.067 32.06 304.1v9.033H-3.066v-18.066Z\"><\/path>\n            <\/svg>\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n\n\n<p class=\"wp-block-paragraph\">As Halloween approaches and screen audiences are saturated with the sights and sounds of <a href=\"https:\/\/www.youtube.com\/shorts\/rn2voCpxRpc\" target=\"_blank\" rel=\"noreferrer noopener\">screaming women<\/a> in horror films and TV shows, it&#8217;s a great time to look at the women whose vocal artistry created genuinely effective screams on screen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Behind every memorable cinematic scream lies <a href=\"https:\/\/www.wired.com\/video\/watch\/wired-live-lili-taylor-on-the-conjuring\" target=\"_blank\" rel=\"noreferrer noopener\">a vocal performance<\/a> that is often reduced to a natural, unreflective outburst. But that assessment obscures the women behind its most powerful manifestations. For example, think of the work of <a href=\"https:\/\/www.syfy.com\/syfy-wire\/shelley-duvall-rewatches-the-shining\" target=\"_blank\" rel=\"noreferrer noopener\">Shelley Duvall in <em>The Shining<\/em><\/a>, <a href=\"https:\/\/www.bbc.com\/culture\/article\/20250723-how-psychos-terrifying-music-changed-film-forever\" target=\"_blank\" rel=\"noreferrer noopener\">Janet Leigh in <em>Psycho<\/em><\/a> or <a href=\"https:\/\/wordpress.lehigh.edu\/screams\/2020\/03\/16\/hereditary-2018\/\" target=\"_blank\" rel=\"noreferrer noopener\">Toni Collette in <em>Hereditary<\/em><\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Certain screen actors have made the scream their calling card to fame and notoriety, under the designation &#8220;<a href=\"https:\/\/www.indiewire.com\/features\/general\/scream-queen-horror-movie-trope-modern-definition-1234770549\/\" target=\"_blank\" rel=\"noreferrer noopener\">scream queen<\/a>.&#8221; These queens are the unsung heroes of the horror industry through their dedication to the vocal performance of the fear and terror in the many guises of horror.<\/p>\n\n\n\n<h2 id=\"long-live-the-scream-queen\" class=\"wp-block-heading has-text-align-center\">Long live the (scream) queen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">As onscreen horror proliferated in the 1970s, the term &#8220;scream queen&#8221; became popular, most notably through Calvin Beck&#8217;s 1978 book <a href=\"https:\/\/archive.org\/details\/screamqueenshero0000beck\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Scream Queens: Heroines of the Horrors<\/em><\/a>. Later, in popular culture, &#8220;scream queen&#8221; applied to &#8220;<a href=\"https:\/\/escholarship.org\/uc\/item\/5k74j6h0\" target=\"_blank\" rel=\"noreferrer noopener\">any female star who has made a career playing women who survive extreme trauma or peril<\/a>.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.theringer.com\/podcasts\/halloween-unmasked\/2018\/10\/11\/jamie-lee-curtis-final-girl-and-hollywood-survivor-halloween-unmasked\" target=\"_blank\" rel=\"noreferrer noopener\">Hollywood actress Jamie Lee Curtis<\/a> qualifies to bear the mantle of &#8220;scream queen,&#8221; alongside others like <a href=\"https:\/\/www.theaquarian.com\/2018\/05\/23\/lin-shaye-the-ultimate-scream-queen\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lin Shaye<\/a>, <a href=\"https:\/\/www.horrorsociety.com\/2009\/06\/08\/scream-queen-interview-brinke-stevens\/\" target=\"_blank\" rel=\"noreferrer noopener\">Brinke Stevens<\/a>, <a href=\"https:\/\/racksandrazors.com\/michelle.html\" target=\"_blank\" rel=\"noreferrer noopener\">Michelle Bauer<\/a>, and <a href=\"https:\/\/getoutmag.com\/linnea-quigley-horror-scream-queen\/\" target=\"_blank\" rel=\"noreferrer noopener\">Linnea Quigley<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">While Curtis is well-known, the other actors may be less familiar even though they collectively have hundreds of film <a href=\"https:\/\/www.imdb.com\/title\/tt3743206\/\" target=\"_blank\" rel=\"noreferrer noopener\">credits to their names<\/a>, predominantly in low-budget horror productions. Those films occupy a robust and <a href=\"https:\/\/www.glenguyton.com\/blog\/what-moviegoing-tells-us-about-economy\/\" target=\"_blank\" rel=\"noreferrer noopener\">commercially significant<\/a> segment of the film market. The market has shown remarkable resilience, <a href=\"https:\/\/www.screenhub.com.au\/news\/opinions-analysis\/horror-films-in-the-age-of-covid-how-the-pandemic-caused-a-boom-2611752\/?utm_source=chatgpt.com\" target=\"_blank\" rel=\"noreferrer noopener\">even during the COVID-19 pandemic that saw a spike in people watching horror films<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"HEREDITARY Toni Collette Clip + Featurette NEW (2018) - Horror Movie\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/o_3KlS0VPL4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 id=\"the-onscreen-scream\" class=\"wp-block-heading has-text-align-center\">The onscreen scream<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Screen horror has relied on the <a href=\"https:\/\/doi.org\/10.1080\/10509208.2023.2225402\" target=\"_blank\" rel=\"noreferrer noopener\">scream as a sonic marker since the advent of sound film,<\/a> and even earlier in the form of the <a href=\"https:\/\/silentfilm.org\/silent-scream-going-mad-without-sound\/\" target=\"_blank\" rel=\"noreferrer noopener\">silent scream<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Screaming is a non-linguistic vocalization, like laughing and crying, rooted in ancient neural systems associated with survival. Its distinctive acoustic properties can engage <a href=\"https:\/\/www.kenhub.com\/en\/library\/anatomy\/subcortical-structures-anatomy\" target=\"_blank\" rel=\"noreferrer noopener\">subcortical mechanisms<\/a> of threat detection, triggering heightened vigilance and lending the scream a particular <a href=\"https:\/\/gizmodo.com\/how-a-human-scream-uniquely-activates-the-fear-response-1718538748\" target=\"_blank\" rel=\"noreferrer noopener\">communicative immediacy<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Filmmakers exploit the scream&#8217;s capacity to evoke terror, but it can also express delight at a surprising revelation (the announcement of the band Donna and the Dynamos in <a href=\"https:\/\/clip.cafe\/mamma-mia-2008\/i-ladies-no-gentlemen-i\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Mamma Mia!<\/em><\/a>) or amusement over a comedic situation (when cross-dressing Robin Williams&#8217; fake breasts catch fire in <a href=\"https:\/\/www.youtube.com\/shorts\/3PqMVyTqeaU\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Mrs. Doubtfire<\/em><\/a>). It can likewise signify pain, most notoriously embodied in the male &#8220;<a href=\"https:\/\/blog.scienceandmediamuseum.org.uk\/wilhelm-scream\/\" target=\"_blank\" rel=\"noreferrer noopener\">Wilhelm scream<\/a>&#8221; that has found use in more than 400 films, including <a href=\"https:\/\/www.youtube.com\/watch?v=yn_KD9eRubY\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Star Wars<\/em><\/a> and the <a href=\"https:\/\/www.youtube.com\/watch?v=wWvK4NMgx8U\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Lord of the Rings<\/em><\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Clip - Super Trouper - Mamma Mia Movie - DVD - Complete\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/eGScDixmUQM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 id=\"fay-wray-the-original-scream-queen\" class=\"wp-block-heading has-text-align-center\">Fay Wray: The original scream queen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Cinema of the early 1930s is rife with examples of horror, including <em>Frankenstein<\/em> (1931), <em>Dracula<\/em> (1931), <em>The Mummy<\/em> (1932) and <em>King Kong<\/em> (1933). It was in <em>King Kong<\/em>, however, that the prototype of the <a href=\"https:\/\/www.facebook.com\/watch\/?v=763521684880299\" target=\"_blank\" rel=\"noreferrer noopener\">scream queen<\/a> emerged through the vocal artistry of <a href=\"https:\/\/www.indiewire.com\/features\/general\/fay-wray-first-scream-queen-1234771654\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fay Wray<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As she later recalled in her <a href=\"https:\/\/archive.org\/details\/onotherhandlifes0000wray\/page\/142\/mode\/2up\" target=\"_blank\" rel=\"noreferrer noopener\">autobiography<\/a>, Wray entered an RKO sound studio before the film was edited to record a repertoire of screams and moans for insertion into the soundtrack \u2014 she called it an &#8220;aria of agonies.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her screaming voice was heard in several other horror films of the time, establishing her reputation as the imperilled heroine, a <a href=\"https:\/\/bloody-disgusting.com\/editorials\/3747017\/fay-wray-a-tribute-to-the-original-scream-queen\/\" target=\"_blank\" rel=\"noreferrer noopener\">historical precedent<\/a> to later scream queens. Wray&#8217;s screams in <em>King Kong<\/em> subsequently entered the repertoire of <a href=\"https:\/\/catalog.afi.com\/Catalog\/MovieDetails\/4005\" target=\"_blank\" rel=\"noreferrer noopener\">sound effects (re-)deployed by sound engineers<\/a>, reinforcing her status as a progenitor of the scream queen.<\/p>\n\n\n\n<h2 id=\"empowering-modern-scream-queens\" class=\"wp-block-heading has-text-align-center\">Empowering modern scream queens<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">As horror cinema exploded into commercial prominence during the 1980s and &#8217;90s, the scream queen became one of horror&#8217;s defining female figures. <a href=\"https:\/\/editorial.rottentomatoes.com\/article\/oral-history-of-halloween-jamie-lee-curtis-john-carpenter\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jamie Lee Curtis&#8217; performance in Halloween<\/a> (1978) was decisive not only for her career but for the evolution of the modern horror film and its female protagonist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alongside Curtis, other scream queens like Linnea Quigley, Michelle Bauer and Brinke Stevens, whose names are less well known, emerged. They helped move the genre from the <a href=\"https:\/\/www.indiewire.com\/gallery\/most-iconic-final-girls-horror-laurie-strode-scream-queens\/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;final girl&#8221;<\/a> model toward a fusion of horror, camp and sex appeal.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The final girl refers to the trope of the last woman standing in a horror film; she&#8217;s the one who finally takes on the villain. Still, Curtis&#8217;s final girl proved enduring, evolving from a vulnerable survivor in 1978 into a <a href=\"https:\/\/nerdist.com\/article\/jamie-lee-curtis-halloween-laurie-strode-interview\/\" target=\"_blank\" rel=\"noreferrer noopener\">formidable older heroine<\/a> in the <em>Halloween<\/em> franchise&#8217;s later instalments.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The shift toward female strength is exemplified by the career of <a href=\"https:\/\/www.laweekly.com\/queen-of-screams-lin-shayes-quirky-creepy-characters-have-made-for-an-incredible-and-insidious-career\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lin Shaye<\/a>, whose work has appeared in more than 100 films over a span of 50 years.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Shaye challenged the scream queen&#8217;s traditional association with youth and sexualized representations. She was most recently associated with the <em>Insidious<\/em> franchise, where she has served as the protagonist, psychic medium Elise Rainier.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recognizing that &#8220;<a href=\"https:\/\/dailydead.com\/interview-the-last-keys-lin-shaye-on-ageism-in-hollywood-and-her-unexpected-journey-through-the-insidious-films\/\" target=\"_blank\" rel=\"noreferrer noopener\">people attribute growing older to authority<\/a>,&#8221; Shaye has redefined the conventions of the scream queen through her portrayal of an older heroine whose experience, knowledge and agency become sources of power. Her body of work reflects an ongoing resistance to constraints that age, gender and genre might impose on her.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She believes people want &#8220;<a href=\"https:\/\/dailydead.com\/interview-the-last-keys-lin-shaye-on-ageism-in-hollywood-and-her-unexpected-journey-through-the-insidious-films\/\" target=\"_blank\" rel=\"noreferrer noopener\">to see a person\u2026have strength rather than be a victim<\/a>.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although Shaye continues to perform the screams associated with the genre, her <a href=\"https:\/\/rue-morgue.com\/exclusive-interview-insidious-the-last-key-writer-co-star-leigh-whannell-on-lin-shaye-demon-acting-and-more\/\" target=\"_blank\" rel=\"noreferrer noopener\">portrayal of Rainier<\/a> privileges authority over vulnerability, transforming the scream queen from a terrorized victim into an empowered agent.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Insidious: The Last Key\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/C7xM5zyCePo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 id=\"a-new-era-of-scream-queens\" class=\"wp-block-heading has-text-align-center\">A new era of scream queens<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">As the scream queen transforms from vulnerability to empowerment, another change is in the works. Historically, <a href=\"https:\/\/filmint.nu\/the-invisible-man-race-in-horror-films-jonina-anderson-lopez\/\" target=\"_blank\" rel=\"noreferrer noopener\">the scream queen casts were almost entirely white women<\/a>. This raises the question: What kinds of bodies are privileged to scream on screen?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A <a href=\"https:\/\/www.youtube.com\/watch?v=hh9xLUgtOOk\" target=\"_blank\" rel=\"noreferrer noopener\">diverse cast of scream queens<\/a> may be making their way onto screens.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recent horror movies have introduced a new generation of scream queens to the cultural zeitgeist. Actress <a href=\"https:\/\/www.imdb.com\/name\/nm4911194\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jenna Ortega<\/a> has been called <a href=\"https:\/\/collider.com\/jenna-ortega-scream-queen\/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Gen-Z&#8217;s Scream Queen&#8221;<\/a>, with her high-profile characters in _ <a href=\"https:\/\/www.netflix.com\/ca\/title\/81231974\" target=\"_blank\" rel=\"noreferrer noopener\">Wednesday<\/a>_, <a href=\"https:\/\/ew.com\/how-to-watch-ti-west-x-trilogy-in-order-8672218\" target=\"_blank\" rel=\"noreferrer noopener\"><em>X<\/em><\/a>, and <a href=\"https:\/\/www.imdb.com\/title\/tt2226417\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Insidious<\/em>.<\/a> Her work has been applauded for her raw emotion, strength and <a href=\"https:\/\/www.tiktok.com\/@binge\/video\/7294530590886333697\" target=\"_blank\" rel=\"noreferrer noopener\">animalistic vocalizations<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ortega&#8217;s work, alongside that of British actress <a href=\"https:\/\/plotcoda.com\/en\/reads\/10086035\/mia-goth-the-new-scream-queen\" target=\"_blank\" rel=\"noreferrer noopener\">Mia Goth<\/a>, signals a shift in the genre. These women have made greater space for racially diverse and complex representations of women in horror.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From victim to agent, the scream queen continues to draw and influence audiences. The scream was never just a simple reflex; it&#8217;s always been an artful cry.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2013<br><em><a href=\"https:\/\/carleton.ca\/music\/people\/deaville-james\/\" target=\"_blank\" rel=\"noreferrer noopener\">James Deaville<\/a>\u00a0is a professor of music, and <a href=\"https:\/\/carleton.ca\/music\/people\/sara-beth-lyons\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sara Beth Lyons<\/a> is a graduate research assistant at Carleton University.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This article is\u00a0<a href=\"https:\/\/theconversation.com\/the-female-scream-is-now-an-all-powerful-cry-in-horror-films-293273\" target=\"_blank\" rel=\"noreferrer noopener\">republished<\/a>\u00a0from The Conversation under a Creative Commons licence. All photos provided by\u00a0<a href=\"https:\/\/theconversation.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Conversation<\/a>\u00a0from various from various sources.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As Halloween approaches and screen audiences are saturated with the sights and sounds of screaming women in horror films and TV shows, it&#8217;s a great time to look at the women whose vocal artistry created genuinely effective screams on screen. Behind every memorable cinematic scream lies a vocal performance that is often reduced to a [&hellip;]<\/p>\n","protected":false},"author":52,"featured_media":103288,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_story_type":[1623],"cu_story_tag":[1920],"class_list":["post-103285","cu_story","type-cu_story","status-publish","has-post-thumbnail","hentry","cu_story_type-expert-perspectives","cu_story_tag-faculty-of-arts-and-social-sciences"],"acf":{"cu_post_thumbnail":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/103285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story"}],"about":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/types\/cu_story"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/users\/52"}],"version-history":[{"count":5,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/103285\/revisions"}],"predecessor-version":[{"id":103291,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/103285\/revisions\/103291"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media\/103288"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media?parent=103285"}],"wp:term":[{"taxonomy":"cu_story_type","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_type?post=103285"},{"taxonomy":"cu_story_tag","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_tag?post=103285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}