{"id":91315,"date":"2024-03-05T14:32:07","date_gmt":"2024-03-05T19:32:07","guid":{"rendered":"https:\/\/newsroom.carleton.ca\/?post_type=cu_story&#038;p=91315"},"modified":"2025-08-19T09:37:03","modified_gmt":"2025-08-19T13:37:03","slug":"poor-things-fresh-cinematic-sound","status":"publish","type":"cu_story","link":"https:\/\/carleton.ca\/news\/story\/poor-things-fresh-cinematic-sound\/","title":{"rendered":"Oscars 2024: How &#8216;Poor Things&#8217; Music Scoring Brilliantly Invents a Fresh World for Cinematic Sound"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-max  md:space-y-10 cu-prose-first-last\">\n\n        \n                    \n                    \n            \n    <div class=\"cu-wideimage relative flex items-center justify-center mx-auto px-8 overflow-hidden md:px-16 rounded-xl not-prose  my-6 md:my-12 first:mt-0 bg-opacity-50 bg-cover bg-cu-black-50 pt-24 pb-32 md:pt-28 md:pb-44 lg:pt-36 lg:pb-60 xl:pt-48 xl:pb-72\" style=\"background-image: url(https:\/\/carleton.ca\/news\/wp-content\/uploads\/sites\/162\/conversation-poor-things-1200x900-1.jpg); background-position: 50% 50%;\">\n\n                    <div class=\"absolute top-0 w-full h-screen\" style=\"background-color:rgba(0,0,0,0.600);\"><\/div>\n        \n        <div class=\"relative z-[2] max-w-4xl w-full flex flex-col items-center gap-2 cu-wideimage-image cu-zero-first-last\">\n            <header class=\"mx-auto mb-6 text-center text-white cu-pageheader cu-component-updated cu-pageheader--center md:mb-12\">\n\n                                    <h1 class=\"cu-prose-first-last font-semibold mb-2 text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] cu-pageheader--center text-center mx-auto after:left-px\">\n                        Oscars 2024: How &#039;Poor Things&#039; Music Scoring Brilliantly Invents a Fresh World for Cinematic Sound\n                    <\/h1>\n                \n                            <\/header>\n        <\/div>\n\n                    <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"absolute bottom-0 w-full z-[1]\" fill=\"none\" viewbox=\"0 0 1280 312\">\n                <path fill=\"#fff\" d=\"M26.412 315.608c-.602-.268-6.655-2.412-13.524-4.769a1943.84 1943.84 0 0 1-14.682-5.144l-2.276-.858v-5.358c0-4.876.086-5.358.773-5.09 1.674.643 21.38 5.84 34.646 9.109 14.682 3.59 28.935 6.858 45.936 10.449l9.874 2.089H57.322c-16.4 0-30.31-.16-30.91-.428ZM460.019 315.233c42.974-10.074 75.602-19.88 132.443-39.867 76.16-26.791 152.063-57.709 222.385-90.663 16.7-7.823 21.336-10.074 44.262-21.273 85.004-41.688 134.719-64.193 195.291-88.413 66.55-26.577 145.2-53.584 194.27-66.765C1258.5 5.626 1281.34 0 1282.24 0c.17 0 .34 27.596.34 61.3v61.299l-2.23.375c-84.7 13.718-165.93 35.955-310.736 84.931-46.494 15.753-65.427 22.076-96.166 32.15-9.102 3-24.814 8.198-34.989 11.574-107.543 35.954-153.008 50.422-196.626 62.639l-6.74 1.876-89.126-.054c-78.135-.054-88.782-.161-85.948-.857ZM729.628 312.875c33.229-10.985 69.248-23.523 127.506-44.207 118.705-42.223 164.596-57.709 217.446-73.302 2.62-.75 8.29-2.465 12.67-3.751 56.19-16.772 126.94-33.597 184.17-43.671 5.07-.91 9.66-1.768 10.22-1.875l.94-.161v170.236l-281.28-.054H719.968l9.66-3.215ZM246.864 313.411c-65.041-2.251-143.047-12.11-208.432-26.256-18.375-3.965-41.73-9.538-42.202-10.074-.171-.214-.257-21.38-.214-47.046l.129-46.618 6.654 3.697c57.313 32.043 118.491 56.531 197.699 79.143 40.313 11.521 83.459 18.058 138.669 21.059 15.584.857 65.685.857 81.14 0 33.744-1.876 61.306-4.93 88.396-9.806 6.396-1.126 11.634-1.983 11.722-1.929.255.375-20.48 7.769-30.999 11.038-28.592 8.948-59.288 15.646-91.873 20.147-26.36 3.59-50.015 5.627-78.35 6.698-15.584.59-55.209.59-72.339-.053Z\"><\/path>\n                <path fill=\"#fff\" d=\"M-3.066 295.067 32.06 304.1v9.033H-3.066v-18.066Z\"><\/path>\n            <\/svg>\n            <\/div>\n\n    \n\n    <\/div>\n<\/section>\n\n<p>This article is <a href=\"\/\/theconversation.com\/oscars-2024-how-poor-things-music-scoring-brilliantly-invents-a-fresh-world-for-cinematic-sound-224568\" target=\"_blank\" rel=\"noopener noreferrer\">republished<\/a> from The Conversation under a Creative Commons licence. All photos provided by <a href=\"https:\/\/theconversation.com\" target=\"_blank\" rel=\"noopener noreferrer\">The Conversation<\/a> from various sources.<\/p>\n\n\n\n<p><a href=\"https:\/\/carleton.ca\/music\/people\/deaville-james\/\" target=\"_blank\" rel=\"noopener noreferrer\">James Deaville<\/a> is a professor of music at Carleton University.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>At first glance the <a href=\"https:\/\/composer.spitfireaudio.com\/en\/articles\/how-poor-things-composer-jerskin-fendrix-embraced-the-unorthodox-with-his-debut-score\" target=\"_blank\" rel=\"noopener noreferrer\">British composer<\/a> <a href=\"https:\/\/jerskinfendrix.bandcamp.com\/album\/winterreise\" target=\"_blank\" rel=\"noopener noreferrer\">Jerskin Fendrix<\/a> (the stage name used by Joscelin Dent-Pooley) does not seem an obvious candidate for scoring <em>Poor Things<\/em>, now nominated for best original score at the upcoming Academy Awards.<\/p>\n\n\n\n<p>The film, by acclaimed director <a href=\"http:\/\/www.lanthimos.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Yorgos Lanthimos<\/a> features an A-list cast including <a href=\"https:\/\/www.cbsnews.com\/news\/emma-stone-and-director-yorgos-lanthimos-on-poor-things\/\" target=\"_blank\" rel=\"noopener noreferrer\">Emma Stone<\/a>, who plays Bella Baxter, a woman <a href=\"https:\/\/www.imdb.com\/title\/tt14230458\/\" target=\"_blank\" rel=\"noopener noreferrer\">brought back to life<\/a> who must experience the world afresh.<\/p>\n\n\n\n<p>Fendrix had <a href=\"https:\/\/www.synthhistory.com\/post\/interview-with-poor-things-composer-jerskin-fendrix\" target=\"_blank\" rel=\"noopener noreferrer\">no prior experience<\/a> with composing for the silver screen or working with a director. When he was approached about the job he had released only one solo album, <a href=\"https:\/\/jerskinfendrix.bandcamp.com\/album\/winterreise\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Winterreise<\/em><\/a> (2020).<\/p>\n\n\n\n<p>Yet it was just this album with its <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-features\/emma-stone-mark-ruffalo-yorgos-lanthimos-making-poor-things-1235761791\/\" target=\"_blank\" rel=\"noopener noreferrer\">punk and pop aesthetic<\/a> that caught the attention of auteur-director Lanthimos.<\/p>\n\n\n\n<p>As such, Fendrix represents a newer generation of film composers, who are more likely to move in the world of rock, pop or alternative music <a href=\"https:\/\/www.johnwilliams.org\/reference\/biography\" target=\"_blank\" rel=\"noopener noreferrer\">scenes than score or conduct<\/a> for a <a href=\"https:\/\/www.lso.co.uk\/seven-times-classical-music-was-used-in-film\/\" target=\"_blank\" rel=\"noopener noreferrer\">symphony orchestra<\/a>.<\/p>\n\n\n\n<p><iframe loading=\"lazy\" frameborder=\"0\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/3L6wPs_76vw?wmode=transparent&amp;start=0\" width=\"800\"><\/iframe><\/p>\n\n\n\n<h2 id=\"underground-scene\" class=\"wp-block-heading\">Underground scene<\/h2>\n\n\n\n<p>Lanthimos himself has admitted this was the first time he has <a href=\"https:\/\/composer.spitfireaudio.com\/en\/articles\/how-poor-things-composer-jerskin-fendrix-embraced-the-unorthodox-with-his-debut-score\" target=\"_blank\" rel=\"noopener noreferrer\">worked with a composer<\/a>.<\/p>\n\n\n\n<p>Fendrix&#8217;s path to that point involved singing <a href=\"https:\/\/www.thelineofbestfit.com\/features\/interviews\/jerskin-fendrix-viscerally-human-debut-winterreise\" target=\"_blank\" rel=\"noopener noreferrer\">original songs<\/a> in the underground\/alternative <a href=\"https:\/\/www.elephantdrums.co.uk\/blog\/guides-and-resources\/live-music-venues-london-brixton\/\" target=\"_blank\" rel=\"noopener noreferrer\">Brixton music scene<\/a> in <a href=\"https:\/\/www.nytimes.com\/2017\/02\/09\/travel\/brixton-hill-village-granville-arcade-london-gentrification.html\" target=\"_blank\" rel=\"noopener noreferrer\">South London<\/a>.<\/p>\n\n\n\n<p>His fast-growing reputation enabled him to stage a <a href=\"https:\/\/www.windmillbrixton.co.uk\/events\/2018-12-21-jerskin-winter-festival-number-4-black-fendrix-jersk-midi-plus-famous-plus-jerskin-fendrix-plus-acd-the-windmill\" target=\"_blank\" rel=\"noopener noreferrer\">four-day festival<\/a> at the much-vaunted <a href=\"https:\/\/www.bigissue.com\/culture\/music\/the-windmill-brixton-london-music-venue-watch\/\" target=\"_blank\" rel=\"noopener noreferrer\">Windmill Pub<\/a> in 2018.<\/p>\n\n\n\n<p>In that same year he tried his hand at <a href=\"https:\/\/www.vam.ac.uk\/event\/bnkgGKnk\/ubu\" target=\"_blank\" rel=\"noopener noreferrer\">electronic opera<\/a> \u2014 a foreshadowing of film scoring? \u2014 through a setting of the <a href=\"https:\/\/www.britannica.com\/topic\/Ubu-roi\" target=\"_blank\" rel=\"noopener noreferrer\">absurdist turn-of-the-century play <em>Ubu Roi<\/em><\/a> by French writer Alfred Jarry. <a href=\"https:\/\/www.theguardian.com\/stage\/2018\/sep\/04\/ubu-review-alfred-jarry-victoria-and-albert-museum-london\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Guardian<\/em><\/a> described the music as &#8220;not just atonal but abrasive, brutal and grinding.\u201d<\/p>\n\n\n\n<p><iframe loading=\"lazy\" frameborder=\"0\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/lxZ24jVxpJM?wmode=transparent&amp;start=0\" width=\"800\"><\/iframe><\/p>\n\n\n\n<h2 id=\"orchestras-at-the-movies\" class=\"wp-block-heading\">Orchestras at the movies<\/h2>\n\n\n\n<p>In the era of epic film franchises like Star Wars, Harry Potter and Star Trek, the London Symphony Orchestra served as the <a href=\"https:\/\/www.lso.co.uk\/about-us\/what-we-do\/\" target=\"_blank\" rel=\"noopener noreferrer\">go-to ensemble for soundtracks<\/a>, with more people hearing the orchestra through these movies than live in concert.<\/p>\n\n\n\n<p>It stands to reason that the shift from those sprawling cinematic universes to more character-centred stories like <em>Killers of the Flower Moon<\/em> and <em>Poor Things<\/em> necessitated a different sound ideal.<\/p>\n\n\n\n<p>Three of the five film scores nominated for the Oscars this year are by composers who possess solid credentials in popular music: Fendrix, <a href=\"https:\/\/www.vanityfair.com\/hollywood\/2023\/07\/oppenheimer-music-interview-composer-ludwig-goransson\" target=\"_blank\" rel=\"noopener noreferrer\">Ludwig G\u00f6ransson<\/a> (<em>Oppenheimer<\/em>) and the late <a href=\"https:\/\/ew.com\/oscars-2024-robbie-robertson-earns-posthumous-first-nomination-8548082\" target=\"_blank\" rel=\"noopener noreferrer\">Robbie Robertson (<em>Killers of the Flower Moon<\/em>).<\/a><\/p>\n\n\n\n<h2 id=\"popular-music-collaborations\" class=\"wp-block-heading\">Popular music collaborations<\/h2>\n\n\n\n<p>G\u00f6ransson has collaborated with <a href=\"https:\/\/www.theguardian.com\/music\/2018\/may\/12\/the-rise-of-donald-glover-childish-gambino\" target=\"_blank\" rel=\"noopener noreferrer\">American musician and rapper<\/a> <a href=\"https:\/\/www.npr.org\/2019\/02\/23\/697124438\/how-ludwig-g-ransson-helped-orchestrate-americas-conversation-on-race-in-2018\" target=\"_blank\" rel=\"noopener noreferrer\">Childish Gambino<\/a>.<\/p>\n\n\n\n<p>Robertson was renowned both for his solo artistry and earlier for his work with <a href=\"https:\/\/pitchfork.com\/news\/bob-dylan-pays-tribute-to-former-bandmate-robbie-robertson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bob Dylan<\/a> and The Band.<\/p>\n\n\n\n<p>To this list we might add such recent Oscar nominees as Radiohead lead guitarist <a href=\"https:\/\/variety.com\/2021\/artisans\/awards\/jonny-greenwood-power-of-the-dog-score-composer-interview-1235113926\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jonny Greenwood<\/a> (<em>The Power of the Dog<\/em>), Nine Inch Nails band members <a href=\"https:\/\/www.thewrap.com\/trent-reznor-atticus-fox-if-only-you-could-save-me-mank\/\" target=\"_blank\" rel=\"noopener noreferrer\">Trent Reznor and Atticus Ross<\/a> (<em>Mank<\/em>, <em>Soul<\/em>).<\/p>\n\n\n\n<p>Each of these composers have contributed their unique blend of skills and expertise to the scores entrusted to them.<\/p>\n\n\n\n<h2 id=\"fashioning-something-new\" class=\"wp-block-heading\">Fashioning something new<\/h2>\n\n\n\n<p>Yet none of them as &#8220;<a href=\"https:\/\/www.latimes.com\/entertainment-arts\/awards\/story\/2023-12-15\/poor-things-quirky-score-jerskin-fendrix\" target=\"_blank\" rel=\"noopener noreferrer\">quirky<\/a>\u201d and &#8220;<a href=\"https:\/\/aframe.oscars.org\/what-to-watch\/post\/jerskin-fendrix-top-5-exclusive\" target=\"_blank\" rel=\"noopener noreferrer\">one of a kind<\/a>\u201d as the work of Fendrix for <em>Poor Things<\/em>.<\/p>\n\n\n\n<p>According to an interview with the Oscar publication <a href=\"https:\/\/aframe.oscars.org\/news\/post\/jerskin-fendrix-poor-things-interview\" target=\"_blank\" rel=\"noopener noreferrer\"><em>A-Frame<\/em><\/a>, he and Lanthimos agreed &#8220;not to discuss any other composers, film scores or music in general\u201d so as to create a sound unique to <em>Poor Things<\/em>.<\/p>\n\n\n\n<p>That may be true, and yet Fendrix has indicated that he does have favourite film scores, including T\u014dru Takemitsu&#8217;s &#8220;breathtaking\u201d music for <a href=\"https:\/\/www.criterion.com\/films\/754-ran\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Ran<\/em>, (which re-imagines Shakespeare&#8217;s <em>King Lear<\/em> as a 16th-century Japanese epic)<\/a><br>\nand the &#8220;<a href=\"https:\/\/aframe.oscars.org\/what-to-watch\/post\/jerskin-fendrix-top-5-exclusive\" target=\"_blank\" rel=\"noopener noreferrer\">phenomenally inspirational<\/a>\u201d classical mix in <a href=\"https:\/\/faroutmagazine.co.uk\/stanley-kubrick-2001-a-space-odyssey-music\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>2001: A Space Odyssey<\/em><\/a>. These must have left some imprint on the composer.<\/p>\n\n\n\n<p>In line with the desire to fashion something new for <em>Poor Things<\/em>, director and composer inverted the customary model of adding music once the film was &#8220;<a href=\"https:\/\/filmmakermagazine.com\/102417-a-message-from-your-composer-lock-your-picture-please\/\" target=\"_blank\" rel=\"noopener noreferrer\">locked<\/a>,\u201d at the end of the creative process.<\/p>\n\n\n\n<p>Fendrix actually started his work <a href=\"https:\/\/www.latimes.com\/entertainment-arts\/awards\/story\/2023-12-15\/poor-things-quirky-score-jerskin-fendrix\" target=\"_blank\" rel=\"noopener noreferrer\">six months before shooting<\/a> began \u2014 he based his music on the script and set designs rather than on the finished footage.<\/p>\n\n\n\n<h2 id=\"breath-and-life\" class=\"wp-block-heading\">Breath and life<\/h2>\n\n\n\n<p>What he created also subverted scoring norms by relying on <a href=\"https:\/\/filmmakermagazine.com\/123969-interview-composer-jerskin-fendrix-poor-things\/\" target=\"_blank\" rel=\"noopener noreferrer\">woodwinds<\/a> \u2014 symbolic of breath and life \u2014 rather than strings, with <a href=\"https:\/\/www.btlnews.com\/crafts\/hear-two-tracks-from-jerskin-fendrixs-poor-things-score\/\" target=\"_blank\" rel=\"noopener noreferrer\">bagpipes and organ<\/a> thrown in.<\/p>\n\n\n\n<p>Lanthimos approved the results of Jerskin&#8217;s efforts, which led him to take the unusual step of <a href=\"https:\/\/www.btlnews.com\/awards\/a-glimpse-into-the-mind-of-poor-things-composer-jerskin-fendrix\/\" target=\"_blank\" rel=\"noopener noreferrer\">playing the music on set<\/a> to establish the mood for scenes and characters.<\/p>\n\n\n\n<p>From the opening of <em>Poor Things<\/em> we realize that we are participants in a fresh <a href=\"https:\/\/faroutmagazine.co.uk\/jerskin-fendrix-poor-things-contemporary-pulse\/\" target=\"_blank\" rel=\"noopener noreferrer\">new world for cinematic sound<\/a>, by a composer who confesses that he &#8220;<a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/poor-things-soundtrack\" target=\"_blank\" rel=\"noopener noreferrer\">had no idea what [he] was doing at any point in the process whatsoever<\/a>.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image align-center\"><img decoding=\"async\" src=\"https:\/\/images.theconversation.com\/files\/579645\/original\/file-20240304-49731-n28qq1.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip\" alt=\"A woman in bronze ornate dress stares into the camera and reflection is in a mirror beside her.\"\/><figcaption class=\"wp-element-caption\"><span class=\"caption\">Fendrix&#8217;s score accompanies the character development of Bella Baxter, played by Emma Stone, a woman brought back to life who must experience the world afresh.<\/span><br>\n<span class=\"attribution\"><span class=\"source\">(Searchlight Pictures)<\/span><\/span><\/figcaption><\/figure>\n\n\n\n<h2 id=\"samples-of-acoustic-instruments\" class=\"wp-block-heading\">Samples of acoustic instruments<\/h2>\n\n\n\n<p>Rather than composing from the synthesizer, Fendrix digitally \u2014 he says <a href=\"https:\/\/filmmakermagazine.com\/123969-interview-composer-jerskin-fendrix-poor-things\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;surgically\u201d<\/a> \u2014 edited <a href=\"https:\/\/www.indiewire.com\/features\/craft\/poor-things-soundtrack-lisbon-bella-exclusive-track-1234925877\/\" target=\"_blank\" rel=\"noopener noreferrer\">samples of individual acoustic instruments<\/a>, whereby he could manipulate each part.<\/p>\n\n\n\n<p>Such editing would not have been possible if he had taped an orchestra or ensemble at one place and time, a <a href=\"https:\/\/www.routledge.com\/On-the-Track-A-Guide-to-Contemporary-Film-Scoring\/Karlin-Wright\/p\/book\/9780415941365\" target=\"_blank\" rel=\"noopener noreferrer\">standard approach<\/a> for recording film soundtracks.<\/p>\n\n\n\n<p>The <a href=\"https:\/\/www.youtube.com\/watch?v=lxZ24jVxpJM\" target=\"_blank\" rel=\"noopener noreferrer\">opening cue<\/a> \u2014 associated with the lead character Bella \u2014 immediately immerses us into its sound world of the film: it begins with a six-note, <a href=\"https:\/\/filmmakermagazine.com\/123969-interview-composer-jerskin-fendrix-poor-things\/\" target=\"_blank\" rel=\"noopener noreferrer\">pitch-bent pizzicato<\/a> (plucked strings).<\/p>\n\n\n\n<p>We might say that its shifting reflects the character&#8217;s initial awkwardness and uncertainty in the world, which the following lush string gesture seems to dispel.<\/p>\n\n\n\n<h2 id=\"freshness-iconoclasm\" class=\"wp-block-heading\">Freshness, iconoclasm<\/h2>\n\n\n\n<p>However, if we listen carefully we realize the bending continues under the strings, suggesting the endurance of Bella&#8217;s curiosity and unique orientation to life even as she becomes experienced.<\/p>\n\n\n\n<p>Her <a href=\"https:\/\/filmmakermagazine.com\/123969-interview-composer-jerskin-fendrix-poor-things\/\" target=\"_blank\" rel=\"noopener noreferrer\">musical accompaniment expands<\/a>, filling or creating sonic space of scenes as she physically, emotionally and intellectually develops in the film.<\/p>\n\n\n\n<p>Yet the Bella theme <a href=\"https:\/\/www.rogerebert.com\/reviews\/poor-things-movie-review-2023\" target=\"_blank\" rel=\"noopener noreferrer\">persists<\/a> throughout, the only <a href=\"https:\/\/filmmakermagazine.com\/123969-interview-composer-jerskin-fendrix-poor-things\/\" target=\"_blank\" rel=\"noopener noreferrer\">leitmotif<\/a> introduced by Fendrix.<\/p>\n\n\n\n<p>Fendrix has brilliantly demonstrated that one does not need to follow standard film-scoring practices to express intense and profound emotions in music.<\/p>\n\n\n\n<p>Perhaps the <a href=\"https:\/\/variety.com\/2024\/music\/focus\/the-zone-of-interest-poor-things-the-killer-composers-discuss-strange-scores-1235867125\/\" target=\"_blank\" rel=\"noopener noreferrer\">freshness and iconoclasm<\/a> that he and his colleagues from popular music bring to scores are just what we need to inspire contemporary cinema and viewers.<\/p>\n\n\n\n<p>_<br>\n<a href=\"https:\/\/newsroom.carleton.ca\">Carleton Newsroom<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/counter.theconversation.com\/content\/224568\/count.gif?distributor=republish-lightbox-basic\" alt=\"The Conversation\"\/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At first glance the British composer Jerskin Fendrix (the stage name used by Joscelin Dent-Pooley) does not seem an obvious candidate for scoring Poor Things, now nominated for best original score at the upcoming Academy Awards.<\/p>\n","protected":false},"author":410,"featured_media":91317,"template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"cu_story_type":[1623],"cu_story_tag":[],"class_list":["post-91315","cu_story","type-cu_story","status-publish","has-post-thumbnail","hentry","cu_story_type-expert-perspectives"],"acf":{"cu_post_thumbnail":"blueprint"},"_links":{"self":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/91315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story"}],"about":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/types\/cu_story"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/users\/410"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/91315\/revisions"}],"predecessor-version":[{"id":91324,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story\/91315\/revisions\/91324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media\/91317"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/media?parent=91315"}],"wp:term":[{"taxonomy":"cu_story_type","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_type?post=91315"},{"taxonomy":"cu_story_tag","embeddable":true,"href":"https:\/\/carleton.ca\/news\/wp-json\/wp\/v2\/cu_story_tag?post=91315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}