{"id":1087,"date":"2024-10-16T14:25:26","date_gmt":"2024-10-16T18:25:26","guid":{"rendered":"https:\/\/carleton.ca\/scholars-at-risk\/?p=1087"},"modified":"2024-11-01T15:39:29","modified_gmt":"2024-11-01T19:39:29","slug":"nataliia-kononova-mysteries-near-the-waterfall","status":"publish","type":"post","link":"https:\/\/carleton.ca\/scholars-at-risk\/2024\/nataliia-kononova-mysteries-near-the-waterfall\/","title":{"rendered":"Nataliia Kononova: Mysteries near the Waterfall"},"content":{"rendered":"

Nataliia Kononova: Mysteries near the Waterfall<\/strong><\/h2>\n

Carleton University – Maxwell MacOdrum Library<\/p>\n

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Exhibition Dates:<\/strong> November 29th to December 31st 2024<\/p>\n

Vernissage:<\/strong> Monday December 2nd, 2024, 7:00 to 9:00 PM<\/p>\n

Refreshments provided<\/em><\/p><\/div>\n

Dates de l’exposition:<\/strong> Du 29 novembre au 31 d\u00e9cembre 2024<\/p>\n

Vernissage:<\/strong> Le lundi, 2 d\u00e9cembre, 2024, de 19h \u00e0 21h<\/p>\n

Des boissons sont offertes<\/em><\/p><\/div><\/div>\n

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Autumn Leaf-Eater, Acrylic on Canvas, 2023, 18×24 in Mangeur de feuilles d\u2019automne, acrylique sur toile, 2023, 18×24 po<\/figcaption><\/figure>
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Autumn Mystery, Acrylic on Canvas, 2023, 24×18 in\nMyst\u00e8re d\u2019automne, acrylique sur toile, 2023, 24×18 po\n<\/figcaption><\/figure>
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Meeting, Acrylic on Canvas, 2023, 18×24 in Rencontre, acrylique sur toile, 2023, 18×24 po<\/figcaption><\/figure>
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Waterfalls at Prince of Wales, Acrylic on Canvas, 2023, 24×18 in Chutes d\u2019eau \u00e0 Prince of Wales, acrylique sur toile, 2023, 24×18 po<\/figcaption><\/figure><\/div>\n

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With your financial support, Carleton University will emerge as a global leader in the fight for academic freedom and human rights. Support Scholars at Risk by funding our efforts to provide a safe environment within our institution for scholars whose lives are threatened due to the nature of their academic works.<\/p>\n

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Make a donation on FutureFunder.ca<\/a><\/p>\n<\/div>\n

Carleton employees can donate through monthly payroll deduction: a simple and secure way to have a great impact. Simply select this as your preferred method of payment on\u00a0FutureFunder.ca<\/a>.<\/p>\n

Nataliia\u2019s Artist Statement<\/h2>\n

I have grown to believe that the human being is a vessel from which flows that which has filled it. This has been especially true of my creative work because art has always been my passion. My journey into art began a long time ago and it continues today. During the past forty years, I have used my work as a journalist as an experimental field for the search of forms and meanings of the beautiful, the monstrous, the high and the low, the majestic and the vulgar.<\/p>\n

My journalistic career began as a correspondent for large-circulation factory newspapers. The goal was to find within the routines and facts of factory life means of improving that life. To achieve this, I had to delve into the economic, political, cultural, and ideological problems related to this subject.<\/p>\n

By 1998, I became a correspondent for the first big private national newspaper\u2014Kievskie vedomosti<\/em>\u2014which was published three times a day in several languages. I became the newspaper\u2019s only representative in the difficult mining region of Donbas in eastern Ukraine, where I had to \u201cdig\u201d deep in search of the relevant and this led to my meeting of interesting, talented people. These people were often artists, inventors, sculptors, writers, civil servants, and politicians. As I went to work for other publications, I continued to grow, change, and search for new forms, designs, and images. I was helped in this search by my synesthesia, the sensory phenomenon of seeing letters and words in colour.<\/p>\n

When war began in 2014 in Ukraine, my husband and I were forced to move temporarily to Galicia in the west of Ukraine, where my husband continued to pursue his academic studies. Galicia is a wonderful, beautiful part of Ukraine. Its mountains, rivers, valleys, flora and fauna can be admired endlessly. It\u2019s impossible not to paint there.<\/p>\n

In the Galician city of Ivano-Frankivsk, I began working with ceramics, which local craftsmen have always practiced here. By accident, I came upon my own style of creating paintings by layering fabrics. After all, one can paint not only with paints, but also with clay, fabrics, wood, or stone. The principle that I have always tried to follow has to do with \u201cdynamism,\u201d by which an image attains a maximum of movement. As long as there is such \u201cdynamism\u201d in a picture, there is life. In 2018, my first exhibit of fabric paintings took place at the gallery \u201cBastion\u201d in Ivano-Frankivsk, under the title \u201cShores\u201d.<\/p>\n

Seven years after the start of the war, we returned home to Donbas. We purchased a house in Bakhmut, where we moved all of our belongings, including all the paintings and ceramics that I had completed in the last seven years. Four months later, the war took away both our home and my art collection.<\/p>\n

Under the auspices of the international organization \u201cScholars at Risk,\u201d our new friends at Carleton University\u2014Milana Nikolko, Dana Dragunoiu, Andrew Wallace, Norah Vollmer, Angelo Mingarelli, Alex MacLellan, and Brian Foss\u2014provided us with a new life, this time in Ottawa. Ottawa provided other friends, too, such as Tanya Chour and the Botygin family.<\/p>\n

Though we continue to have one foot in Ukraine next to our children, we live a full life filled with creativity in Ottawa. My husband is pursuing his scholarly studies while I work with acrylics. We live next to a park near the Hog’s Back waterfall. It is impossible to get enough of its beauty: every day is different, unexpected, unlike the previous day. Thousands of years can be seen through its fast waters. In its expansive flows, I see human faces, the contours of marvelous animals and fantastic creatures.<\/p>\n

_____________________________________________<\/p>\n

About the Artist<\/h2>\n

Nataliia Kononova is a Ukrainian journalist from Donbas. By 1998, she became a correspondent for the first major private national newspaper, Kievskie vedomosti<\/em>. While reporting about the mining region of Luhansk and Donetsk, she often wrote about artists, inventors, sculptors, writers, civil servants, and politicians.<\/p>\n

When war began in Ukraine in 2014, she and her husband moved temporarily to Ivano-Frankivsk, where her husband continued his work as a professor and researcher. Here, while continuing to work as a journalist, she also took up working in ceramics. In doing so, she accidentally found her own style of creating paintings by layering fabrics. The main principle that informs her work is \u201cto achieve the \u2018dynamism\u2019 of an image for the sake of maximum emotionality.\u201d In 2018, the Ivano-Frankivsk gallery Bastion hosted her first exhibition of fabric paintings. Seven years after the start of the war, she and her husband returned to Donbas, but four months later, the war destroyed their new home as well as Nataliia\u2019s collection of paintings and ceramics.<\/p>\n

The Carleton University chapter of the international organization Scholars at Risk gave her husband the opportunity to continue pursuing his academic work in Ottawa and Nataliia the opportunity to paint again. Nataliia says: \u201cA person is like a vessel from which flows that which has filled it. We live in Ottawa near the Hog\u2019s Back waterfall, which is different and unexpected every day of the year. Thousands of years can be seen through its fast waters. In its expansive flows, I see human faces, the contours of marvelous animals and fantastic creatures.\u201d<\/p>\n

For more information about the artist, please visit our website at: https:\/\/carleton.ca\/scholars-at-risk\/<\/a>
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“\u0411\u0435\u0440\u0435\u0433\u0438”.<\/p>\n

\u0427\u0435\u0440\u0435\u0437 7 \u0440\u043e\u043a\u0456\u0432 \u043f\u0456\u0441\u043b\u044f \u043f\u043e\u0447\u0430\u0442\u043a\u0443 \u0432\u0456\u0439\u043d\u0438 \u0432\u043e\u043d\u0438 \u043f\u043e\u0432\u0435\u0440\u043d\u0443\u043b\u0438\u0441\u044f \u043d\u0430 \u0414\u043e\u043d\u0431\u0430\u0441, \u0430\u043b\u0435 \u0437\u0430 4 \u043c\u0456\u0441\u044f\u0446\u0456 \u0432\u0456\u0439\u043d\u0430 \u0437\u043d\u043e\u0432\u0443 \u0437\u0430\u0431\u0440\u0430\u043b\u0430 \u0456 \u0431\u0443\u0434\u0438\u043d\u043e\u043a, \u0456 \u043a\u043e\u043b\u0435\u043a\u0446\u0456\u044e \u043a\u0430\u0440\u0442\u0438\u043d \u0437 \u043a\u0435\u0440\u0430\u043c\u0456\u043a\u043e\u044e.\u041c\u0456\u0436\u043d\u0430\u0440\u043e\u0434\u043d\u0438\u0439 \u043f\u0440\u043e\u0435\u043a\u0442 “Scholars of Risk” (\u0412\u0447\u0435\u043d\u0456 \u0432 \u043d\u0435\u0431\u0435\u0437\u043f\u0435\u0446\u0456), \u043d\u043e\u0432\u0456 \u0434\u0440\u0443\u0437\u0456 – \u0432\u0438\u043a\u043b\u0430\u0434\u0430\u0447\u0456 \u041a\u0430\u0440\u043b\u0442\u043e\u043d\u0441\u044c\u043a\u043e\u0433\u043e \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0443 \u0432 \u041e\u0442\u0442\u0430\u0432\u0456 (\u041a\u0430\u043d\u0430\u0434\u0430) \u0434\u0430\u043b\u0438 \u043c\u043e\u0436\u043b\u0438\u0432\u0456\u0441\u0442\u044c \u0457\u0439 \u0437\u043d\u043e\u0432\u0443 \u043f\u0440\u0430\u0446\u044e\u0432\u0430\u0442\u0438 \u0456 \u0441\u0442\u0432\u043e\u0440\u044e\u0432\u0430\u0442\u0438 \u043a\u0430\u0440\u0442\u0438\u043d\u0438, \u0430 \u0447\u043e\u043b\u043e\u0432\u0456\u043a\u043e\u0432\u0456 – \u0437\u0430\u0439\u043c\u0430\u0442\u0438\u0441\u044f \u043d\u0430\u0443\u043a\u043e\u044e. \u041d\u0430\u0442\u0430\u043b\u0456\u044f \u043a\u0430\u0436\u0435: \u00ab\u041b\u044e\u0434\u0438\u043d\u0430, \u044f\u043a \u0441\u0443\u0434\u0438\u043d\u0430, \u0437 \u043d\u0435\u0457 \u0432\u0438\u043b\u0438\u0432\u0430\u0454\u0442\u044c\u0441\u044f \u0442\u0435, \u0447\u0438\u043c \u0432\u043e\u043d\u0430 \u043d\u0430\u043f\u043e\u0432\u043d\u0435\u043d\u0430. \u041e\u0441\u044c \u043c\u043e\u0457 \u043a\u0430\u0440\u0442\u0438\u043d\u0438. \u041c\u0438 \u0436\u0438\u0432\u0435\u043c\u043e \u0432 \u041e\u0442\u0442\u0430\u0432\u0456 \u0431\u0456\u043b\u044f \u0432\u043e\u0434\u043e\u0441\u043f\u0430\u0434\u0443 Hog’s Back, \u044f\u043a\u0438\u043c \u043d\u0435\u043c\u043e\u0436\u043b\u0438\u0432\u043e \u043f\u0435\u0440\u0435\u0441\u0438\u0442\u0438\u0442\u0438\u0441\u044f – \u0432\u0456\u043d \u0449\u043e\u0434\u043d\u044f \u0456\u043d\u0448\u0438\u0439, \u043d\u0435\u0441\u043f\u043e\u0434\u0456\u0432\u0430\u043d\u0438\u0439, \u043d\u0435 \u0441\u0445\u043e\u0436\u0438\u0439 \u043d\u0430 \u0441\u0435\u0431\u0435 \u0432\u0447\u043e\u0440\u0430. \u041a\u0440\u0456\u0437\u044c \u0439\u043e\u0433\u043e \u0448\u0432\u0438\u0434\u043a\u0456 \u0432\u043e\u0434\u0438 \u043f\u0440\u043e\u0433\u043b\u044f\u0434\u0430\u044e\u0442\u044c\u0441\u044f \u0442\u0438\u0441\u044f\u0447\u043e\u043b\u0456\u0442\u0442\u044f, \u0430 \u0443 \u043a\u043e\u0441\u043c\u0430\u0445 \u0441\u0438\u0432\u0438\u0445 \u0432\u043e\u0434 \u044f \u0431\u0430\u0447\u0443 \u043b\u044e\u0434\u0441\u044c\u043a\u0456 \u043e\u0431\u043b\u0438\u0447\u0447\u044f, \u043a\u043e\u043d\u0442\u0443\u0440\u0438 \u0434\u0438\u0432\u043e\u0432\u0438\u0436\u043d\u0438\u0445 \u0442\u0432\u0430\u0440\u0438\u043d \u0442\u0430 \u0444\u0430\u043d\u0442\u0430\u0441\u0442\u0438\u0447\u043d\u0438\u0445 \u0456\u0441\u0442\u043e\u0442\u00bb.<\/p><\/div>\n

Nataliia Kononova est une journaliste ukrainienne, originaire de la r\u00e9gion du Donbas. En 1998, elle devient correspondante avec le premier grand journal national priv\u00e9, Kievskie vedomosti<\/em>. Les reportages qu\u2019elle faisait dans les\u00a0 r\u00e9gions mini\u00e8res de Luhansk et Donetsk lui ont donn\u00e9 l\u2019occasion d\u2019\u00e9crire des articles \u00e0 propos d\u2019artistes, d\u2019innovateurs, d\u2019\u00e9crivains, de fonctionnaires et de politiciens .<\/p>\n

Au d\u00e9but de la guerre en Ukraine en 2014, elle a d\u00fb fuir sa r\u00e9gion temporairement avec son mari et ils sont rest\u00e9s dans la r\u00e9gion d\u2019Ivano-Frankivsk, o\u00f9 son mari a pu poursuivre ses travaux\u00a0 acad\u00e9miques. Pendant cette p\u00e9riode en exil, en plus de son travail de journaliste , elle commence \u00e0 explorer la c\u00e9ramique. Dans le cadre de ce nouveau projet, Nataliia d\u00e9couvre\u00a0 son propre style unique en cr\u00e9ant\u00a0 des peintures auxquelles elle ajoute des couches de tissu. Le principe fondateur qui guide son travail est \u00abd\u2019\u00e9tablir\u00a0 le \u2018dynamisme\u2019 de l\u2019image dans le but de cr\u00e9er une r\u00e9action \u00e9motive maximale\u00a0 \u00bb. En 2018, la galerie Bastion en Ivano-Frankivsk tient sa premi\u00e8re exposition de peintures \u00e0 base de tissu, qui s\u2019intitule \u00abRivages\u00bb. Sept ans apr\u00e8s le d\u00e9but de la guerre, elle rentre au Donbas avec son mari. Cependant, \u00e0 peine\u00a0 quatre mois apr\u00e8s leur retour, leur maison, et son ensemble d’\u0153uvres, sont d\u00e9truits en raison de la guerre.<\/p>\n

Le mari de Nataliia re\u00e7oit une offre\u00a0 qui lui permettrait de poursuivre son travail acad\u00e9mique (en s\u00e9curit\u00e9??) par l\u2019organisation \u00abScholars at Risk\u00bb avec le soutien de son chapitre\u00a0 \u00e0 l\u2019Universit\u00e9 Carleton \u00e0 Ottawa, au Canada. Ceci a \u00e9galement permis \u00e0 Nataliia de reprendre sa pratique artistique dans la capitale canadienne. Dans les mots de Nataliia: \u00abL\u2019individu est un vaisseau qui s\u2019\u00e9coule en suivant\u00a0 tout ce qui le remplit. Nous vivons \u00e0 Ottawa, \u00e0 quelques pas des Chutes Hog\u2019s Back, qui changent de fa\u00e7ons inattendues tous les jours de l\u2019ann\u00e9e. Des milliers d\u2019ann\u00e9es peuvent \u00eatre aper\u00e7ues dans ses eaux rapides. Je vois des visages humains et les contours d\u2019animaux fantastiques dans ses gigantesques courants.<\/p>\n

Pour en savoir plus sur l\u2019artiste, veuillez cliquer sur lien suivant www.carleton.ca\/scholars-at-risk<\/a>.<\/p><\/div><\/div>\n

<\/p>\n

_________________________________________________________________________________<\/p>\n

About Scholars at Risk Carleton (SAR Carleton)<\/h2>\n

To commemorate the 76th anniversary of the Universal Declaration of Human Rights, we are excited to have this opportunity to highlight the crucial role that Carleton University\u2019s Scholars at Risk (SAR) program, along with SAR programs across Canada, play in strengthening Canada\u2019s commitment to human rights and academic freedom.<\/p>\n

<\/p>\n

Since 2014, Carleton\u2019s Scholars at Risk program has provided a safe haven to 20 at-risk scholars facing threats to their scholarship and lives. In turn, these scholars enrich Carleton\u2019s academic environment by integrating diverse perspectives and establishing new connections in scholarship and research.<\/p>\n

<\/p>\n

You can learn more about our program at www.carleton.ca\/scholars-at-risk<\/a>. If you would like to support our program, please visit our FutureFunder site at https:\/\/carleton.ca\/scholars-at-risk\/donate\/<\/a>.<\/p><\/div>\n

\u00c0 l\u2019occasion du 76e<\/sup> anniversaire de la D\u00e9claration universelle des droits de la personne, nous sommes ravis de pouvoir souligner le r\u00f4le important que joue le programme Scholars at Risk (SAR) de l\u2019Universit\u00e9 Carleton, comme d\u2019autres programmes SAR \u00e0 travers le Canada, dans la protection et la promotion des droits humains et de la libert\u00e9 acad\u00e9mique.<\/p>\n

<\/p>\n

Depuis 2014, le programme Scholars at Risk de Carleton a fourni un espace s\u00e9curitaire \u00e0 20 universitaires menac\u00e9s pour leurs id\u00e9es et dont la libert\u00e9 acad\u00e9mique, voire leur vie, sont en danger. En int\u00e9grant une diversit\u00e9 de perspectives et en \u00e9tablissant de nouvelles connexions acad\u00e9miques \u00e0 notre institution, ces universitaires enrichissent \u00e0 leur tour\u00a0 l\u2019environnement acad\u00e9mique de Carleton.<\/p>\n

<\/p>\n

Pour en savoir plus sur ce programme, veuillez cliquer sur lien suivant www.carleton.ca\/scholars-at-risk<\/a>. Si vous aimeriez soutenir ce programme, visitez notre site FutureFunder \u00e0 travers ce lien https:\/\/carleton.ca\/scholars-at-risk\/donate\/<\/a>.
<\/div><\/div>\n

_________________________________________________________________________________<\/p>\n

About the Curator<\/h2>\n

Leo Khordoc-Davis, the curator of this exhibit, is a young artist who is currently studying fine arts at Concordia University. He was born and raised in Ottawa and discovered a passion for painting when he spent a year living in France with his parents when he was twelve years of age. He has exhibited his work several times at outdoor festivals and in art galleries.<\/p>\n

<\/p>\n

L\u00e9o Khordoc-Davis, qui est le conservateur de cette exposition, est un jeune artiste qui fait pr\u00e9sentement ses \u00e9tudes dans le programme de beaux-arts \u00e0 l\u2019Universit\u00e9 Concordia. Il a grandi \u00e0 Ottawa et il a d\u00e9couvert sa passion pour la peinture \u00e0 l\u2019\u00e2ge de douze ans lors d\u2019une ann\u00e9e sabbatique pass\u00e9e en France avec ses parents. Il a expos\u00e9 son travail plusieurs fois dans des festivals \u00e0 l\u2019ext\u00e9rieur ainsi que dans des galeries d\u2019art.<\/p>\n

_________________________________________________________________________________<\/p>\n

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Nataliia Kononova: Mysteries near the Waterfall Carleton University – Maxwell MacOdrum Library With your financial support, Carleton University will emerge as a global leader in the fight for academic freedom and human rights. 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