Full Professor; Assistant Director, SSAC-Music
|Phone:||613-520-2600 x 3794|
|Office:||A813 Loeb Building|
William Echard’s musicological work is concerned with social semiotics, embodiment, and cultural processes of reception. He deals mostly with post-1950s popular musics of North America, and has published in several venues, including Popular Music, The Semiotic Review of Books, and the Canadian Folk Music Journal.
Psychedelic Popular Music: A History through Musical Topic Theory (Indiana University Press, 2017)