{"id":636,"date":"2026-07-15T11:09:02","date_gmt":"2026-07-15T15:09:02","guid":{"rendered":"https:\/\/carleton.ca\/soundingindigenous\/?p=636"},"modified":"2026-08-05T11:16:20","modified_gmt":"2026-08-05T15:16:20","slug":"naf-concert-receives-praise-in-riverpost-magazine","status":"publish","type":"post","link":"https:\/\/carleton.ca\/soundingindigenous\/2026\/naf-concert-receives-praise-in-riverpost-magazine\/","title":{"rendered":"NAF concert receives praise in RiverPost magazine"},"content":{"rendered":"\n<section class=\"w-screen px-6 cu-section cu-section--white ml-offset-center md:px-8 lg:px-14\">\n    <div class=\"space-y-6 cu-max-w-child-5xl  md:space-y-10 cu-prose-first-last\">\n\n            <div class=\"cu-textmedia flex flex-col lg:flex-row mx-auto gap-6 md:gap-10 my-6 md:my-12 first:mt-0 max-w-5xl\">\n        <div class=\"justify-start cu-textmedia-content cu-prose-first-last\" style=\"flex: 0 0 100%;\">\n            <header class=\"font-light prose-xl cu-pageheader md:prose-2xl cu-component-updated cu-prose-first-last\">\n                                    <h1 class=\"cu-prose-first-last font-semibold !mt-2 mb-4 md:mb-6 relative after:absolute after:h-px after:bottom-0 after:bg-cu-red after:left-px text-3xl md:text-4xl lg:text-5xl lg:leading-[3.5rem] pb-5 after:w-10 text-cu-black-700 not-prose\">\n                        NAF concert receives praise in RiverPost magazine\n                    <\/h1>\n                \n                                \n                            <\/header>\n\n                    <\/div>\n\n            <\/div>\n\n    <\/div>\n<\/section>\n\n\n\n<p class=\"wp-block-paragraph\">The &#8220;Sounding Indigenous in South Africa&#8221; project-sponsored concert, <strong class=\"myprefix-text-bold\">&#8220;Awe! Khoe Sounds from Namaqua&#8221;, <\/strong>received a glowing review in the Eastern Cape-based RiverPost (RivierPos) magazine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Read excerpts of the review below. <\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-full w-screen ml-offset-center cu-max-w-child-7xl px-4 md:px-6 lg:px-12\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"506\" src=\"https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/07\/Screenshot-2026-08-05-at-10.55.50-AM.png\" alt=\"Riverpost post\" class=\"wp-image-642\" srcset=\"https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/07\/Screenshot-2026-08-05-at-10.55.50-AM.png 684w, https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/07\/Screenshot-2026-08-05-at-10.55.50-AM-512x379.png 512w, https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/07\/Screenshot-2026-08-05-at-10.55.50-AM-320x237.png 320w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image alignwide size-full w-screen ml-offset-center cu-max-w-child-7xl px-4 md:px-6 lg:px-12\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"763\" src=\"https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/08\/Screenshot-2026-06-29-at-12.25.36-PM.png\" alt=\"Boeta Gammie on stage\" class=\"wp-image-638\" srcset=\"https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/08\/Screenshot-2026-06-29-at-12.25.36-PM.png 460w, https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/08\/Screenshot-2026-06-29-at-12.25.36-PM-320x531.png 320w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image alignwide size-full w-screen ml-offset-center cu-max-w-child-7xl px-4 md:px-6 lg:px-12\"><img loading=\"lazy\" decoding=\"async\" width=\"454\" height=\"520\" src=\"https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/08\/Screenshot-2026-06-29-at-12.26.27-PM-1.png\" alt=\"Boetles Gewers on stage\" class=\"wp-image-639\" srcset=\"https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/08\/Screenshot-2026-06-29-at-12.26.27-PM-1.png 454w, https:\/\/carleton.ca\/soundingindigenous\/wp-content\/uploads\/sites\/118\/2026\/08\/Screenshot-2026-06-29-at-12.26.27-PM-1-320x367.png 320w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;<strong class=\"myprefix-text-bold\">Preservation meets celebration in Awe! Khoe sounds from Namaqua<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Fringe program at the National Arts Festival delivered a culturally significant showcase yesterday afternoon at the Amazwi South African Museum of Literature. The performance by Awe! Khoe Sounds from Namaqua was far more than a standard musical set; it was a vibrant, living archive of Northern Cape heritage brought to the stage.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The production brought together an extraordinary group of Nama musicians. Taking center stage were the award-winning rieldans performers Jan Isaacs, known professionally as Boeta Gammie, and his son AJ Lee, delivering exceptional footwork that grounded the performance in regional dance traditions. Nama songwriter and Nama tin guitar player, Sylvester Fortuin\u2014 known as Oom Dolly and the original composer of the iconic track &#8220;Jaloers Bokkie&#8221; (later popularised by David Kramer)\u2014anchored the melodic arrangements alongside traditional tin-violin player Oom Bampie. Supported by the talented Jaco Julius and Boetles Gewers, the ensemble filled the venue with an infectious energy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The group navigated genres like the Nama stapdans and traditional rieldans, weaving historic Khoe and San storytelling with contemporary acoustic arrangements. Centered around a dynamic harmonica player downstage, the band pulled the audience into rhythmic breakdowns that balanced precision with celebratory joy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Among the set highlights was the rendition of local folk melodies, including the catchy lyrics of &#8220;Bokkie Bokkie&#8221;:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Bokkie, Bokkie, s\u00ea tog net vir my,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As jy tog liewer vir my kom staan.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Op my vrybakkie daar,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ek s\u00ea, Bokkie, is dit waar?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jy maak mos my lewe deurmekaar.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The call-and-response style and synchronised instrumental play had the audience captivated, transforming a localised musical tradition into an engaging theatrical experience.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What makes Awe! Khoe Sounds particularly interesting is its position within active cultural preservation. The musicians form part of an extensive research initiative called \u201cSounding Indigenous in South Africa\u201d (SISA). This project pairs Khoe and San scholar-activists with academic researchers from Rhodes University, Nelson Mandela University, and Carleton University of Canada to systematically document and archive heritage music and dance performances across Northern Cape communities.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What this reviewer likes about it is that the archival output\u2014photographs, video, and audio recordings\u2014is not locked away in an academic vacuum. It is stored directly with the indigenous community who generate the art, and professionally at the International Library of African Music (ILAM) right here in Makhanda.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yesterday\u2019s performance at Amazwi proved that archiving culture does not mean keeping it static. By stepping out of the field recordings and onto the festival stage, these musicians demonstrated that the sounds of Namaqualand remain joyous and vital.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cEn ek jokkie vir jou bokkie\u201d, for a nominal ticket price of R20, festival goers were treated to an invaluable performance of South African musical history.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong class=\"myprefix-text-bold\">M<\/strong><strong class=\"myprefix-text-bold\">a<\/strong><strong class=\"myprefix-text-bold\">n<\/strong><strong class=\"myprefix-text-bold\">y<\/strong><strong class=\"myprefix-text-bold\"> <\/strong><strong class=\"myprefix-text-bold\">t<\/strong><strong class=\"myprefix-text-bold\">h<\/strong><strong class=\"myprefix-text-bold\">a<\/strong><strong class=\"myprefix-text-bold\">n<\/strong><strong class=\"myprefix-text-bold\">k<\/strong><strong class=\"myprefix-text-bold\">s<\/strong><strong class=\"myprefix-text-bold\"> <\/strong><strong 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class=\"myprefix-text-bold\">t<\/strong><strong class=\"myprefix-text-bold\">i<\/strong><strong class=\"myprefix-text-bold\">o<\/strong><strong class=\"myprefix-text-bold\">n<\/strong><strong class=\"myprefix-text-bold\">a<\/strong><strong class=\"myprefix-text-bold\">l<\/strong><strong class=\"myprefix-text-bold\"> <\/strong><strong class=\"myprefix-text-bold\">A<\/strong><strong class=\"myprefix-text-bold\">r<\/strong><strong class=\"myprefix-text-bold\">t<\/strong><strong class=\"myprefix-text-bold\">s<\/strong><strong class=\"myprefix-text-bold\"> <\/strong><strong class=\"myprefix-text-bold\">F<\/strong><strong class=\"myprefix-text-bold\">e<\/strong><strong class=\"myprefix-text-bold\">s<\/strong><strong class=\"myprefix-text-bold\">t<\/strong><strong class=\"myprefix-text-bold\">i<\/strong><strong class=\"myprefix-text-bold\">v<\/strong><strong class=\"myprefix-text-bold\">a<\/strong><strong class=\"myprefix-text-bold\">l<\/strong><strong class=\"myprefix-text-bold\">!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The &#8220;Sounding Indigenous in South Africa&#8221; project-sponsored concert, &#8220;Awe! Khoe Sounds from Namaqua&#8221;, received a glowing review in the Eastern Cape-based RiverPost (RivierPos) magazine. Read excerpts of the review below. &#8220;Preservation meets celebration in Awe! Khoe sounds from Namaqua The Fringe program at the National Arts Festival delivered a culturally significant showcase yesterday afternoon at [&hellip;]<\/p>\n","protected":false},"author":324,"featured_media":642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"class_list":["post-636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":{"cu_post_thumbnail":""},"_links":{"self":[{"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/posts\/636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/users\/324"}],"replies":[{"embeddable":true,"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/comments?post=636"}],"version-history":[{"count":3,"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/posts\/636\/revisions"}],"predecessor-version":[{"id":643,"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/posts\/636\/revisions\/643"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/media\/642"}],"wp:attachment":[{"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/media?parent=636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/categories?post=636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/carleton.ca\/soundingindigenous\/wp-json\/wp\/v2\/tags?post=636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}