{"id":70356,"date":"2020-10-20T14:55:32","date_gmt":"2020-10-20T18:55:32","guid":{"rendered":"https:\/\/newsroom.carleton.ca\/?post_type=cu_story&#038;p=70356"},"modified":"2025-08-19T09:37:19","modified_gmt":"2025-08-19T13:37:19","slug":"graphic-novels-book-prizes","status":"publish","type":"cu_story","link":"https:\/\/carleton.ca\/news\/story\/graphic-novels-book-prizes\/","title":{"rendered":"Graphic novels are overlooked by book prizes, but that\u2019s starting to change"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n                    \n                    \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-opacity-50 bg-cover bg-cu-black-50 pt-24 pb-32 md:pt-28 md:pb-44 lg:pt-36 lg:pb-60 xl:pt-48 xl:pb-72\" style=\"background-image: url(https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/conversation-graphic-novels-1200w-1.jpg); background-position: 50% 50%;\">\n\n                    <div class=\"absolute top-0 w-full h-screen\" style=\"background-color:rgba(0,0,0,0.600);\"><\/div>\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-white cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        Graphic novels are overlooked by book prizes, but that\u2019s starting to change\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"absolute bottom-0 w-full z-[1]\" fill=\"none\" viewbox=\"0 0 1280 312\">\n                <path fill=\"#fff\" d=\"M26.412 315.608c-.602-.268-6.655-2.412-13.524-4.769a1943.84 1943.84 0 0 1-14.682-5.144l-2.276-.858v-5.358c0-4.876.086-5.358.773-5.09 1.674.643 21.38 5.84 34.646 9.109 14.682 3.59 28.935 6.858 45.936 10.449l9.874 2.089H57.322c-16.4 0-30.31-.16-30.91-.428ZM460.019 315.233c42.974-10.074 75.602-19.88 132.443-39.867 76.16-26.791 152.063-57.709 222.385-90.663 16.7-7.823 21.336-10.074 44.262-21.273 85.004-41.688 134.719-64.193 195.291-88.413 66.55-26.577 145.2-53.584 194.27-66.765C1258.5 5.626 1281.34 0 1282.24 0c.17 0 .34 27.596.34 61.3v61.299l-2.23.375c-84.7 13.718-165.93 35.955-310.736 84.931-46.494 15.753-65.427 22.076-96.166 32.15-9.102 3-24.814 8.198-34.989 11.574-107.543 35.954-153.008 50.422-196.626 62.639l-6.74 1.876-89.126-.054c-78.135-.054-88.782-.161-85.948-.857ZM729.628 312.875c33.229-10.985 69.248-23.523 127.506-44.207 118.705-42.223 164.596-57.709 217.446-73.302 2.62-.75 8.29-2.465 12.67-3.751 56.19-16.772 126.94-33.597 184.17-43.671 5.07-.91 9.66-1.768 10.22-1.875l.94-.161v170.236l-281.28-.054H719.968l9.66-3.215ZM246.864 313.411c-65.041-2.251-143.047-12.11-208.432-26.256-18.375-3.965-41.73-9.538-42.202-10.074-.171-.214-.257-21.38-.214-47.046l.129-46.618 6.654 3.697c57.313 32.043 118.491 56.531 197.699 79.143 40.313 11.521 83.459 18.058 138.669 21.059 15.584.857 65.685.857 81.14 0 33.744-1.876 61.306-4.93 88.396-9.806 6.396-1.126 11.634-1.983 11.722-1.929.255.375-20.48 7.769-30.999 11.038-28.592 8.948-59.288 15.646-91.873 20.147-26.36 3.59-50.015 5.627-78.35 6.698-15.584.59-55.209.59-72.339-.053Z\"><\/path>\n                <path fill=\"#fff\" d=\"M-3.066 295.067 32.06 304.1v9.033H-3.066v-18.066Z\"><\/path>\n            <\/svg>\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n<p>In the midst of a global pandemic, almost nothing is proceeding as normal. And yet, on a dim October morning, <a href=\"https:\/\/www.youtube.com\/watch?v=iIRXztO7YKk&amp;t=8s\" target=\"_blank\" rel=\"noopener noreferrer\">the Scotiabank Giller Prize shortlist announcement<\/a> went brightly, briefly and virtually streaming into homes and revealing the five books that had moved one step further towards winning <a href=\"https:\/\/www.straight.com\/arts\/1326886\/ubc-creative-writing-prof-ian-williams-wins-scotiabank-giller-prize-reproduction\" target=\"_blank\" rel=\"noopener noreferrer\">Canada\u2019s largest<\/a> and arguably most prestigious literary award. <\/p>\n\n\n\n<p>In some ways, however, this business as usual was a disappointment. After all, the Giller recently <a href=\"https:\/\/scotiabankgillerprize.ca\/wp-content\/uploads\/2020\/01\/2020-Scotiabank-Giller-Prize-Submission-Guidelines-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">changed its submission guidelines<\/a> to allow graphic novels to be submitted to the prize, and even more recently <a href=\"https:\/\/quillandquire.com\/omni\/14-titles-announced-for-giller-longlist-including-first-graphic-novel\/\" target=\"_blank\" rel=\"noopener noreferrer\">announced that a graphic novel was, indeed, included on the longlist<\/a> \u2014 <a href=\"https:\/\/drawnandquarterly.com\/clyde-fans\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Clyde Fans<\/em><\/a>, by highly acclaimed <a href=\"https:\/\/drawnandquarterly.com\/author\/seth\" target=\"_blank\" rel=\"noopener noreferrer\">Canadian author and cartoonist Seth<\/a>. <\/p>\n\n\n\n<p>But after raking in <a href=\"https:\/\/sequentialpulp.ca\/2020\/09\/08\/seths-clyde-fans-nominated-for-giller-prize\/\" target=\"_blank\" rel=\"noopener noreferrer\">praise<\/a> and <a href=\"http:\/\/www.multiversitycomics.com\/news\/the-rundown-090920\/\" target=\"_blank\" rel=\"noopener noreferrer\">aplomb<\/a> for featuring a graphic novel on its longlist for the first time, the Giller \u2014 like so many other book prizes \u2014 just couldn\u2019t bring itself to put <em>Clyde Fans<\/em> on the shortlist. Business as usual, indeed. <\/p>\n\n\n\n<p>And are we really surprised?<\/p>\n\n\n\n<div align=\"center\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">We are excited to introduce the 2020 Scotiabank Giller Prize shortlist. Learn more: <a href=\"https:\/\/t.co\/6d2zwHtoqS\">https:\/\/t.co\/6d2zwHtoqS<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/ScotiabankGillerPrize?src=hash&amp;ref_src=twsrc%5Etfw\">#ScotiabankGillerPrize<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/GillerPrize?src=hash&amp;ref_src=twsrc%5Etfw\">#GillerPrize<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/ScotiaLovesBooks?src=hash&amp;ref_src=twsrc%5Etfw\">#ScotiaLovesBooks<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/CanLit?src=hash&amp;ref_src=twsrc%5Etfw\">#CanLit<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/CrazyforCanLit?src=hash&amp;ref_src=twsrc%5Etfw\">#CrazyforCanLit<\/a> <a href=\"https:\/\/t.co\/8Sa1JTE0Ju\">pic.twitter.com\/8Sa1JTE0Ju<\/a><\/p><p>\u2014 Scotiabank Giller Prize (@GillerPrize) <a href=\"https:\/\/twitter.com\/GillerPrize\/status\/1313119707071905793?ref_src=twsrc%5Etfw\">October 5, 2020<\/a><\/p><\/blockquote>\n<p> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p><\/div>\n\n\n\n<p><\/p>\n\n\n\n<h2 id=\"prizes-reflect-readership\" class=\"wp-block-heading\">Prizes reflect readership<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>Book prizes have long overlooked and excluded graphic novels from their submissions: if not officially barred from entry (as with the Giller, which <a href=\"https:\/\/scotiabankgillerprize.ca\/wp-content\/uploads\/2018\/12\/2019-Scotiabank-Giller-Prize-Submission-Details-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">excluded graphic novels in its submission guidelines<\/a> for a quarter of a century), then unofficially (as with Canada Reads, which does not specifically bar graphic novels from consideration but hasn\u2019t shortlisted one <a href=\"https:\/\/www.cbc.ca\/books\/essex-county-1.3986163\" target=\"_blank\" rel=\"noopener noreferrer\">since 2011<\/a>). As a result, graphic novels are a kind of literary elephant in the room: a format of literary fiction which many, including book prizes, refuse to recognize as \u201cliterary\u201d fiction.<\/p>\n\n\n\n<p>This is, however, beginning to change. Increasingly, book prizes are beginning to reflect a reality many readers, professors, librarians and publishers have known for years: that <a href=\"https:\/\/theconversation.com\/graphic-novels-are-novels-why-the-booker-prize-judges-were-right-to-choose-one-for-its-longlist-100562\" target=\"_blank\" rel=\"noopener noreferrer\">graphic novels do, in fact, have serious literary value<\/a>. Graphic novels <a href=\"https:\/\/spectrum.library.concordia.ca\/6930\/1\/YALS-2005-GraphicNovelsSurvey.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">span a wide variety of content<\/a>, and they\u2019re visual narratives with the same complexity and depth as purely textual novels. It\u2019s taken decades, but public perception has changed. And now, too, so are prizes. <\/p>\n\n\n\n<p>After all, \u201cgood literature\u201d is not \u2014 and never has been \u2014 a static category, but rather an ever-shifting, nebulous definition built collaboratively by anyone who\u2019s ever picked up a book. After decades of marginalization, graphic novels are now inarguably coming to be included in this mainstream definition of what is \u201cliterary.\u201d <\/p>\n\n\n\n<p>Furthermore, this process of acceptance is helped in no small part by book prizes\u2019 increasing support of graphic novels; <a href=\"https:\/\/www.hup.harvard.edu\/catalog.php?isbn=9780674030435\" target=\"_blank\" rel=\"noopener noreferrer\">the connections between canonization and prizes are well studied<\/a>. When literary institutions hold up a graphic novel as one of \u201c<a href=\"https:\/\/scotiabankgillerprize.ca\/the-scotiabank-giller-prize-presents-its-2020-longlist\/\" target=\"_blank\" rel=\"noopener noreferrer\">the most powerful pieces of fiction published this year<\/a>,\u201d as the Giller did when it announced its longlist in September, the reading public begins to rethink their own biases against what they think is or isn\u2019t literary \u2014 whether they know they hold those biases or not.<\/p>\n\n\n\n<h2 id=\"a-troubling-trend\" class=\"wp-block-heading\">A troubling trend<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>When we start to look at the history of graphic novels and book prizes, however, a more troubling trend seems to spring up: that despite their increasing presence on book prize long- and shortlists, graphic novels don\u2019t ever seem to win book prizes. <\/p>\n\n\n\n<p>For instance, <em>Sabrina<\/em>, a graphic novel by Nick Drnaso about <a href=\"https:\/\/thebookerprizes.com\/books\/sabrina-by\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cthe story of what happens when an intimate, \u2018everyday\u2019 tragedy collides with the appetites of the 24-hour news cycle,\u201d<\/a> was longlisted by The Booker Prize in 2018 \u2014 the first time a graphic novel had ever been longlisted by the Booker. <\/p>\n\n\n\n<div align=\"center\">\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">A graphic novel as a finalist for the Man Booker prize? &#8220;Sabrina&#8221; is one of the graphic novels hitting new milestones <a href=\"https:\/\/t.co\/EY5n2LmJSc\">https:\/\/t.co\/EY5n2LmJSc<\/a><\/p><p>\u2014 The Wall Street Journal (@WSJ) <a href=\"https:\/\/twitter.com\/WSJ\/status\/1025773389078769664?ref_src=twsrc%5Etfw\">August 4, 2018<\/a><\/p><\/blockquote>\n<p> <script async=\"\" src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Like <em>Clyde Fans<\/em>, it too, failed to make the prize shortlist. Earlier this year, Canada Reads similarly <a href=\"https:\/\/www.cbc.ca\/books\/canadareads\/here-is-the-canada-reads-2020-longlist-1.5411178\" target=\"_blank\" rel=\"noopener noreferrer\">longlisted \u2014 but didn\u2019t shortlist \u2014 graphic memoir <em>Dear Scarlet<\/em> by Teresa Wong<\/a>, which deals with post-partum depression. <\/p>\n\n\n\n<p>Ironically, graphic novels seem to have had better chances in the book prize world the further back we look: <em>Essex County<\/em>, a graphic novel by Jeff Lemire about a rural community in Southwestern Ontario, <a href=\"https:\/\/www.cbc.ca\/books\/canadareads\/past-canada-reads-contenders-and-winners-1.4034451#2011\" target=\"_blank\" rel=\"noopener noreferrer\">made the Canada Reads shortlist in 2011<\/a> \u2014 making it further in the process than <em>Clyde Fans<\/em>, <em>Sabrina<\/em> and <em>Dear Scarlet<\/em> only to get <a href=\"https:\/\/nationalpost.com\/afterword\/jeff-lemires-essex-county-first-book-voted-off-canada-reads\" target=\"_blank\" rel=\"noopener noreferrer\">knocked out on the first day of competition<\/a>. <\/p>\n\n\n\n<p>Going back even further, <a href=\"https:\/\/www.penguinrandomhouse.com\/books\/171058\/maus-i-a-survivors-tale-by-art-spiegelman\/\" target=\"_blank\" rel=\"noopener noreferrer\">the highly-acclaimed <em>Maus<\/em><\/a> by American author and artist <a href=\"https:\/\/www.penguinrandomhouse.com\/authors\/29291\/art-spiegelman\" target=\"_blank\" rel=\"noopener noreferrer\">Art Speigelman<\/a> won a Pulitzer in 1992. The book (full title: <em>Maus: A Survivor\u2019s Tale<\/em>) shows Spiegelman interviewing his father, a Polish Jew, about his memories of surviving the Holocaust during the Second World War.  <\/p>\n\n\n\n<p>Even so, <em>Maus<\/em> didn\u2019t win a Pulitzer for literature, but rather a <a href=\"https:\/\/www.pulitzer.org\/winners\/art-spiegelman\" target=\"_blank\" rel=\"noopener noreferrer\">Pulitzer Special Citation<\/a> \u2014 which basically equates to a Pulitzer given by a jury when they\u2019re not quite sure what category to put it in. Is it literature? Is it art? Is it memoir? Is it history? The answer: it\u2019s a special citation. <\/p>\n\n\n\n<h2 id=\"literary-evolution-remains-slow\" class=\"wp-block-heading\">Literary evolution remains slow<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>If these kinds of approaches to recognizing graphic novels seems like gatekeeping what we consider \u201cserious literature,\u201d that\u2019s because it is.<\/p>\n\n\n\n<p>These prizes have been slow to shift away from a European high-culture approach, demonstrating <a href=\"https:\/\/press.uchicago.edu\/ucp\/books\/book\/chicago\/C\/bo3634644.html\" target=\"_blank\" rel=\"noopener noreferrer\">how infuriatingly slowly the western literary canon evolves<\/a>, especially in any direction away from the exclusionary principles it was and is founded on.<\/p>\n\n\n\n<p>It is, frustratingly, a sluggish and non-linear progression \u2014 both in the public perception of what is and is not \u201cliterary,\u201d and the ways in which literary institutions such as prizes reflect those perceptions. <\/p>\n\n\n\n<p>This is only underscored by the fact that a graphic novel won\u2019t win the Giller this year, and a graphic novel probably won\u2019t win it next year, either. But eventually, one day, it\u2019ll happen \u2014 and if this new trend of graphic novels hitting prize longlists is any indication, it\u2019s a future we\u2019re moving closer to all the time.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p>This article is republished from <a href=\"https:\/\/theconversation.com\/institutions\/carleton-university-900\" target=\"_blank\" rel=\"noopener noreferrer\">The Conversation<\/a> under a Creative Commons license. Carleton University is a member of this unique digital journalism platform that launched in June 2017 to boost visibility of Canada\u2019s academic faculty and researchers. Interested in writing a piece? Please contact <a href=\"mailto:steven.reid3@carleton.ca\">Steven Reid<\/a> or <a href=\"https:\/\/theconversation.com\/become-an-author\" target=\"_blank\" rel=\"noopener noreferrer\">sign up to become an author<\/a>.<\/p>\n\n\n\n<p><em>All photos provided by The Conversation from various sources.<\/em><\/p>\n\n\n\n<p>&#8212;<br>\n<a href=\"https:\/\/newsroom.carleton.ca\/\">Carleton Newsroom<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/counter.theconversation.com\/content\/146740\/count.gif?distributor=republish-lightbox-basic\" alt=\"The Conversation\"\/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the midst of a global pandemic, almost nothing is proceeding as normal. And yet, on a dim October morning, the Scotiabank Giller Prize shortlist announcement went brightly, briefly and virtually streaming into homes and revealing the five books that had moved one step further towards winning Canada\u2019s largest and arguably most prestigious literary award. [&hellip;]<\/p>\n","protected":false},"author":410,"featured_media":70357,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_story_type":[1623],"cu_story_tag":[],"class_list":["post-70356","cu_story","type-cu_story","status-publish","has-post-thumbnail","hentry","cu_story_type-expert-perspectives"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/70356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story"}],"about":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/types\/cu_story"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/users\/410"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/70356\/revisions"}],"predecessor-version":[{"id":70363,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/70356\/revisions\/70363"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media\/70357"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media?parent=70356"}],"wp:term":[{"taxonomy":"cu_story_type","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_type?post=70356"},{"taxonomy":"cu_story_tag","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_tag?post=70356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}