{"id":68159,"date":"2020-07-30T18:47:51","date_gmt":"2020-07-30T22:47:51","guid":{"rendered":"https:\/\/newsroom.carleton.ca\/?post_type=cu_story&#038;p=68159"},"modified":"2025-08-19T09:37:21","modified_gmt":"2025-08-19T13:37:21","slug":"lesser-known-songs-summer-playlist","status":"publish","type":"cu_story","link":"https:\/\/carleton.ca\/news\/story\/lesser-known-songs-summer-playlist\/","title":{"rendered":"These Lesser-Known Songs Deserve to be on your Summer Playlist"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n                    \n                    \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-opacity-50 bg-cover bg-cu-black-50 pt-24 pb-32 md:pt-28 md:pb-44 lg:pt-36 lg:pb-60 xl:pt-48 xl:pb-72\" style=\"background-image: url(https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/conversation-summer-playlist-1200w-1-1.jpg); background-position: 50% 50%;\">\n\n                    <div class=\"absolute top-0 w-full h-screen\" style=\"background-color:rgba(0,0,0,0.600);\"><\/div>\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-white cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        These Lesser-Known Songs Deserve to be on your Summer Playlist\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"absolute bottom-0 w-full z-[1]\" fill=\"none\" viewbox=\"0 0 1280 312\">\n                <path fill=\"#fff\" d=\"M26.412 315.608c-.602-.268-6.655-2.412-13.524-4.769a1943.84 1943.84 0 0 1-14.682-5.144l-2.276-.858v-5.358c0-4.876.086-5.358.773-5.09 1.674.643 21.38 5.84 34.646 9.109 14.682 3.59 28.935 6.858 45.936 10.449l9.874 2.089H57.322c-16.4 0-30.31-.16-30.91-.428ZM460.019 315.233c42.974-10.074 75.602-19.88 132.443-39.867 76.16-26.791 152.063-57.709 222.385-90.663 16.7-7.823 21.336-10.074 44.262-21.273 85.004-41.688 134.719-64.193 195.291-88.413 66.55-26.577 145.2-53.584 194.27-66.765C1258.5 5.626 1281.34 0 1282.24 0c.17 0 .34 27.596.34 61.3v61.299l-2.23.375c-84.7 13.718-165.93 35.955-310.736 84.931-46.494 15.753-65.427 22.076-96.166 32.15-9.102 3-24.814 8.198-34.989 11.574-107.543 35.954-153.008 50.422-196.626 62.639l-6.74 1.876-89.126-.054c-78.135-.054-88.782-.161-85.948-.857ZM729.628 312.875c33.229-10.985 69.248-23.523 127.506-44.207 118.705-42.223 164.596-57.709 217.446-73.302 2.62-.75 8.29-2.465 12.67-3.751 56.19-16.772 126.94-33.597 184.17-43.671 5.07-.91 9.66-1.768 10.22-1.875l.94-.161v170.236l-281.28-.054H719.968l9.66-3.215ZM246.864 313.411c-65.041-2.251-143.047-12.11-208.432-26.256-18.375-3.965-41.73-9.538-42.202-10.074-.171-.214-.257-21.38-.214-47.046l.129-46.618 6.654 3.697c57.313 32.043 118.491 56.531 197.699 79.143 40.313 11.521 83.459 18.058 138.669 21.059 15.584.857 65.685.857 81.14 0 33.744-1.876 61.306-4.93 88.396-9.806 6.396-1.126 11.634-1.983 11.722-1.929.255.375-20.48 7.769-30.999 11.038-28.592 8.948-59.288 15.646-91.873 20.147-26.36 3.59-50.015 5.627-78.35 6.698-15.584.59-55.209.59-72.339-.053Z\"><\/path>\n                <path fill=\"#fff\" d=\"M-3.066 295.067 32.06 304.1v9.033H-3.066v-18.066Z\"><\/path>\n            <\/svg>\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n<p>Tired of all the news about COVID-19? Why not take your ears on holiday with a summer listening playlist, assembled by music faculty from Carleton University.<\/p>\n\n\n\n<p>If you\u2019re tired of the old playlists yet are likewise dissatisfied with sound-alikes suggested by YouTube and Spotify, we\u2019ve curated some \u201chidden gems\u201d \u2014 lesser-known music that in our estimation deserves more attention. <\/p>\n\n\n\n<p>Our selections represent a variety of genres, often cutting across traditional boundaries, however all of them are worthy of further listening for their musicality as well as for what they say and mean. Many factors contribute to how we can think about \u201chidden gems,\u201d but here are three: <\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><br><p>The sheer availability of music. It\u2019s true that the quantity of available music is greater than ever before.  At the same time, the percentage of available music known by the greater public has always been quite small. (To the people of Italy, Beethoven was a \u201chidden gem\u201d in his day). <\/p><br><\/li>\n\n\n\n<li><br><p>Exclusionary practices of the music industry, which have meant that contributions by women and Black, Indigenous or racialized composers, among others, have been marginalized.<\/p><br><\/li>\n\n\n\n<li><br><p>Serendipity. For example, a talented composer or songwriter may die or disappear after a promising start to their career, like <a href=\"http:\/\/www.musimem.com\/lekeu.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Guillaume Lekeu<\/a> or <a href=\"https:\/\/www.psychologytoday.com\/us\/blog\/brick-brick\/201509\/jill-janus-new-beginning\" target=\"_blank\" rel=\"noopener noreferrer\">Jill Janus<\/a>.<\/p><br><\/li>\n<\/ol>\n\n\n\n<p>Join us on a voyage of discovery!<\/p>\n\n\n\n<h2 id=\"made-in-canada-up-tempo-bebop\" class=\"wp-block-heading\">Made-in-Canada up-tempo bebop<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image align-right\"><img decoding=\"async\" src=\"https:\/\/images.theconversation.com\/files\/350273\/original\/file-20200729-15-4519pb.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip\" alt=\"Kevin Turcotte playing trumpet\"\/><figcaption class=\"wp-element-caption\">\n              <span class=\"caption\">\u2018The Romance of Improvisation in Canada: The Genius of Eldon Rathburn\u2019 features Kevin Turcotte on trumpet. <a class=\"source\" href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\" target=\"_blank\" rel=\"noopener noreferrer\">(Flickr\/Matt Jiggins)<\/a>, <a class=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\" target=\"_blank\" rel=\"noopener noreferrer\">CC BY-SA<\/a><\/span><br>\n            <\/figcaption><\/figure>\n\n\n\n<p>If you like mid-century up-tempo bebop in the Miles Davis or Charlie Parker vein, you should listen to \u201c<a href=\"https:\/\/soundcloud.com\/justin-time-records\/01-the-romance-of-improvisation-in-canada\" target=\"_blank\" rel=\"noopener noreferrer\">The Romance of Improvisation in Canada<\/a>.\u201d It\u2019s the title track from a <a href=\"http:\/\/www.justin-time.com\/en\/album\/588\" target=\"_blank\" rel=\"noopener noreferrer\">recent album<\/a> featuring arrangements of jazz-inspired film music by Canadian composer <a href=\"https:\/\/www.mqup.ca\/they-shot--he-scored-products-9780773557154.php?page_id=46&amp;\" target=\"_blank\" rel=\"noopener noreferrer\">Eldon Rathburn<\/a> (1916-2008). <\/p>\n\n\n\n<p>Rathburn wrote more than 250 film scores, most of them during a 30-year career as a <a href=\"https:\/\/www.nfb.ca\/film\/eldon_rathburn_they_shoot_he_scores\/\" target=\"_blank\" rel=\"noopener noreferrer\">staff composer for the National Film Board<\/a>.<\/p>\n\n\n\n<p>Arguably Canada\u2019s most prolific composer of film music, Rathburn was a musical polyglot. He experimented with a wide range of styles and showed diverse influences ranging from classical, country, blues, electronic, avant-garde, church and dance music, to popular music and jazz.  <\/p>\n\n\n\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/502626651&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"><\/iframe><\/p>\n\n\n\n<p>TWEET<\/p>\n\n\n\n<p>Working with themes from Rathburn\u2019s animated film scores, the album\u2019s producers\/arrangers, Adrian Matte and Allyson Rogers, created a series of brilliant arrangements. These were designed as a springboard for the improvisatory skills and imagination of the five leading Canadian jazz artists who enthusiastically accepted the challenge. Enjoy!<\/p>\n\n\n\n<p><em>\u2013 James Wright, <a href=\"https:\/\/carleton.ca\/music\/people\/wright-james\/\" target=\"_blank\" rel=\"noopener noreferrer\">music theorist and composer<\/a><\/em><\/p>\n\n\n\n<h2 id=\"solo-piano-william-duckworth\" class=\"wp-block-heading\">Solo piano: William Duckworth<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>If you like solo piano music by Philip Glass and Max Richter, then try <a href=\"https:\/\/www.youtube.com\/watch?v=pakH1XzOaK4\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Time Curve Preludes<\/em><\/a> by William Duckworth. Written in 1977-78, this collection of 24 short piano pieces was one of the first compositions to show how the harder-edged minimalism of the 1960s and 1970s could be combined with a more intimate, expressive style. <\/p>\n\n\n\n<figure>\n            <iframe loading=\"lazy\" width=\"688\" height=\"407\" src=\"https:\/\/www.youtube.com\/embed\/pakH1XzOaK4?wmode=transparent&amp;start=0\" frameborder=\"0\" allowfullscreen=\"\"><\/iframe><figcaption><span class=\"caption\">William Duckworth\u2019s \u2018The Time Curve Preludes &#8211; No. 1.\u2019<\/span><\/figcaption><\/figure>\n\n\n\n<p>Apart from the echoes of minimalism, these pieces also often appeal to fans of drone music, Indian classical music, medieval music and jazz, because of the many references to these styles woven into the texture. A good overview of the piece is available from <a href=\"http:\/\/www.lovely.com\/albumnotes\/notes2031.html\" target=\"_blank\" rel=\"noopener noreferrer\">Lovely Music<\/a>.<\/p>\n\n\n\n<p><em>\u2013 William Echard, <a href=\"https:\/\/carleton.ca\/music\/people\/echard-william\/\" target=\"_blank\" rel=\"noopener noreferrer\">musicologist<\/a><\/em> <\/p>\n\n\n\n<h2 id=\"if-you-like-gershwin-dana-suesse\" class=\"wp-block-heading\">If you like Gershwin: Dana Suesse<\/h2>\n\n\n\n<p><a href=\"https:\/\/medium.com\/@donatocabrera\/the-music-plays-on-dana-suesse-dc820d3f04c7\" target=\"_blank\" rel=\"noopener noreferrer\">Dana Suesse<\/a> (1909-87) composed one song that virtually every movie buff should know: \u201cYou Oughta Be in Pictures\u201d (1934) served as the first unofficial anthem for Hollywood. Suesse composed it when she was being promoted by the prolific composer <a href=\"https:\/\/www.britannica.com\/biography\/George-Gershwin\" target=\"_blank\" rel=\"noopener noreferrer\">George Gershwin<\/a>. <\/p>\n\n\n\n<p>A facile song-writer in the style of <a href=\"https:\/\/www.pbs.org\/wnet\/americanmasters\/women-of-tin-pan-alley-about-the-women-of-tin-pan-alley\/720\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tin Pan Alley<\/a>, Suesse nevertheless wanted to write symphonic music in the manner of her friend Gershwin. After writing large-scale works like \u201c<a href=\"https:\/\/classicalexburns.com\/2019\/04\/02\/dana-suesse-concerto-in-three-rhythms-an-exotic-fusion\/\" target=\"_blank\" rel=\"noopener noreferrer\">Concerto in Three Rhythms<\/a>\u201d (1932) and \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=jRSaKpiTIB4&amp;t=337s\" target=\"_blank\" rel=\"noopener noreferrer\">Concerto for Two Pianos<\/a>\u201d (1943), she spent three years (1946-49) in Paris studying \u201cserious\u201d composition with world-renowned teacher Nadia Boulanger.<\/p>\n\n\n\n<figure>\n            <iframe loading=\"lazy\" width=\"688\" height=\"407\" src=\"https:\/\/www.youtube.com\/embed\/YigwG7M2J6Y?wmode=transparent&amp;start=0\" frameborder=\"0\" allowfullscreen=\"\"><\/iframe><figcaption><span class=\"caption\">\u2018Jazz Nocturne,\u2019 by Dana Suesse.<\/span><\/figcaption><\/figure>\n\n\n\n<p>If you like Gershwin\u2019s \u201cRhapsody in Blue,\u201d then you should try Suesse\u2019s \u201cJazz Nocturne,\u201d where she renders the classical tradition of the Nocturne in a jazzy idiom for piano. After a mysterious opening, we get a lively swing \u00e0 la Gershwin. The slower, emotional heart of the piece takes up the latter half, later set to words as the hit song \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=QWOOMQx2W5U\" target=\"_blank\" rel=\"noopener noreferrer\">My Silent Love<\/a>.\u201d<\/p>\n\n\n\n<p><em>\u2013 James Deaville, musicologist<\/em><\/p>\n\n\n\n<h2 id=\"choral-work-by-andrew-balfour\" class=\"wp-block-heading\">Choral work by Andrew Balfour<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>If you like uplifting works for choir and orchestra like the \u201cOde to Joy\u201d from Beethoven\u2019s Ninth Symphony, you might like \u201cMamachimowin\u201d (the act of singing praises) by <a href=\"http:\/\/cameratanova.com\/16\/about-us\/artistic-director\/\" target=\"_blank\" rel=\"noopener noreferrer\">Andrew Balfour<\/a>, a composer of Cree descent. <\/p>\n\n\n\n<figure>\n            <iframe loading=\"lazy\" width=\"688\" height=\"407\" src=\"https:\/\/www.youtube.com\/embed\/KipTn8qny7Y?wmode=transparent&amp;start=0\" frameborder=\"0\" allowfullscreen=\"\"><\/iframe><figcaption><span class=\"caption\">\u2018Mamachimowin\u2019 by Andrew Balfour, performed by the Toronto Mendelssohn Choir and Toronto Symphony Orchestra.<\/span><\/figcaption><\/figure>\n\n\n\n<p>Balfour, who is founding director of Winnipeg\u2019s <a href=\"http:\/\/cameratanova.com\/16\/\" target=\"_blank\" rel=\"noopener noreferrer\">Camerata Nova choir<\/a>, is steeped in the choral music tradition. The text translates <a href=\"http:\/\/web.mit.edu\/jywang\/www\/cef\/Bible\/NIV\/NIV_Bible\/PS+67.html\" target=\"_blank\" rel=\"noopener noreferrer\">Psalm 67<\/a> into Cree and the music flows from whispered text to sonorous string accompaniment to full-throated song. <\/p>\n\n\n\n<p>As the composer notes, this moving piece \u201c<a href=\"https:\/\/www.tmchoir.org\/tmc-shares-andrew-balfours-mamachimowin\/\" target=\"_blank\" rel=\"noopener noreferrer\">explores the difficult relationship between Indigenous spirituality and the impact of the Christian culture on First Nations People<\/a>.\u201d \u201cMamachimowin\u201d was commissioned by the Toronto Mendelssohn Choir in 2019 for its 125th anniversary.<\/p>\n\n\n\n<p><em>\u2013 Ellen Waterman, <a href=\"https:\/\/carleton.ca\/music\/people\/ellen-waterman\/\" target=\"_blank\" rel=\"noopener noreferrer\">professor and Helmut Kallmann Chair for Music in Canada<\/a><\/em><\/p>\n\n\n\n<h2 id=\"lesser-known-talents-of-kevin-breit\" class=\"wp-block-heading\">Lesser-known talents of Kevin Breit<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image align-left\"><img decoding=\"async\" src=\"https:\/\/images.theconversation.com\/files\/350258\/original\/file-20200729-19-gxnbe5.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip\" alt=\"Kevin Breit wears a fedora and squints his eyes closed, while smiling against a fuschia background.\"\/><figcaption class=\"wp-element-caption\">\n              <span class=\"caption\">Kevin Breit\u2019s album \u2018Stella Bella Strada.\u2019 <a class=\"source\" href=\"https:\/\/www.kevinbreit.com\/new-release\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.kevinbreit.com\/new-release<\/a><\/span><br>\n            <\/figcaption><\/figure>\n\n\n\n<p>Canadian musician Kevin Breit is widely known for his <a href=\"https:\/\/www.stevedawson.ca\/makersandshakers\/kevin-breit-part1\" target=\"_blank\" rel=\"noopener noreferrer\">remarkable skills as a guitarist<\/a>, and has performed and recorded with musical luminaries including k.d. lang, Cassandra Wilson and Norah Jones. <\/p>\n\n\n\n<p>Perhaps lesser known, but no less remarkable, <a href=\"https:\/\/www.youtube.com\/watch?v=S5yB55a-vN8\" target=\"_blank\" rel=\"noopener noreferrer\">are his abilities as a songwriter<\/a>. Take, for example, his song \u201c<a href=\"https:\/\/kevinbreit.bandcamp.com\/track\/prairie-widow-waiting-by-the-front-door\" target=\"_blank\" rel=\"noopener noreferrer\">Prairie Widow Waiting by the Front Door<\/a>\u201d from his 2005 recording <em>Burnt Bulb on Broadway<\/em>, a collection of Breit-penned songs performed by multiple vocalists. <\/p>\n\n\n\n<p>Beautifully sung by Gwen Swick (another Canadian musician deserving wider recognition), \u201cPrairie Widow\u201d tells the poignant story of a farmer who died in the First World War, both from his perspective and that of his widow. The opening lines of the first and final verses (\u201cThere\u2019s a murder of crows on the clothesline\u201d versus \u201cThere\u2019s a murder of Joes on the front line\u201d) provide an evocative narrative frame for this moving song about love and loss.<\/p>\n\n\n\n<p><em>\u2013 Jesse Stewart, <a href=\"https:\/\/carleton.ca\/music\/people\/stewart-jesse\/\" target=\"_blank\" rel=\"noopener noreferrer\">professor and composer<\/a><\/em><\/p>\n\n\n\n<h2 id=\"medieval-complexity-le-ray-au-soleyl\" class=\"wp-block-heading\">Medieval complexity: \u2018Le ray au soleyl\u2019<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>If you like <a href=\"https:\/\/www.youtube.com\/watch?v=6h6AabkLvEE&amp;t=834s\" target=\"_blank\" rel=\"noopener noreferrer\">J.S. Bach<\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=YAWobfclhGo\" target=\"_blank\" rel=\"noopener noreferrer\">Steve Reich<\/a> and crossword puzzles, you will love Johannes Ciconia\u2019s minimalist \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=2F_WFmRmx6A\" target=\"_blank\" rel=\"noopener noreferrer\">Le ray au soleyl<\/a>.\u201d <\/p>\n\n\n\n<p>As far as medieval gems go, this one positively sparkles with rhythmic complexity. <\/p>\n\n\n\n<p>The text speaks of a sweet turtledove and a ray of sunlight, themes <a href=\"https:\/\/www.rialfri.eu\/rialfriWP\/opere\/motto-dellimpresa-di-gian-galeazzo-visconti\" target=\"_blank\" rel=\"noopener noreferrer\">evoking the dove-in-sun paraheraldic badge of Duke Gian Galeazzo Visconti of Milan<\/a>.<\/p>\n\n\n\n<p>\u201cLe ray au soleyl\u201d is a \u201cround\u201d with only one notated voice. The other two voices are derived from the first and performed at different rhythmic rates. This is what\u2019s known as a \u201cprolation or proportion canon.\u201d But to <a href=\"https:\/\/www.youtube.com\/watch?v=YrOEOuwYy3M\" target=\"_blank\" rel=\"noopener noreferrer\">figure out the proportions, you have to solve a Latin riddle<\/a>. Sudoku of the Middle Ages! A prolation gem.<\/p>\n\n\n\n<figure>\n            <iframe loading=\"lazy\" width=\"688\" height=\"407\" src=\"https:\/\/www.youtube.com\/embed\/2F_WFmRmx6A?wmode=transparent&amp;start=0\" frameborder=\"0\" allowfullscreen=\"\"><\/iframe><p><\/p>\n<\/figure>\n\n\n\n<p>The performance of \u201cLe ray au soleyl\u201d by Ensemble Project Ars Nova gradually adds each voice so that you can appreciate how it is built. <\/p>\n\n\n\n<p><em>\u2013 Alexis Luko, <a href=\"https:\/\/carleton.ca\/music\/people\/luko-alexis\/\" target=\"_blank\" rel=\"noopener noreferrer\">associate professor of musicology<\/a><\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p>This article is republished from <a href=\"https:\/\/theconversation.com\/institutions\/carleton-university-900\" target=\"_blank\" rel=\"noopener noreferrer\">The Conversation<\/a> under a Creative Commons license. Carleton University is a member of this unique digital journalism platform that launched in June 2017 to boost visibility of Canada\u2019s academic faculty and researchers. Interested in writing a piece? Please contact <a href=\"mailto:steven.reid3@carleton.ca\">Steven Reid<\/a> or <a href=\"https:\/\/theconversation.com\/become-an-author\" target=\"_blank\" rel=\"noopener noreferrer\">sign up to become an author<\/a>.<\/p>\n\n\n\n<p><em>All photos provided by The Conversation from various sources.<\/em><\/p>\n\n\n\n<p>&#8212;<br>\n<a href=\"https:\/\/newsroom.carleton.ca\/\">Carleton Newsroom<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/counter.theconversation.com\/content\/143376\/count.gif?distributor=republish-lightbox-basic\" alt=\"The Conversation\"\/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tired of all the news about COVID-19? Why not take your ears on holiday with a summer listening playlist, assembled by music faculty from Carleton University. If you\u2019re tired of the old playlists yet are likewise dissatisfied with sound-alikes suggested by YouTube and Spotify, we\u2019ve curated some \u201chidden gems\u201d \u2014 lesser-known music that in our [&hellip;]<\/p>\n","protected":false},"author":410,"featured_media":68162,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_story_type":[1623],"cu_story_tag":[],"class_list":["post-68159","cu_story","type-cu_story","status-publish","has-post-thumbnail","hentry","cu_story_type-expert-perspectives"],"acf":{"cu_post_thumbnail":"blueprint"},"_links":{"self":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/68159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story"}],"about":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/types\/cu_story"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/users\/410"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/68159\/revisions"}],"predecessor-version":[{"id":68542,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/68159\/revisions\/68542"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media\/68162"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media?parent=68159"}],"wp:term":[{"taxonomy":"cu_story_type","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_type?post=68159"},{"taxonomy":"cu_story_tag","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_tag?post=68159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}