{"id":76691,"date":"2021-05-30T09:00:08","date_gmt":"2021-05-30T13:00:08","guid":{"rendered":"https:\/\/newsroom.carleton.ca\/?post_type=cu_story&#038;p=76691"},"modified":"2025-08-19T09:37:14","modified_gmt":"2025-08-19T13:37:14","slug":"korean-wave-challenging-asian-stereotypes","status":"publish","type":"cu_story","link":"https:\/\/carleton.ca\/news\/story\/korean-wave-challenging-asian-stereotypes\/","title":{"rendered":"In music and film, a new Korean wave is challenging Asian stereotypes"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n                    \n                    \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-opacity-50 bg-cover bg-cu-black-50 pt-24 pb-32 md:pt-28 md:pb-44 lg:pt-36 lg:pb-60 xl:pt-48 xl:pb-72\" style=\"background-image: url(https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/korean-wave-music-film-1200w-1.jpg); background-position: 50% 50%;\">\n\n                    <div class=\"absolute top-0 w-full h-screen\" style=\"background-color:rgba(0,0,0,0.600);\"><\/div>\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-white cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        In music and film, a new Korean wave is challenging Asian stereotypes\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"absolute bottom-0 w-full z-[1]\" fill=\"none\" viewbox=\"0 0 1280 312\">\n                <path fill=\"#fff\" d=\"M26.412 315.608c-.602-.268-6.655-2.412-13.524-4.769a1943.84 1943.84 0 0 1-14.682-5.144l-2.276-.858v-5.358c0-4.876.086-5.358.773-5.09 1.674.643 21.38 5.84 34.646 9.109 14.682 3.59 28.935 6.858 45.936 10.449l9.874 2.089H57.322c-16.4 0-30.31-.16-30.91-.428ZM460.019 315.233c42.974-10.074 75.602-19.88 132.443-39.867 76.16-26.791 152.063-57.709 222.385-90.663 16.7-7.823 21.336-10.074 44.262-21.273 85.004-41.688 134.719-64.193 195.291-88.413 66.55-26.577 145.2-53.584 194.27-66.765C1258.5 5.626 1281.34 0 1282.24 0c.17 0 .34 27.596.34 61.3v61.299l-2.23.375c-84.7 13.718-165.93 35.955-310.736 84.931-46.494 15.753-65.427 22.076-96.166 32.15-9.102 3-24.814 8.198-34.989 11.574-107.543 35.954-153.008 50.422-196.626 62.639l-6.74 1.876-89.126-.054c-78.135-.054-88.782-.161-85.948-.857ZM729.628 312.875c33.229-10.985 69.248-23.523 127.506-44.207 118.705-42.223 164.596-57.709 217.446-73.302 2.62-.75 8.29-2.465 12.67-3.751 56.19-16.772 126.94-33.597 184.17-43.671 5.07-.91 9.66-1.768 10.22-1.875l.94-.161v170.236l-281.28-.054H719.968l9.66-3.215ZM246.864 313.411c-65.041-2.251-143.047-12.11-208.432-26.256-18.375-3.965-41.73-9.538-42.202-10.074-.171-.214-.257-21.38-.214-47.046l.129-46.618 6.654 3.697c57.313 32.043 118.491 56.531 197.699 79.143 40.313 11.521 83.459 18.058 138.669 21.059 15.584.857 65.685.857 81.14 0 33.744-1.876 61.306-4.93 88.396-9.806 6.396-1.126 11.634-1.983 11.722-1.929.255.375-20.48 7.769-30.999 11.038-28.592 8.948-59.288 15.646-91.873 20.147-26.36 3.59-50.015 5.627-78.35 6.698-15.584.59-55.209.59-72.339-.053Z\"><\/path>\n                <path fill=\"#fff\" d=\"M-3.066 295.067 32.06 304.1v9.033H-3.066v-18.066Z\"><\/path>\n            <\/svg>\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n<p>At this year\u2019s Oscars, Chlo\u00e9 Zhao became the <a href=\"https:\/\/www.theguardian.com\/film\/2021\/apr\/26\/chloe-zhao-wins-best-director-oscar-nomadland\" target=\"_blank\" rel=\"noopener noreferrer\">first woman of colour to win the award for best director<\/a> for <em>Nomadland<\/em>. Youn Yuh-jung also became the <a href=\"https:\/\/www.npr.org\/sections\/live-updates-oscars-2021\/2021\/04\/25\/989638064\/youn-yuh-jung-is-first-korean-to-win-oscar-for-best-supporting-actress\" target=\"_blank\" rel=\"noopener noreferrer\">first Korean actress to win an Oscar<\/a> for her role in <em>Minari<\/em>.<\/p>\n\n\n\n<p>After decades of being excluded from, and stereotyped by Hollywood, East Asians are finally being recognized in the film industry. This degree of recognition is a cause for celebration, but there is still a long way to go.<\/p>\n\n\n\n<p>For decades, the predominantly white western film industry has <a href=\"https:\/\/www.indiewire.com\/2018\/10\/steven-yeun-walking-dead-glenn-asian-stereotype-short-round-1202015250\/\" target=\"_blank\" rel=\"noopener noreferrer\">confined Asian actors to stereotypical<\/a> roles and even <a href=\"https:\/\/www.teenvogue.com\/story\/yellowface-whitewashing-history\" target=\"_blank\" rel=\"noopener noreferrer\">cast white actors to play Asian characters<\/a>. But the recent success of Asians in the film industry begins to open the door to more prominent Asian roles in this field. <\/p>\n\n\n\n<p>A new Korean wave is helping to significantly break down barriers and deconstruct the representation of Asians in western media. <\/p>\n\n\n\n<h2 id=\"the-power-of-representation\" class=\"wp-block-heading\">The power of representation<\/h2>\n\n\n\n<p>I grew up watching Hollywood cinema in South Korea and was especially fond of Katharine Hepburn. Her role in <a href=\"https:\/\/www.imdb.com\/title\/tt0036777\/\" target=\"_blank\" rel=\"noopener noreferrer\">the 1944 film <em>Dragon Seed<\/em><\/a> left a lasting impression.<\/p>\n\n\n\n<p>In the movie, Hepburn plays a Chinese woman with awkward makeup. When I first saw the film I was only eight years old and had never been to China, but I knew what a Chinese person looked like and it was not that. I wondered whether this casting choice was because there were no Asians in America, or because Asian women weren\u2019t as pretty as Hepburn. I was gaslighted into believing Asian women couldn\u2019t be the central character because we aren\u2019t attractive.<\/p>\n\n\n\n<figure class=\"wp-block-image align-right zoomable\"><a href=\"https:\/\/images.theconversation.com\/files\/398041\/original\/file-20210430-19-tt4s22.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip\"><img decoding=\"async\" src=\"https:\/\/images.theconversation.com\/files\/398041\/original\/file-20210430-19-tt4s22.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip\" alt=\"Youn Yuh-jung poses in the press room at the Oscars.\"\/><\/a><figcaption class=\"wp-element-caption\">\n              <span class=\"caption\">Youn Yuh-jung won the Oscar for best supporting actress for her role in <em>Minari<\/em>.<\/span><br>\n              <span class=\"attribution\"><span class=\"source\">(AP Photo\/Chris Pizzello, Pool)<\/span><\/span><br>\n            <\/figcaption><\/figure>\n\n\n\n<p>Despite <a href=\"https:\/\/www.thecanadianencyclopedia.ca\/en\/article\/multiculturalism\" target=\"_blank\" rel=\"noopener noreferrer\">almost 50 years of Canadian multiculturalism<\/a>, Asian people are still facing discrimination and stereotyping around <a href=\"https:\/\/theconversation.com\/the-model-minority-myth-hides-the-racist-and-sexist-violence-experienced-by-asian-women-157667\" target=\"_blank\" rel=\"noopener noreferrer\">being a model minority<\/a>.<\/p>\n\n\n\n<p>With the <a href=\"https:\/\/theconversation.com\/anti-asian-racism-during-coronavirus-how-the-language-of-disease-produces-hate-and-violence-134496\" target=\"_blank\" rel=\"noopener noreferrer\">rise in anti-Asian racism during the pandemic<\/a> and <a href=\"https:\/\/www.bbc.com\/news\/world-us-canada-56218684\" target=\"_blank\" rel=\"noopener noreferrer\">recent violent attacks in the United States and Canada<\/a>, Asian people are increasingly becoming fearful about their place in North American society.<\/p>\n\n\n\n<p>As a Korean language instructor at Carleton University, my classes are made up of students from multiple cultural and ethnic backgrounds. During one of my classes, I decided to show a <a href=\"https:\/\/www.cnn.com\/2019\/04\/12\/entertainment\/bts-kpop-album-persona-soul-who-is-trnd\/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">music video by the K-pop band BTS<\/a> to engage students in contemporary Korean culture. <\/p>\n\n\n\n<p>After playing <a href=\"https:\/\/www.youtube.com\/watch?v=MBdVXkSdhwU\" target=\"_blank\" rel=\"noopener noreferrer\"><em>DNA<\/em> by BTS<\/a>, I was surprised to see how it was able to break down cultural and language barriers. Students who had not yet spoken began chatting like they had known each other for a long time. <a href=\"https:\/\/greatergood.berkeley.edu\/article\/item\/four_ways_music_strengthens_social_bonds\" target=\"_blank\" rel=\"noopener noreferrer\">Research shows that music brings people together<\/a>.<\/p>\n\n\n\n<p>East Asian students continue to see <a href=\"https:\/\/www.cbc.ca\/radio\/tapestry\/healing-power-of-k-pop-pandemic-playtime-music-for-the-soul-1.5600104\/how-k-pop-band-bts-is-helping-fans-a-world-away-navigate-identity-and-hardship-1.5600109\" target=\"_blank\" rel=\"noopener noreferrer\">the accomplishments of K-pop artists as their own<\/a>. One of my students, a second-generation immigrant from Vietnam said: \u201cI feel indebted to BTS. I am wounded because I am underrepresented in a society where I should belong, but I feel healed by them.\u201d <\/p>\n\n\n\n<p>In the long history of Western pop-culture, non-western cultures have too often been portrayed as <a href=\"https:\/\/thirdcoastreview.com\/2019\/06\/20\/the-unbearable-whiteness-of-hollywood-thoughts-on-asian-american-representation-in-pop-culture\/\" target=\"_blank\" rel=\"noopener noreferrer\">tacky subcultures or disparaged racial minorities<\/a>. The rise of K-pop is helping reset these stereotypes and, within Asian communities in North America, has become a remedy for those who are perpetually made to feel like foreigners in their own country.<\/p>\n\n\n\n<h2 id=\"the-korean-wave\" class=\"wp-block-heading\">The Korean wave<\/h2>\n\n\n\n<p>From BTS to <a href=\"https:\/\/www.wired.com\/story\/korean-esports-gaming-class-culture\/\" target=\"_blank\" rel=\"noopener noreferrer\">video game competitions<\/a> and the noteworthy 2016 K-drama, <a href=\"https:\/\/otakukart.com\/403428\/guardian-the-lonely-and-great-god\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Goblin<\/em><\/a>, the Korean wave is taking western audiences by storm.<\/p>\n\n\n\n<p>Netflix is planning to invest <a href=\"https:\/\/www.cnbc.com\/2021\/02\/25\/netflix-nflx-to-spend-500-million-in-south-korea-in-2021.html\" target=\"_blank\" rel=\"noopener noreferrer\">$500 million this year<\/a> in South Korean films and TV series. Korean movies and dramas like <em>Parasite<\/em>, <em>Train to Busan<\/em> and the <a href=\"https:\/\/www.indiewire.com\/2017\/05\/bong-joon-ho-the-host-best-monster-movie-21st-century-korea-song-kang-ho-bae-doona-trump-1201813051\/\" target=\"_blank\" rel=\"noopener noreferrer\">2006 cult classic <em>The Host<\/em><\/a> have received critical acclaim globally and in North America. <\/p>\n\n\n\n<figure class=\"wp-block-image align-right zoomable\"><a href=\"https:\/\/images.theconversation.com\/files\/403180\/original\/file-20210527-13-k8ehaj.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" src=\"https:\/\/images.theconversation.com\/files\/403180\/original\/file-20210527-13-k8ehaj.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip\" alt=\"A man in a tuxedo waves and carries an award.\"\/><\/a><figcaption class=\"wp-element-caption\">\n              <span class=\"caption\">Bong Joon-ho, director of <em>Parasite<\/em> and <em>The Host<\/em>, at the 2019 Palme d&#8217;Or Awards in Cannes, France. <span class=\"source\">(Shutterstock)<\/span><\/span><br>\n            <\/figcaption><\/figure>\n\n\n\n<p>Korean dramas consistently provide solid performances through impeccable storytelling. One example is the Korean drama <a href=\"https:\/\/www.imdb.com\/title\/tt6611916\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Kingdom<\/em>, Netflix\u2019s first original Korean series<\/a>.<\/p>\n\n\n\n<p>Kingdom is more than just a clich\u00e9 zombie show. With its spectacular landscapes and complex characters, <em>Kingdom<\/em> holds its own in the competitive streaming space. This challenges the sentiment that <a href=\"https:\/\/www.theatlantic.com\/culture\/archive\/2021\/03\/minari-and-the-invisible-stars-of-asian-led-movies\/618169\/\" target=\"_blank\" rel=\"noopener noreferrer\">mainstream content with Asian actors as leads is inferior<\/a>.<\/p>\n\n\n\n<p>The influx of Korean content can do a great deal to reduce racist attitudes and <a href=\"https:\/\/doi.org\/10.1038\/s41562-020-0899-5\" target=\"_blank\" rel=\"noopener noreferrer\">alter perceptions of East Asians by normalizing the presence of Asian people<\/a> on screen, in magazines, on the radio and in broader society.<\/p>\n\n\n\n<p>As a Korean, I feel fulfilled when I watch series and films filled with faces like mine, portraying complex characters and telling stories not restricted by Western stereotypes.<\/p>\n\n\n\n<p>There are still major hurdles to overcome that prevent Asians from getting into the mainstream. However, Korean content is a powerful way of providing healthy Asian representation and transcending racist stereotypes.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p>This article is republished from <a href=\"https:\/\/theconversation.com\/institutions\/carleton-university-900\" target=\"_blank\" rel=\"noopener noreferrer\">The Conversation<\/a> under a Creative Commons license. Carleton University is a member of this unique digital journalism platform that launched in June 2017 to boost visibility of Canada\u2019s academic faculty and researchers. Interested in writing a piece? Please contact <a href=\"mailto:steven.reid3@carleton.ca\">Steven Reid<\/a> or <a href=\"https:\/\/theconversation.com\/become-an-author\" target=\"_blank\" rel=\"noopener noreferrer\">sign up to become an author<\/a>.<\/p>\n\n\n\n<p><em>All photos provided by The Conversation from various sources.<\/em><\/p>\n\n\n\n<p>&#8212;<br>\n<a href=\"https:\/\/newsroom.carleton.ca\/\">Carleton Newsroom<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/counter.theconversation.com\/content\/158757\/count.gif?distributor=republish-lightbox-basic\" alt=\"The Conversation\"\/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At this year\u2019s Oscars, Chlo\u00e9 Zhao became the first woman of colour to win the award for best director for Nomadland. Youn Yuh-jung also became the first Korean actress to win an Oscar for her role in Minari. After decades of being excluded from, and stereotyped by Hollywood, East Asians are finally being recognized in [&hellip;]<\/p>\n","protected":false},"author":410,"featured_media":76692,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_story_type":[1623],"cu_story_tag":[],"class_list":["post-76691","cu_story","type-cu_story","status-publish","has-post-thumbnail","hentry","cu_story_type-expert-perspectives"],"acf":{"cu_post_thumbnail":false},"_links":{"self":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/76691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story"}],"about":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/types\/cu_story"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/users\/410"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/76691\/revisions"}],"predecessor-version":[{"id":76750,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/76691\/revisions\/76750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media\/76692"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media?parent=76691"}],"wp:term":[{"taxonomy":"cu_story_type","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_type?post=76691"},{"taxonomy":"cu_story_tag","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_tag?post=76691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}