Past Event! Note: this event has already taken place.
The Aesthetics of Belonging: Indigenous Urbanism, City Building and the Oil Boom in Luanda
November 27, 2024 at 1:00 PM to 2:30 PM
Location: | Zoom |
Cost: | Free |
Audience: | Alumni, Anyone, Carleton Community, Staff and Faculty |
Contact Email: | AfricanStudies@cunet.carleton.ca |
Join us for a thought-provoking seminar on the intersections of urbanism, indigenous identity, and the transformation of Luanda during the oil boom. Claudia Gastrow (North Carolina State University) will present her latest work on the aesthetics of belonging in this rapidly changing urban landscape, followed by discussions led by Antonio Tomas ( UC Irvine) and Grace Adeniyi-Ogunyankin (Queen’s University).
This is an excellent opportunity for scholars, students, and enthusiasts of African studies, urbanism, and postcolonial societies to engage in a rich dialogue on these pressing issues.
About the book:
After centuries of colonial rule, the end of Angola’s three-decade civil war in 2002 provided an irresistible opportunity for the government to reimagine the Luanda cityscape. Awash with petrodollars cultivated through strategic foreign relationships, President Jose Eduardo dos Santos rolled out a national reconstruction program that sought to transform Angola’s capital into what he considered to be a modern, world-class metropolis. Until funds dried up in 2014, the program—in conjunction with sweeping private investments in real estate—involved mass demolitions of vernacular architecture to make way for high-rise buildings, large-scale housing projects, and commercial centers. The program thus underestimated the values enshrined in the materials and designs of Luanda’s existing “informally” constructed neighborhoods, or musseques.
The Aesthetics of Belonging explores the political significance of aesthetics in the remaking of the city. Claudia Gastrow’s archival and ethnographic work, which includes interviews with city planners, architects, nonprofit leaders, and urban dwellers, shows how government infrastructure projects and foreign-inspired designs came to embody displacement and exclusion for many. This, Gastrow argues, catalyzed a countermovement, an aesthetic dissent rooted in critically reframing informal urbanism as Indigenous—a move that enabled the possibility of recognizing the political potential of informal settlements as spaces that produce belonging.ders from London through Paris to francophone Africa and revealing along the way how the colonial past shapes present-day anxieties linking same-sex practices to enrichment.