Photo of Robert Holton

Robert Holton

Degrees:B.A. (St. Mary's University), M.A. (University of London), Ph.D. (McGill University)
Phone:613-520-2600 x 2308
Email:robert_holton@carleton.ca
Office:1919 Dunton Tower

Research Interests

  • American literature
  • Theory
  • Twentieth century literature

Current Research

My current research project involves an exploration of the linked discourses of conformism and alienation that had a major impact on postwar American culture.  This impact can be traced not only through the social science studies that proliferated at the time, but also through the remarkably popular genre of escape narratives (Catcher in the Rye, Rabbit Run, Cool Hand Luke, The Great Escape, One Flew Over the Cuckoo’s Nest etc.) that emerged.  In response to anxieties arising from concerns about conformism and alienation, explorations of positions outside the new conformist spaces involved class identity, racial identity and the pastoral.  All of these cultural materials contributed to the postwar bohemianism (the beat generation and the hippies) that became such a prominent feature of that period.

The beats and hippies were in some ways unique subcultures, but they were also part of the much larger pattern of bohemianism, a social formation existing in a complex relation to bourgeois culture–and the subject of my next research project.  Bohemianism emerged in Paris in the early 1800s and spread to America by the 1850s. By the turn of the century, bohemian communities existed in several American cities but Greenwich Village was soon established as a major hub of American bohemianism.  In the 20th century, bohemianism flourished to the point that, by the 21st century it has become the unlikely focus of study for its positive economic effects (Richard Florida, for example, or Richard Lloyd).

Books

What’s Your Road? Critical Essays on Jack Kerouac’s On the Road. Eds. Hillary Holladay and Robert Holton. Carbondale: Southern Illinois University Press, 2009.

On the Road: Jack Kerouac’s Ragged American Journey. New York: Twayne, 1999.

Jarring Witnesses: Modern Fiction and the Representation of History.  London: Harvester Wheatsheaf, 1994, 1995.  Reissued Edinburgh: Edinburgh University Press, 1996.

Recent Publications

“Useless Lumpens in Gravity’s Rainbow.” Pynchon Notes. Forthcoming.

“‘Room for One More’: The Invitation to Naked Lunch.” Naked Lunch @ 50: Anniversary Essays. Ed. Oliver Harris and Ian MacFadyen. Carbondale: Southern Illinois University Press, 2009. 26-35.

“The Tenement Castle: Kerouac’s Lumpen Bohemia.”  What’s Your Road? Critical Essays on Jack Kerouac’s On the Road. Eds. Hillary Holladay and Robert Holton. Carbondale: Southern Illinois University Press, 2009. 60-76.

“Beat Literature and the Folds of Heterogeneity.” Reconstructing the Beats.  Ed. Jennie Skerl. New York: Palgrave Macmillan, 2004. 11-27.