{"id":53962,"date":"2019-02-27T11:38:12","date_gmt":"2019-02-27T16:38:12","guid":{"rendered":"https:\/\/newsroom.carleton.ca\/?post_type=cu_story&#038;p=53962"},"modified":"2025-09-30T11:13:04","modified_gmt":"2025-09-30T15:13:04","slug":"computer-science-grad-wins-oscar","status":"publish","type":"cu_story","link":"https:\/\/carleton.ca\/news\/story\/computer-science-grad-wins-oscar\/","title":{"rendered":"Computer Science Grad Wins Oscar"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n                    \n                    \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-opacity-50 bg-cover bg-cu-black-50 pt-24 pb-32 md:pt-28 md:pb-44 lg:pt-36 lg:pb-60 xl:pt-48 xl:pb-72\" style=\"background-image: url(https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-banner1-1200x900.jpg); background-position: 50% 50%;\">\n\n                    <div class=\"absolute top-0 w-full h-screen\" style=\"background-color:rgba(0,0,0,0.600);\"><\/div>\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-white cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        Computer Science Grad Wins Oscar\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"absolute bottom-0 w-full z-[1]\" fill=\"none\" viewbox=\"0 0 1280 312\">\n                <path fill=\"#fff\" d=\"M26.412 315.608c-.602-.268-6.655-2.412-13.524-4.769a1943.84 1943.84 0 0 1-14.682-5.144l-2.276-.858v-5.358c0-4.876.086-5.358.773-5.09 1.674.643 21.38 5.84 34.646 9.109 14.682 3.59 28.935 6.858 45.936 10.449l9.874 2.089H57.322c-16.4 0-30.31-.16-30.91-.428ZM460.019 315.233c42.974-10.074 75.602-19.88 132.443-39.867 76.16-26.791 152.063-57.709 222.385-90.663 16.7-7.823 21.336-10.074 44.262-21.273 85.004-41.688 134.719-64.193 195.291-88.413 66.55-26.577 145.2-53.584 194.27-66.765C1258.5 5.626 1281.34 0 1282.24 0c.17 0 .34 27.596.34 61.3v61.299l-2.23.375c-84.7 13.718-165.93 35.955-310.736 84.931-46.494 15.753-65.427 22.076-96.166 32.15-9.102 3-24.814 8.198-34.989 11.574-107.543 35.954-153.008 50.422-196.626 62.639l-6.74 1.876-89.126-.054c-78.135-.054-88.782-.161-85.948-.857ZM729.628 312.875c33.229-10.985 69.248-23.523 127.506-44.207 118.705-42.223 164.596-57.709 217.446-73.302 2.62-.75 8.29-2.465 12.67-3.751 56.19-16.772 126.94-33.597 184.17-43.671 5.07-.91 9.66-1.768 10.22-1.875l.94-.161v170.236l-281.28-.054H719.968l9.66-3.215ZM246.864 313.411c-65.041-2.251-143.047-12.11-208.432-26.256-18.375-3.965-41.73-9.538-42.202-10.074-.171-.214-.257-21.38-.214-47.046l.129-46.618 6.654 3.697c57.313 32.043 118.491 56.531 197.699 79.143 40.313 11.521 83.459 18.058 138.669 21.059 15.584.857 65.685.857 81.14 0 33.744-1.876 61.306-4.93 88.396-9.806 6.396-1.126 11.634-1.983 11.722-1.929.255.375-20.48 7.769-30.999 11.038-28.592 8.948-59.288 15.646-91.873 20.147-26.36 3.59-50.015 5.627-78.35 6.698-15.584.59-55.209.59-72.339-.053Z\"><\/path>\n                <path fill=\"#fff\" d=\"M-3.066 295.067 32.06 304.1v9.033H-3.066v-18.066Z\"><\/path>\n            <\/svg>\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n<p>Because <a href=\"https:\/\/la.disneyresearch.com\/people\/derek-bradley\/\" target=\"_blank\" rel=\"noopener\">Derek Bradley<\/a> and his colleagues do their jobs so well, their craftsmanship is virtually imperceptible \u2014&nbsp;even though it\u2019s seen by millions of people on the big screen.<\/p>\n\n\n\n<p>Bradley, who has both a master\u2019s and bachelor degree in Computer Science from Carleton University, was part of a team that won a Technical Achievement Award at the Academy of Motion Picture Arts and Sciences\u2019 <a href=\"https:\/\/www.oscars.org\/sci-tech\/ceremonies\/2019\" target=\"_blank\" rel=\"noopener\">Scientific &amp; Technical Awards<\/a> ceremony on Feb. 9.<\/p>\n\n\n\n<p>They were recognized for the conception, design and engineering of the Medusa Performance Capture System, which allows filmmakers to record and digitally reconstruct an actor\u2019s face as a full-motion animated character. Medusa has been used in nearly 20 Hollywood movies, including all of the recent Star Wars blockbusters, 2016\u2019s <em>The Jungle Book <\/em>and other hits that blend the real world with special effects.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Medusa Performance Capture\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/iNkrv6XqsZA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Being celebrated with a science and tech Oscar award at the Beverly Wilshire Hotel in Los Angeles, with his parents, sister and brother-in-law accompanying him at the gala, was a thrill for Bradley, a Disney Research scientist whose work is discretely integrated into films.<\/p>\n\n\n\n<p>\u201cAfter all the hard work, it was a really exciting experience for us to be front and centre,\u201d he says. \u201cThis award is for 10 years of technological innovation.\u201d<\/p>\n\n\n\n<p>Bradley, who has worked for Disney in Zurich, Switzerland since 2010, shared the Oscar with colleagues Thabo Beeler, Bernd Bickel&nbsp;and&nbsp;Markus Gross. The Academy cited Medusa for its ability to capture \u201cexceptionally dense animated meshes without markers or makeup, pushing the boundaries of visual fidelity and productivity for character facial performances in motion picture.\u201d<\/p>\n\n\n\n<p>There may have been no red carpet, but <em>Entertainment Tonight<\/em> was there to interview Bradley before the ceremony, and he has received congratulatory messages from former co-op colleagues in Ottawa who he hadn\u2019t heard from in 15 years.<\/p>\n\n\n<figure class=\"wp-block-image alignfull wp-image-53971 size-full w-screen ml-offset-center cu-max-w-child-max px-4 md:px-6 lg:px-12\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"680\" src=\"https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680.jpg\" alt=\"Derek Bradley during the Academy of Motion Picture Arts and Sciences&#039; Scientific and Technical Achievement Awards on February 9, 2019 in Beverly Hills, California.\" class=\"wp-image-53971\" srcset=\"https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680.jpg 1200w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680-1024x580.jpg 1024w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680-300x170.jpg 300w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680-400x227.jpg 400w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680-768x435.jpg 768w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680-700x397.jpg 700w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/derek-bradley-poidum-1200x680-200x113.jpg 200w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n<h2 id=\"catching-the-computer-programming-bug\" class=\"wp-block-heading\">Catching the Computer Programming Bug<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>Bradley first caught the programming bug back in high school in Smiths Falls, Ont. He recalls making a ping pong game using the Turing language and deciding that he wanted to go into computer science.<\/p>\n\n\n\n<p>He was drawn to Carleton because of the strength of its Computer Science program and because it was close to home. He received a scholarship and did a five-year undergraduate degree with co-op placements at software companies like Corel and Cognos, since acquired by IBM.<\/p>\n\n\n\n<p>Those placements gave him invaluable hands-on knowledge and industry experience, but the classroom work was also inspiring. \u201cEverything I learned,\u201d says Bradley, \u201cmade me want to learn more.\u201d<\/p>\n\n\n\n<p>In fourth year, Prof. Gerhard Roth talked to students about augmented reality and mentioned to Bradley the possibility of graduate studies. \u201cThe idea that I could use computer graphics to take the real world and change how things appeared was really fascinating,\u201d he says.<\/p>\n\n\n\n<p>Roth, who co-supervised Bradley\u2019s master\u2019s degree with Prof. Prosenjit Bose, also worked at the National Research Council, giving Bradley an opportunity to spend time at the NRC campus on Montreal Road in Ottawa\u2019s east end.<\/p>\n\n\n\n<p>Scientists there were being interviewed by the <em>New York Times<\/em> about their work and flying off to conferences to present papers. That made Bradley even more excited about the research and development possibilities in his field, and he went on to do a PhD at the University of British Columbia focused on graphics, using multiple cameras to digitally recreate realistic movement of clothing.<\/p>\n\n\n\n<p>A lifelong film buff, Bradley wondered whether the same technology could be used to capture facial expressions. His PhD supervisor, Wolfgang Heidrich, had a colleague who worked in Zurich for Disney Research, and in 2010 Bradley flew to Switzerland to begin a postdoctoral researcher that seamlessly transitioned into his dream job.<\/p>\n\n\n\n<p>\u201cComing from Canada, from a beautiful country with beautiful cities, there wasn\u2019t much culture shock,\u201d he says. \u201cPeople are friendly in Zurich and there\u2019s great public transportation \u2014&nbsp;so great that it\u2019s worth mentioning. Plus, it\u2019s easy to travel to places like Paris and Berlin and Rome for the weekend.\u201d<\/p>\n\n\n<figure class=\"wp-block-image alignfull wp-image-53974 size-full w-screen ml-offset-center cu-max-w-child-max px-4 md:px-6 lg:px-12\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"680\" src=\"https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/oscars-iStock-1200x680.jpg\" alt=\"\" class=\"wp-image-53974\" srcset=\"https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/oscars-iStock-1200x680.jpg 1200w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/oscars-iStock-1200x680-300x170.jpg 300w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/oscars-iStock-1200x680-400x227.jpg 400w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/oscars-iStock-1200x680-768x435.jpg 768w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/oscars-iStock-1200x680-700x397.jpg 700w, https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/oscars-iStock-1200x680-200x113.jpg 200w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/figure>\n\n\n<h2 id=\"the-road-to-being-an-oscar-winner\" class=\"wp-block-heading\">The Road to Being an Oscar Winner<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>The 2014 release <em>Maleficent<\/em> was the first movie to use Medusa. Three digital flower pixie characters resembled the actors who voiced them, right down to their pores, wrinkles and facial expressions.<\/p>\n\n\n\n<p>The mega-villain&nbsp;Thanos, played by actor Josh Brolin in the recent <em>Avengers: Infinity War<\/em>, is also largely a product of the Medusa system.<\/p>\n\n\n\n<p>A mobile rig of cameras and lights was used to capture the data needed to bring these characters to life. Because it can be brought to a film set, the process is fast and easy for actors and doesn\u2019t bog down a production.<\/p>\n\n\n\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Medusa Performance Capture\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/K3mdGZtbK20?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u201cMedusa is really just the beginning of a long pipeline,\u201d says Bradley, who usually gets pulled into the story \u2014&nbsp;just like the rest of us \u2014&nbsp;when he watches a movie and attempts to focus on the behind-the-scenes effects. \u201cThere is a lot of other technology and human work, including of course the actors, that goes into creating these characters.\u201d<\/p>\n\n\n\n<p>Bradley is the second Carleton alumnus is two years to win an Oscar. Last year, architecture grad Paul Austerberry won the <a href=\"https:\/\/carleton.ca\/engineering-design\/story\/and-the-oscar-goes-to\/\" target=\"_blank\" rel=\"noopener\">Academy Award for Best Production Design<\/a> for his work on Guillermo del Toro\u2019s&nbsp;<em>The Shape of Water<\/em>.<\/p>\n\n\n\n<p>\u201cI think that my time at Carleton has impacted pretty much all of my film projects,\u201d Austerberry said at the time, \u201cas the skills we learned there were really about how to look at the world around you and the visualization of three-dimensional space.\u201d<\/p>\n\n\n\n<p>Which mirrors what Bradley says about his studies at Carleton.<\/p>\n\n\n\n<p>\u201cIt really laid the foundation for my programming skills,\u201d he says. \u201cFrom the influences of my professors to the co-op experience, it helped me get to where I am today.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Because Derek Bradley and his colleagues do their jobs so well, their craftsmanship is virtually imperceptible \u2014&nbsp;even though it\u2019s seen by millions of people on the big screen. Bradley, who has both a master\u2019s and bachelor degree in Computer Science from Carleton University, was part of a team that won a Technical Achievement Award at [&hellip;]<\/p>\n","protected":false},"author":410,"featured_media":53971,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_story_type":[17],"cu_story_tag":[1924,1919],"class_list":["post-53962","cu_story","type-cu_story","status-publish","has-post-thumbnail","hentry","cu_story_type-alumni","cu_story_tag-advancement","cu_story_tag-faculty-of-science"],"acf":{"cu_post_thumbnail":"blueprint"},"_links":{"self":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/53962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story"}],"about":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/types\/cu_story"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/users\/410"}],"version-history":[{"count":4,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/53962\/revisions"}],"predecessor-version":[{"id":97414,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/53962\/revisions\/97414"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media\/53971"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media?parent=53962"}],"wp:term":[{"taxonomy":"cu_story_type","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_type?post=53962"},{"taxonomy":"cu_story_tag","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_tag?post=53962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}