Ponja Online Bibliography /
“An Exploration of the Scarcity of the Asian Images of Morimura Yasumasa, 1991–2010”
“Framing Scenery: A Potential History of Landscape Photography in Colonial Hokkaidō”
“Race and Empire in Meiji Japan: An Introduction to the Special Issue”
“Introduction: Between the Viewfinder and the Lens—A Journey into the Performativity of Self-Presentation, Gender, Race and Class in Heisei Photography (1988-2018)”
Daniell, “Pretty Vacant: The Photographs of Takashi Homma”
Daniell, “Just Looking: The Origins of the Roadway Observation Society”
Hiro, Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950–1970
Borggreen, “Cute and Cool in Contemporary Japanese Visual Arts”
Zohar, “Performativity and Invisibility: The Asia-Pacific War Memory in Japanese Photography—Tsukada Mamoru’s Identical Twins Series (2003) and Suzuki Norio’s Photos of Onoda Hiroo (1974)”
Zohar, “The Elu[va]sive Portrait: Mimicry, Masquerade and Camouflage—Conceptual and Theoretical Notes, an Introduction”
Zohar, “The Elu[va]sive Japanese Portrait: Repetition, Difference and Multiplicity”
Zohar, “Introduction”
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