Full Professor (On Leave 2021-2022)
|Phone:||613-520-2600 x 3791|
BA (University of Winnipeg), MA (Concordia University), PhD (University of London)
I came to Carleton in 2009 after twenty-one years of teaching art history at Concordia University in Montreal, where I was the 2003 recipient of the Faculty of Fine Arts Distinguished Teaching Award. Although I’ve taught a broad range of subjects, ranging from ancient Roman art and architecture to the decorative arts, the history of art institutions, modern and contemporary art theory, and nationhood and identity in visual culture, my deepest commitment is to Canadian art of the nineteenth and twentieth centuries. In addition to teaching and supervising M.A. and Ph.D. theses in this area, I am the co-editor of The Visual Arts in Canada: The Twentieth Century (Oxford University Press, 2010/2011), the Chair of the Editorial Board of the Journal of Canadian Art History, a former editor of RACAR (Revue d’art canadien / Canada Art Review), and the author of the e-book Homer Watson: Life and Work (Art Canada Institute, 2018). I have also organized, co-organized or contributed essays to exhibitions on the art of Robert Harris (1849-1919), Molly Lamb Bobak (1922-2014), Mary Hiester Reid (1854-1921), Miller Gore Brittain (1912-68) and Edwin Holgate (1892-1977), and have curated exhibitions on such subjects as the modern city, work by emerging artists, art collecting by the Université de Montréal, military views of Lower Canada, and the visual representation of rural Quebec. With Jacques Des Rochers of the Montreal Museum of Fine Arts I organized the exhibition 1920s Modernism in Montreal: The Beaver Hall Group (2015), which won the 2016 Award of Outstanding Achievement for an Art Exhibition from the Canadian Museums Association, while the accompanying catalogue won the Prix d’excellence for exhibition catalogues from the Société des Musées Québécois, and the Melva J. Dwyer Award from the Art Libraries Society of North America. Freelance curating particularly attracts me because it requires me to deal hands-on with art objects as objects, and to produce work that addresses both specialists and members of the general public. On a different subject entirely, my longstanding interest in the relationship between war and art (an odd fascination for someone who faints at the sight of blood) culminated in War Paint: Art, War, State and Identity in Britain 1939-45 (Yale University Press, 2007).
Brian Foss, Homer Watson: Life and Work (Toronto: Art Canada Institute, 2018). Ebook: https://www.aci-iac.ca/art-books/homer-watson).
Brian Foss, “‘The Colour and the Peculiar Feeling of Events,” and “The WAAC’s Artists”, in Sacha Llewellyn and Paul Liss, eds., WW II: War Pictures by British Artists (London: Liss Llewellyn Fine Arts, 2016).
Brian Foss, “‘A Detached Observer We Feel We Can Trust,” in Sacha Llewellyn and Paul Liss, eds., Charles Cundall (1890-1971) (London: Liss Llewellyn Fine Art, 2016).
Jacques Des Rochers & Brian Foss, 1920s Modernism in Montreal: The Beaver Hall Group (Montreal & London: Montreal Museum of Fine Arts, & Black Dog Press, 2015).
Brian Foss, “Alan Sorrell’s War, 1939-46: A View from Above,” in Sacha Llewellyn and Richard Sorrell, eds., Alan Sorrell: The Life and Works of an English Neo-Romantic Artist (Bristol: Sansom & Company, 2013).
Anne Whitelaw, Brian Foss and Sandra Paikowsky, eds., The Visual Arts in Canada: The Twentieth Century (Toronto: Oxford University Press).
Brian Foss, Picturesque and Other Illustrated Books in Nineteenth-Century North America (Ottawa: National Gallery of Canada Library & Archives, 2010).
“Word and Image: North American Landscape in Nineteenth-century Illustrated Publications,” in Hilliard Goldfarb, ed., Expanding Horizons: Painting and Photography of American and Canadian Landscapes 1860-1918 (Montreal: Montreal Museum of Fine Arts, 2009).
War Paint: Art, War, State and Identity in Britain 1939-45 (New Haven & London: Yale University Press; 2007). Shortlisted for the 2007 William M.B. Berger Prize for British Art History.
(With Rosalind Pepall): Edwin Holgate (Montreal: Montreal Museum of Fine Arts, 2005).
(With Janice Anderson): Quiet Harmony: The Art of Mary Hiester Reid (Toronto: Art Gallery of Ontario, 2000).
“War and the Visual Arts,” in Loyd E. Lee, ed. World War II in Asia and the Pacific and the War’s Aftermath, With General Themes: A Handbook of Literature and Research (Westport CN & London: Greenwood Press, 1998).
“The Road to Calvary,” in Curtis J. Collins, ed., God, Man, and the Devil: Miller Gore Brittain (Fredericton: Beaverbrook Art Gallery, 1998).
“Molly Lamb Bobak: Art and War / Molly Lamb Bobak: art et guerre,” in Cindy Richmond, ed., Molly Lamb Bobak: A Retrospective (Regina: Mackenzie Art Gallery, 1993).
Regine Basha, Sylvain Campeau, Jennifer Couëlle and Brian Foss, L’Entrespace / The Space Between (Montreal: Saidye Bronfman Centre, 1993).
Brian Foss, Robert Harris and the Politics of Portraiture (St. Lambert, QC: Musée Marsil, 1991).
Brian Foss, Sur la scène locale / Local Developments: 20th-century Montreal Area Art from the Collection of the Université de Montréal (Montreal: Leonard & Bina Ellen Art Gallery, 1991).