Dr. Stéfy McKnight (she/her/they/elle) is a white settler femme of centre (foc) and queer artist-scholar based in Katarokwi/Kingston, on traditional Anishinaabe and Haudenosaunee Territory. Stéfy’s research examines research-creation as a methodology for knowledge production and fact-based storytelling in Canada. Her research interests are broad and look at surveillance as contemporary colonialism in Canada; queer and femme representation in digital and virtual spaces; 2SLGBTQIA+ activism; technology in rural communities, and art as function-creep.
Her scholarly work takes the form of performance, multi-media interventions, online curatorial projects, 3D printing, installation, video, and live streaming. Her research-creationhas been exhibited at the Stratford Gallery (Stratford); Modern Fuel Artist-Run Centre (Kingston); Isabel Bader Centre for the Performing Arts (Kingston); White Water Gallery (North Bay) and others.
In 2017, Stéfy founded the University Art Association of Canada (UAAC) Research-Creation Caucus, who meet annually to discuss the ongoing trends, work, and movements in the field.
Stéfy is a member of the performance duo Cam Hunters (with Dr. Julia Chan). Cam Hunters seeks to reveal and interrogate the increasing presence of surveillance, in all its forms, in our lives. They do this through a range of projects, such as performances, creating satirical videos, recording a podcast, and offering critical tools. In 2020, Cam Hunters created the “Statement on Declining Online Imaging and Recording”, which was shared and used across Canada and internationally.
2021 – ongoing: “Multimedia Storytelling with Indigenous Youth and Post-Secondary Students: Youth Co-creation of a Vision for Sustainable Development as a Strategy toward Reconciliation”, co-applicant (PI: Rick Colbourne), funded by Multidisciplinary Research Catalyst Fund (MRCF).
2021-ongoing: PROTOHYVE: Centre for Innovative Research-Creation
2020-ongoing: #MewToo: queer and femme representation in fandoms (Professor Lavender)
2017-ongoing: Cam Hunters
Select Past Research
2020: “Creative Research Methodologies for Surveillances Studies”, Surveillance & Society. 18 (1), 148-156, SSHRC funded
2014 – 2016: Organic Surveillance: Security & Myth in the Rural (www.organicsurveillance.com) SSHRC funded
2021: (co-applicant) Multidisciplinary Research Catalyst Fund (MRCF), Carleton, University
2018-2021 (deferred 2021): (PI) Joseph-Bombardier Canada Graduate Scholarship, Social Sciences Humanities Research Council
2015-2016: (PI) Canada Graduate Scholarship, Social Sciences Humanities Research Council
2019: Union Activist of the Year, Kingston District Labour Council, Kingston, ON
2017: Honorable mention, Inaugural bi-annual Surveillance Studies Network Art Fund Prize.
2020: PhD, Cultural Studies Program, Queen’s University, Kingston,
2016: Master of Art, Cultural Studies Program, Queen’s University, Kingston, ON.
2014: Bachelor of Fine Arts (Honours) and minor in Gender Equality and Social Justice, Nipissing University, North Bay, ON.